10 Days Til Oscar. Sigh and Think of Paul Newman.

Today's magic number is 10. I know you were hoping for a look back ten years to that long awaited 2003 Supporting Actress Smackdown but the lists of reasons that has been delayed multiple times are too boring and painful to share. I promise it's coming! (I'll try for the Saturday morning before the Oscars as a deep breath before the plunge.) Funny but true: I was working on it earlier today and thought "oh, I know. I'll post it on the 10th anniversary of that Oscar ceremony" But guess what date that turns out to be? February 29th. A leap year haha and the date doesn't exist this year. 

Paul Newman & Joanne Woodward in 1958 after the Oscars

I haven't managed to find a fun trivia note involving the number 10 that relates to this year's Oscars so please enjoy this photo of Paul Newman mocking his Oscar losses with a makeshift trophy (note that it says "Noscar" on it) alongside his wife's actual Oscar for Three Faces of Eve (1957). Paul, a perfect 10, was also nominated 10 times over the course of his career (once for Best Picture, 9 times for acting), finally winning the trophy on his 8th nomination which was coincidentally enough, the year after he had won the first of two Honorary acknowledgements (one a Jean Hersholt, the other a traditional Honorary Oscar). Before The Color of Money (1986) he had been locked up in a longstanding three way tie for "most nominated losing actor" with Peter O'Toole and Richard Burton; they all had 7 back then though Burton died a couple of years before Paul Newman finally won gold. Bette Davis is the only other actor with exactly 10 career nominations (unless you count that write-in situation) but we've already started discussing her.

For which of his pre-Oscar roles would you have given Newman the statue? Cat on a Hot Tin Roof (1958), The Hustler (1961), Hud (1963), Cool Hand Luke (1967), Rachel, Rachel (1968), Absence of Malice (1981) or The Verdict (1982)? 

If you need more Paul (and who doesn't) some more photos of Paul at the Oscars are after the jump...

Click to read more ...

Cinema's Greatest On-Screen and Off-Screen Couples

Here's abstew with a Valentine special!

In the dark of the movie theatre is where we fall in love. Romantic films have influenced our lives and how we love since the dawn of cinema. And as we watch–perhaps on a first date–the actors fall in love on the silver screen, we swoon. More often than not, if you believe location rumors, that passion on-screen finds its way into the real-life relationships of the actors involved. In honor of Valentine's Day, let's celebrate those cinematic couples who's love burned bright on and off the big-screen.

Here are five of Hollywood's most iconic lovers...

Laurence Olivier and Vivien Leigh

Click to read more ...

Thoughts I Had While Staring at the Cannes '13 Poster

• Does this mean Joanne Woodward is making an appearance at Cannes this year? If so... Yay!

• Not that it will matter to me as I never get to go. *sniffle*

• Rachel Rachel (1968), Paul Newman's directorial debut, is an awesome movie and it's kind of crazy that he didn't really catch the directing bug after it. It was nominated for best picture and it's probably his best (directed) movie... so maybe he knew it was downhill from there and we needed him as a movie star instead?

• Speaking of Rachel Rachel, Estelle Parson is SO much better in that movie than she is in her Oscar-winning role in Bonnie & Clyde.

• If God loved me he'd part the oceanic waters and let me get to Cannes... by which I mean he'd buy me round trip plane tickets and lux hotel accomodations. 

• I'm sure can buy this as a poster but forget that. I want it painted like a mural on my ceiling so I can fall asleep hypnotized by Paul & Joanne every night.

• Now I'm dying to see if there's any vintage photos of Paul & Joanne AT Cannes

• True story: I just finished a box of Paul Newman bran cereal the morning before this poster was released which is a really weird coincidence because I haven't bought a box in years before that one.

• It Newman's Own products helped you look like Paul Newman, I would eat nothing else. 

Tennessee 100: "The Fugitive Kind"

Michael C. here from Serious Film to join in the Tennessee Williams festivities. When I picked a film to write about I jumped at The Fugitive Kind because

A) I'm a big Sidney Lumet fan and
B) I was curious how a second Brando/Williams collaboration could fly so far below my radar. I got my answer and then some.

The Fugitive Kind (1960) directed by Sidney Lumet based on Tennessee Williams’ play Orpheus Descending is one of the most fascinating messes I’ve ever seen. There is no getting around the fact that it just doesn’t work, yet I think I’d recommend it more readily than a lot of successful movies I’ve seen. Of all its flaws being dull is not one of them.

Williams writing was as inescapable in the fifties as Jane Austen’s was in the nineties. After burning through his major works Hollywood decided to take one of his rare unsuccessful productions and give it the full feature length treatment. Thus Opheus Descending, the story of a musician named Snakeskin with a questionable past who strikes up a relationship with a trapped middle-aged woman while lying low in a tiny southern town, hit the big screen under the title The Fugitive Kind.

This film represents Brando’s return to Tennessee Williams for the first and only time following his iconic work as Stanley Kowalski, and Anna Magnani’s second Williams project after winning the Best Actress Oscar for the movie of his play The Rose Tattoo. This was Sidney Lumet’s first encounter with Tennessee but his success with the adaptation of Broadway’s 12 Angry Men made him a natural choice. With such a collection of talent it can leave one wondering why so few still talk about The Fugitive Kind.

Brando and Magnani: Tennessee Williams Sophomore Slump

Until one actually watches the movie that is.

Click to read more ...