8 Steps of Daily Life/Blogging Chez Nathaniel
I am bad at math. There's actually 10/11 steps
1. Waking up to too few comments, tweets, shares, likes
2. Coffee
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I am bad at math. There's actually 10/11 steps
1. Waking up to too few comments, tweets, shares, likes
2. Coffee
The initial Oscar charts from this already rolling film year are nearing completion. Now it's time for our favorite category... BEST ACTRESS
If this doesn't get you talking, nothing will...
Coming out of Cannes, things don't look great for Marion Cotillard (who can't seem to win Cannes best actress or a second Oscar nomination despite numerous buzzy attempts at both) or Hilary Swank (The Homesman) but it's worth remembering that Oscar voters are a very different sort and voting in a very different climate than Cannes critics and jury members. Cannes is never the be all and end all for movies with big stars... or movies that fall closer to mainstream prestige than auteur prestige, if you know what I mean.
That said, the only thing Grace of Monaco might do for Nicole Kidman's Oscar chances is help her knock people's socks off unexpectedly if she's great in Queen of the Desert. Not that we know what kind of release that Werner Herzog biopic might get. And not that we should necessarily hope that Oscar keys in to Herzog since they've had trouble there before.
As for our darling Julianne Moore, a Cannes win is a big deal for any actress but it is unfortunately free of Oscar boosts beyond bragging rights.
What it does do -- which is not unimportant -- is open people's ideas to the fact that she's impressive in it and makes them more likely to engage and consider whatever it is she's doing in it. That can't hurt given that it's an outre role and the performance is considered excessively mannered by some. Even though the film and the role aren't exactly Oscar bait, anything is possible and after a 12 year absence from Oscar shortlists, it'd be wonderful to have her back and might require a shock to the system like this to accomplish.
Stay tuned.
For this quickie edition of the podcast Nick and Nathaniel speak to Guy Lodge on the last day of the festival about his experience, from favorites to disappointments, festival politics and even a little Oscar buzz. He answers the really important questions like: is Kristen Stewart really that much of a revelation in Clouds of Sils Maria?; is Hitchcock's The Birds is a fair comparison for the Hungarian dog movie White God?; Which movie convinces you that Xavier Dolan is the real deal?
00:01 Winter Sleep and the politics of being "overdue"
05:00 Leviathan & Mommy: late bows and multiple raves
07:45 Acting Prizes: Julianne Moore in Maps and Timothy Spall as Mr Turner
13:00 "Foxcatcher is really terrific!"
18:00 Un Certain Regard: The Tribe and White God
22:00 Competition quality and surprises: Party Girl winning Camera D'Or and the media praise for Channing Tatum and Kristen Stewart
28:00 Last words, movies missed.
You can listen to the podcast here at the bottom of the post or download the conversation on iTunes. Continue the conversation in the comments... and while you're at it listen to the last couple of week's of the podcast which were two of my favorite episodes and weirdly less remarked upon than usual.
Diana Drumm is reporting from Cannes for The Film Experience...
With the festival dwindling away (as well as this writer’s sanity -- blame the multiple transit strikes, weather and barely affordable lodging), we are closing in on the more probable awards contenders. Out of the hubbub heard in person and online, along with opinions from mine own wonky eyes, here are three that could possibly take home either the Palme d’Or or Best Actress. (Juliette Binoche in Sils Maria I have yet to see...)
Mommy, Two Days One Night and Maps to the Stars after the jump...
27 Dresses (2014), premiered at Cannes. This has been a co-production of The United States, China, Canada, Australia, England, India, Mexico, Brazil, and France.