Beauty vs Beast: All About the Blonde
JA from MNPP here. At this point it feels more than a little cliche to call Alfred Hitchcock your favorite film-maker. Tomorrow is his 115th birthday and it feels like we've spent at least double that amount of time writing about and reacting to how great, twisted, funny, pervy and technically masterful he was. Hitch is often the gateway drug, the little puff of movie marijuana that leads true cineastes on to the hard stuff.
I'll always come back to my first taste. It was the sweetest, the purest, and it still sends that shiver down my spine. I remember the first time I realized that movies, Movies, these are the thing I love, laying on my cousin's floor watching a camera sweep across across a boxy Manhattan backyard filled with windows into another world, stories in shorthand of life on top of life, all at once. It was everything. It still is everything.
So let's pay our respects by devoting this week's "Beauty vs Beast" to the man who made me interested in the ambiguities of the "good" guys and the "bad" guys in the first place, and let's do it with the movie that finally tossed Citizen Kane down the staircase.
You only have six days to vote this week since we're running a day behind (sorry about the delay) so get to it - bleach yourself, slide into a gray dress, wander through a redwood forest or some neon green light, do whatever it takes - just pick and make your case in the comments!
PREVIOUSLY Last week we were talking about the blonde presuasion as well - Charlize Theron and Patrick Wilson faced off again in a Young Adult redux. Wilson's Buddy might be the nice guy, willing to clean up baby burps and all that, but he never stood a chance against mean girl-woman Mavis. CMG put is succinctly:
"Mavis. Buddy is blind and seems dumb. The end."