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The Film Experience™ was created by Nathaniel R. Gemini, Cinephile, Actressexual. All material herein is written and copyrighted by Nathaniel or a member of our team as noted.

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Michelle Pfeiffer and Grease 2

"I can't pass a ladder without seriously considering whether I should climb it and start belting Cool Rider" -Joey

"No matter what anyone says (even Nathaniel!), Grease 2 is awesome and Pfeiffer is wonderful in it."-Charlie

 

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Melissa Leo (The Most Hated Woman in America)
Ritesh Batra (The Sense of an Ending)
Asghar Farhadi (Salesman)

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Entries in LGBT (417)

Wednesday
Mar012017

Moonlight's Speech that never was

Moonlight’s best picture win is historic. It’s the first gay themed film to win the big award. Also the first one to win with an all black cast (more trivia here). However its big moment of course was stolen by the big debacle that was the best picture presentation.

Let’s shine a light back on Moonlight and its director Barry Jenkins. Here is the speech he would’ve given, had the presentation went as planned...

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Thursday
Feb232017

Director Richard Linklater Fights Against Anti-Transgender Bathroom Bills With PSA

If you thought the gorgeous cadre of jocks in Everybody Wants Some!! was the extent of what Texan ally Richard Linklater had to offer in all things LGBT this past year, be sure to take a look at his recent PSA: "Taking A Seat, Making A Stand." Acting in solidarity with the transgender community, he steps up his game with his most recent project in a major way. Linklater teamed up with the I Pee With LGBT campaign to produce this bright and sharp comic short in response to the anti-transgender bathroom bill that’s currently awaiting a vote in the Texas legislature – S.B. 6, for those keeping track of the insidious discrimination measures spreading across America’s statehouses. As President Trump reverses course on establishing federal protections for transgender minors, this urgent, inclusively common sense message speaks to our shared humanity in the face of hate, and deserves to be loudly repeated more and more by the day.

What role do you think players in the motion picture industry should take within the climate of today’s increasingly omnipresent political landscape?

Sunday
Feb122017

Gay Indie VOD Round-Up with Franco, Quinto and Juliet Stevenson

By Glenn Dunks.

It's sometimes hard to keep up with all the films hitting VOD from the festival circuit, particularly those under the LGBTQ banner that can so easily get lost by audiences. More and more films including those with big stars and major filmmakers are now taking the direct route so competition is fierce. Let's take a look at some of the titles hitting the regular services over these first few months of the year. If your interests extend beyond the buzzier must-see titles like Carol and Moonlight, you should definitely keep an eye out for them and others like them.

DEPARTURE
I’m just going to say it – Juliet Stevenson should be next in line for a Rampling/Huppert style dalliance with Oscar. She is far and away the best thing in this pretty if frustrating drama about a mother and son in the south of France. She is exquisite as Beatrice, a permanently sad Woman Who Lies To Herself™ on the verge of divorce who has travelled to the family holiday house to pack up their possessions so the place can be sold. Never too far away from a glass of wine or an angry/tearful breakdown, Stevenson’s performance is the kind of body-shaking reminder of her talent that, should they watch it, ought to inspire somebody to give her another showcase.

[More on Departure and three more queer titles after the jump]

Click to read more ...

Monday
Jan302017

Review: "Paris 05:59: Théo & Hugo"

This review was originally published in Nathaniel's column at Towleroad

You've seen the moment many times. Two future lovers see each other in a crowd, and something clicks. In West Side Story that moment prompts a blur on the edges of the frame, with only the lovers in focus. In La La Land, it takes the form of a camera push-in with all the lights, but for a spotlight, going out. The moment is so familiar in fantasies (and desired in reality) that there's even an old showtune about it.

Some enchanted evening, you will meet a stranger
You will meet a stranger across a crowded room.
And somehow you know, you know even then...

The last place you might expect to see it deployed is in a new French film which begins with 18 minutes of explicit activity in a sex club...

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Thursday
Jan122017

Are you watching "One Day at a Time"?

By Nathaniel R

Have you taken a break from all the awards season madness, to watch Netflix's remake of One Day at a Time? I didn't think I'd like it due to a laugh track (which, I am not excusing) but it's a good enough show that I survived the canned giggles and often enough covered them audibly with my own. It's a straightforward remake of the 70s sitcom but for the following changes...

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Tuesday
Dec202016

New on DVD: Goat

By Sean Donovan

Goat has an important discrepancy between its advertising and the final film we end up watching. The poster, released just before the film’s 2016 Sundance in-competition premiere, specifies a clear focal point and it is male nipples. A man’s tight nipples exposed as other clothed men gather around him pouring liquor down his chest. Any hunch as to what sizable market population Goat is trying to advertise to? If you need more clues, how about the fact that this film was produced by queer cinema legend Christine Vachon, features the star of Pride Ben Schnetzer, and the straight male pop star Nick Jonas (confusingly labeled a gay icon by Out Magazine), and the man who wants to be gay icon so much it hurts, James Franco, in a dual role as producer/supporting actor? No more clues needed: Goat is hunting for THE GAYS. 

The opening credits more or less bear out the promise of this advertising, set as they are to a slow-motion montage of bouncing shirtless men. Yet the resulting film is a very dark, gritty experience, lacking even the typical scenes of sexualized rowdy excess that one usually finds in films about fraternity bros...

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Thursday
Dec082016

Interview: Lorenzo Vigas on his Prize Winning Drama "From Afar"

This year's Oscar race for foreign film has the usual number of World War II dramas, biopics, and historical epics but as far as we can tell it's only got one Latin American LGBT drama about a damaged old man's thorny relationship with a poor street hustler he picks up who keeps coming back thereafter for more cash and the more mysterious pull of companionship. That film, Desde Alla / From Afar, now available to screen on Netflix, began its breakthrough journey winning the Golden Lion at Venice in 2015 for first time narrative director Lorenzo Vigas. I talked to him about working with an Oscar winning screenwriter, that Venice honor, and his terrific young find, Luis Silva, who holds his own opposite one of the Latin America's finest actors, Alredo Castro. 

The interview is after the jump...

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