93rd Academy Awards: Best Supporting Actor (aka Best Lead Actor Overfill)

by Christopher James

(from left, clockwise) Daniel Kaluuya, Lakeith Stanfield, Paul Raci, Leslie Odom Jr. and Sacha Baron Cohen make up the 2020 Supporting Actor race.Category fraud has been talked about extensively at The Film Experience. Yet, year after year the supporting categories are filled with leading performances. This year, one could argue that four-fifths of the Supporting Actor field is made up of leading performances. How is a true supporting actor supposed to compete with a lead performance that has been strategically "demoted."

Bad blood aside, the field is filled with many interesting performances from a diverse group of nominees. Even better, four of the five nominees are celebrating their first acting nomination this year. The Oscars can often be accused of repeatedly nominating their favorite actors, whether or not they deserve it, so it's nice to see fresh blood...

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What's the worst case of "category fraud"?

by Cláudio Alves

Some people don't care about "category fraud" and that's understandable. I'm a big proponent of just being happy that great artists are honored, ignoring the categorization of their work, especially when it's all so subjective. However, when it comes to the Oscar acting prizes, it does feel wrong that awards specifically created to honor character actors are now regularly dominated by stars in leading roles. Instead of opening avenues to highlight those performers with less narratively-prominent parts, the Supporting categories have become a way for leading actors that couldn't crack the leading prizes to still win gold. This game of fraudulent campaigning may have just hit its apex with this year's slew of Best "Supporting" Actor and Actress nominees.

To organize my thoughts and hopefully make the arguments clearer, here's a ranking of the "category fraud" cases of the year from least to most egregious. This is all subjective, though I'd side-eye anyone who tried to argue for the legitimacy of that top choice... 

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Let's do Globe Predictions! Why not, right?

You guys. We know we're not supposed to take them seriously and people get offended when anyone dares to admit that they totally love them. BUT the Golden Globes are enjoyable -- it's a fact. So this year we pour one out for the continually scandal-laden problematic HFPA and what might have been in a non-pandemic-cursed world. The Globes shindig is easily one of the best showbiz nites of each year but it can't possibly hold its usual excitements without all those stars of screen and television milling around drunk both during and inbetween commercial breaks. We wish Amy Poehler and Tina Fey luck at trying to make it lively without a crowd to laugh along with them. It won't be the same without the open bar (on television that is. We're stocking ours up for  sad pandemic home viewing)

Christopher already handled the TV predictions so it's my turn for the movies. After the jump, foolish predictions in all categories for this Sunday night's virtual ceremony...

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Review: Golden Globes surprise "Music"

By Abe Friedtanzer

Surely the biggest shock from any awards announcement last week was the inclusion of Music at the Golden Globes. I hadn’t heard of it at that point, and its unexpected appearance will definitely lead to far more people seeking it out than otherwise would have when it arrives on VOD this Friday after a one-night-only IMAX release today. What to make of Sia’s directorial debut? Well, that’s a complicated question.

Music (Maddie Ziegler) is the name of a teenage girl on the autism spectrum who is mostly nonverbal. The steady routines she has established are upended by the death of her caring grandmother (Mary Kay Place), which brings Music’s half-sister, Zu (Kate Hudson), back into the picture after considerable struggles with the law and addiction. Her kindly neighbor Ebo (Leslie Odom Jr.) and building super George (Hector Elizondo) look after Music as well as they can, but the premise here is clear: much as she seems unsuited for the task, Zu has no choice but to step up...

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One Night in Miami: Telling a story through suits

by Cláudio Alves

Limitations aren't always the enemy of style or art. Tight parameters can be the fertile ground from which creativity grows and thrives. In the world of costume design, the dynamic between restraint and imagination is especially obvious when one needs to dress men in formal attire. Since the early 19th century, western men's fashion has solidified around a masculine uniform with little in the ways of variation – the suit. To find ways to make that fashion standard into a storytelling tool, one must excel at finding the little details that make all the difference. Recently, Regina King's One Night in Miami is a good example of this brand of costuming excellence…

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