18 Beautiful Examples of Co-Star Chemistry in 2018

Year in review list mania each day. Here's Nathaniel...

This is our fourth year of highlighting that unpredictable spark between actors that can elevate a movie whether the movie is able to catch up or not (see previously installments for '15, '16 and '17, if you're so inclined).  If only we could bottle these formulas but the thing about great chemistry is that it can't ever be fully recreated even if old movies during the studio system teach us that the same pairing can at least generate similar energy again. Why Hollywood doesn't still try to repackage successful combos of actors (rather than just all the brand do-overs) remains an unsolved mystery 

Herewith the most beautifully realized relationship energy of the year...

18 [TIE] Ben Foster & Thomasin McKenzie, