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The Film Experience™ was created by Nathaniel R

 Gemini, Cinephile, Actressexual. Also loves cats. All material herein is written and copyrighted by him, unless otherwise noted. twitter | facebook | pinterest | tumblr | instagram | letterboxd | deviantart 

 

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Which screenplays are most quotable?

"Inside out FTW. 'I loved you in Fairy Dream Adventure Part 7. Okay bye. I love you!'" - Teppo

"My number one that I now say whenever the occasion is delivered by Carol: 'It will get ugly. And we are not ugly people...'"- Jones

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Entries in LGBT (342)

Friday
Dec112015

Women's Pictures - Dee Rees's Bessie

Considering how often Pariah is called "a critical darling," it's disappointingly shocking that it took another 4 years for Dee Rees's next movie. Bessie is an HBO biopic of singer Bessie Smith, the Empress of the Blues, who rose to prominence in the 1920s and died in a car accident in the mid-1930s. When the movie premiered earlier this year, Angelica Jade Bastién wrote a fabulous personal review of it which I highly suggest you read. As Angelica points out, Rees's sophomore effort is a well-directed film that gets a lot right, even though it falls into a lot of the typical biopic pitfalls.

While the plotline of Bessie's meteoric rise, humbling fall, and return to semi-greatness followed a predictable biopic path, what really struck me about this collaboration between Dee Rees and Queen Latifah was how unapologetically individual it was. Unfortunately, fact-based films about black characters, if they are expected to attract a wider (whiter) audience, incorporate white characters to a large degree. Selma and 12 Years A Slave both have white antagonists who gain a lot of screentime - in the case of 12 Years A Slave, it was enough screentime to net Michael Fassbender an Academy Award Nominations.

In Bessie, blackness and queerness dominate...

Click to read more ...

Thursday
Dec102015

Team Experience: The Best of Brokeback Mountain

Ten years ago Brokeback Mountain arrived with truly bracing power.

10 years later Brokeback Mountain has lost none of its power

It was the rarest of things: an honest to god "instant classic". The phrase is overused but once in a while hyperbole proves true. The Oscars were stingy with it (just three prizes) but ten years on the film is as sturdy and majestically irreducible as the mountains that haunt the protagonists. When you're watching it you're breathing rarified air - not from the high altitudes of Wyoming but further on up, think cinematic heaven. The invaluable Ang Lee won his first Best Director Oscar for the film and it's easy to see why given the sensitivity of the performances (early career peaks from four promising ascendant stars), the classicism of the filmmaking, and his unshakeable hand as he sutures the neo western to the romantic tragedy with the thread of American masculinity.

I asked our contributors if they had a favorite scene they'd like to share with us and here were their responses.

FAVORITE SCENES IN BROKEBACK MOUNTAIN

Click to read more ...

Friday
Dec042015

Women's Pictures - Dee Rees's Pariah

Anne Marie returns after a brief break...

Over the course of this year, the purpose of our weekly "Women's Pictures" has been to explore the vast variety of female filmmakers. We've seen that women are not only present and working, but also highly diverse in their genre, style, and subject matter. Gender has often been a factor, but it has rarely been a focus. For the last month of the year, we're going to be watching films by two directors for whom gender, sexuality, and race are their focus: Dee Rees, and Celine Sciamma. Though both filmmakers have comparatively small filmographies, they have already established themselves as new, strong voices in contemporary cinema.

Dee Rees's 2011 film Pariah, based on the short of the same name, is an empathetic examination of a person usually invisible in cinema: the young black lesbian.

more...

Click to read more ...

Saturday
Nov282015

What a Link. What a Lovely Link

BFI Check out the Sight & Sound poll for 2015. Not pleased that The Assassin topped the immeasurably finer twofer of Carol & Mad Max Fury Road but it is what it is. Perennial critical darling peculiarities abound like Blackhat placing about Ex Machina. Oh please. I didn't hate the former like some but one must assume that's solely on Michael Mann's reputation, the way some filmmakers get a competition spot at Cannes simply because they directed something.
HuffPo Reid Ewing from Modern Family talks about body dysmorphia and getting frequent plastic surgery
The Guardian on a Carol gift-wrapping promotion - it breaks my heart that people keep thinking this is a watch it on DVD film. It's SO breathtakingly cinematic. GO TO THE THEATER.
/Film Gremlins may take a page from Jurassic World/Creed and continue the story decades later

