What I have linked, I have linked.

Popwatch Julianne Moore tribute coming in January at the Museum of the Moving Image - let the coronation mark begin
In Contention Pedro Pascal for Ben-Hur and portrayals of Pontius Pilate on the screen
Salon what Gone Girl and Amazon's Transparent have in common
Interview talks to David Cronenberg
iTunes You can buy Norte: The End of History, The four hour acclaimed Philippines Oscar submission on iTunes now if you'd like.
Vulture talks to Kim Dickens from Gone Girl on claims that the movie is misogynist 

 

Awards Daily new trailer for Unbroken. I feel like there've been a lot of these
i09 compares Battlestar Galactica to Outlander given that they're from the same series creator Ron Moore
Criterion is releasing the classic The Bitter Tears of Petra Von Kant on blu-ray. Rainer Werner Fassbinder's movies are not available enough so this is great news
The Hollywood Reporter Clowns of America International (that's a real thing) is pissed about AHS: Freakshow's Twisty the Clown. In related news how come y'all didn't comment on the last AHS post. You led me to believe you were watching it!
Screen Daily Jane Campion developing a second season of Top of the Lake
Latino Review Actress Elizabeth Peña (Jacobs Ladder, La Bamba, Modern Family) has passed away at 55 
Towleroad Ezra Miller feels like surprise casting to me as The Flash in DC/WB''s superhero universe (unrelated: I'm enjoying the CW TV show of the same name thus far. It isn't great but it's light & fun, unlike Arrow which bored me silly)
Towleroad gays on television from ABC's hypersexual connivers & neutered comics to the wider queerness of premium and cable channels
Playbill that stage musical version of American Psycho is still happening and is now looking at fall 2015 on Broadway 

Awwww...
Times one thousand.

It's a teaser for the new Disney short Feast. This short apparently tells the life story of a Boston Terrier solely through his meals. It'll play before Big Hero 6 and we may be looking at a serious Best Animated Short Oscar contender. 

The Divas...
It's way too early to be thinking about Christmas but if you're an early shopper please know that Glen Hanson, an illustrator I just love, has designed a Liza Minnelli holiday ornament. Thanks to Boy Culture for the heads up. The proceeds go to Broadway Cares / Equity Fights AIDS.  If you want one you purchase here.

In other Broadway news, a special tribute to Elaine Stritch is coming on November 17th with performances by (are you sitting down) Patti Lupone, Betty Buckley, Christine Ebersole, Michael Feinstein, and my personal favorite of the theatrical divas of a certain age, Bernadette Peters

So who is singing what? They're keeping that a secret naturally.  

Beauty Break: Jessica Chastain, Sarah Paulson, and Anne Hathaway

Three of our very favorite talented beauties, two of whom we've had the pleasure to interview right here at The Film Experience (Jessica & Sarah), have new photoshoots out.

This appears to be Jess's fav picture from the Interview photoshoot since she singled it out.

But before we drink in the triple gorgeousity let's look at today's kerfuffle with Jess. This very click-baity headline appeared on Page Six

Jessica Chastain: Give Anybody But Meryl Streep a Chance

It was of course a misquote. Jessica, who we all know is almost insanely positive and warm fuzzy hugs in her public persona, was just saying exactly what we're always saying right here: 'why is it only Streep?' She took to Twitter/WhoSay to clear things up:

That imaginary Jess/Streep throwdown behind us, more Chastain, Paulson, and Hathaway photos after the jump

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NYFF: Maps to the Stars, Or: Julianne Moore is God, Again

The New York Film Festival has begun. Here's Nathaniel on the latest from David Cronenberg which won Julianne Moore the Best Actress prize at Cannes earlier this year.

Let's not bury the lede. At a key moment in Maps to the Stars when the actress Havana Segrand (Julianne Moore) gets some bad news that she's more or less been expecting/dreading, she is in a Buddha pose in yoga pants. Her eyes struggle to hold back tears and her body struggles to pretend it's relaxing when she lets out a sudden wail. You think the wail will descend into Julianne Moore's familiar crying jag (You know how she loves to do). Instead the wail abruptly stops. Fans of Julianne Moore won't be able to silence their own screaming so quickly. I, for one, felt euphoric watching her. For those of us whom we have famously dubbed "actressexuals" - the word originated at this blog though it's now escaped our small pfeiff fiefdom and entered the greater internet -- major achievements from our favorite stars can feel, however absurdly, like personal triumphs. Or at least like just rewards for enduring loyalty. Especially if you've worried that the magic has dissipated with familiarity, poor career decisions, lesser roles and/or medicore films.

This year, with Maps to the Stars and Still Alice (previously reviewed), the Julianne Moore I first fell for, the actress who inspired my whole career path (newbies might not know that this site emerged from a zine I started in the 1990s with issue #1 dubbed "Julianne Moore is God," pictured left) came roaring back into full power.

Pity, then, that the movie can't quite keep up with her or harness her brilliant satirical embodiment of all that is self-absorbed, self-loathing, self-medicated, and self-serving in modern Hollywood celebrity. [More...]

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TIFF: "Still Alice," or Adjust Your Best Actress Charts

The final TIFF feature review. Whew, 25 films screened and written up. And all by closing night! Please give me a round of applause in the comments. I've never been this successful at managing a festival and comments are the only way I know you're appreciating it.

When we first meet Dr Alice Howland in this fine film adapated from the bestseller by Lisa Genova, she is celebrating her 50th birthday. She's happily married to Dr. John Howland (Alec Baldwin) with three grown children whom she adores though she isn't exactly a perfect mother or wife, at least as defined by your typical movie woman, in which case she'd be inordinately obsessed with her husband and children's particulars. In fact, she almost entirely defines herself by her own career and skills (imagine that!) as a respected linguistics professor.  She values articulate communication and higher education and maybe she isn't super imaginative about other forms of expression. In fact, she's downright dismissive about her youngest daughter Lydia's (Kristen Stewart) interest in acting. She gives her a continual hard time about her education and career and is frustratingly absent from all of Lydia's minor triumphs. 

More...

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'Mom! Streep & Julie are flirting again'

I can't resist putting these images in dialogue. Are the two esteemed actresses thinking of each other in their grey flat-ironed wigs, or is this a subliminal cry for a sequel to the sapphic wonders of The Hours? As Christian so correctly observed on Twitter, Nicole is never going to let a grey hair near her scalp. But she died in The Hours so she can't be in the sequel anyway.

This twinned image was fun to discuss on Twitter but after the fact it reminded me of an earlier conversation with Anne Thompson and Kyle Buchanan about why there are so many aged lady villains in YA adaptations. My contention is that it's their ageist way of playing both sides. So many stories about young girls that pay lipservice to "girlpower" are, just like stories centered on men and boys, still scared of the power and agency of (adult) women; these prejudices are deeply ingrained.