 

Coming Soon latest Star Wars The Force Awakens news & rumors if you're into that sort of thing. We made a very conscious choice not to watch anything beyond the teaser or to cover it until ti opens. We want to preserve the mystery and thus the possible joy.
Antagony & Ecstasy reviews the original Star Wars trilogy
MNPP Matt Bomer may play The Last Tycoon for Amazon
Vanity Fair Ryan Gosling may play Neil Armstrong for Damien Chazelle
In Contention how the critic awards can boost players in the Oscar race
/Film there are competing Evel Knievel movies on the way one from (possibly Martin Scorsese) and one from Channing Tatum. Do kids today know who Knievel is?
AV Club Michael B Jordan is up for another Creed movie. The movie is set to make back its budget this Thanksgiving weekend
Serving Cinema in defense of Angelina Jolie's By the Sea
Lip Sync Battle Anthony Mackie "2 Legit 2 Quit" versus Joseph Gordon-Levitt's "Rhythm Nation"
New York Times ABC actually cancelled a show! But this is a rare with TV's new ratings math
Towleroad two Brazilian actors share a kiss on live tv to combat homophobia. Our Brazilian readers should tell us if these two are as famous as this article implies.
The Hollywood Reporter has an articles about LGBT cinema losing its edge. That's a topic that can be argued about certainly but Carol is an absolutely terrible example since Todd Haynes hasn't lost one iota of his power or daring and the "frostiness" that people complain about with that movie is hardly pandering, you know.
Kevin O'Keefe skewers the article with one well placed barb.

 

 

"Category Fraud" Has Gone Mainstream
I can't remember if I coined the term -- let's just say I did -- but I've been preaching against its evil like an obnoxiously pious mad prophet the entire time I've been Oscar blogging... which is quite a long time now. I've been seeing articles about it everywhere this year including this new one from The Hollywood Reporter. You know how when you love an obscure band and then everyone "discovers" them after the fact and you feel kind of betrayed? That. Don't get me wrong: I'm glad people are paying attention now -- perhaps we reached some sort of peak fraudulence where it became impossible to deny the problem anymore? But I also do not like that articles about this never address the media's own hand in creating this monster. (For this next sentence you'll remember that Nathaniel is playing the role of a mad pious prophet in this story and forgive his superiority complex). Other than The Film Experience practically every awards pundit /  site has actively encouraged this 'all fraud all the time / end justifies the means world we're living in by regularly rationalizing leading roles as supporting in articles and actively encouraging studios and publicists to pursue fraudulent campaigns for "better Oscar chances"

Weekend Watch
Jake Gyllenhaal discussses his progressive upbringing and Brokeback Mountain. I love this. Yes, we'll be celebrating the movie soon for its 10th anniversary in December.

Sir Ian McKellen talks Dame Maggie Smith and Oscar good luck charms from his stage show in Los Angeles last weekend "Women I've Filmed With"

 

Friday
Nov272015

Interview: Charming Eddie Strikes Again!

Remember that magical trip to London last month that I raved about? The agenda was actually interviews with The Danish Girl team and a few of those are coming up.

Director Tom Hooper's latest Oscar hopeful, about the unconventional marriage of artists Gerda Wegener (Alicia Vikander) and Einar Wegener/Lili Elbe (Eddie Redmayne) opens in select cities today with a nationwide release in the near future. First up is the leading lady himself, Eddie Redmayne, who headlines as Lili, one of the first trans women to undergo sex reassignment surgery in the early 20th Century. Eddie Redmayne could well be up for the Best Actor Oscar again

I spoke to Eddie for Towleroad about gender fluidity, his tireless press rounds these past two years, and my two favorite scenes in the movie. Here's a snippet that I know TFE's awards fanatics will especially enjoy.

Your past few roles have been transformations -- The Theory of Everything to Jupiter Ascending to The Danish Girl -- so would you like to play a normal bloke at this point?

[Laughs] I am dreaming of one day just wearing a pair of jeans and a t shirt...

So you’ve already won a Tony and an Oscar…

Wow… Say it again! 

So are you going to record an album? Are you heading for the EGOT?

I’m recording an album tomorrow! [Laughs] Absolutely not. NO! I think Les Miz was quite enough for everyone. No, no, no aspirations for that.

Read the full interview at Towleroad

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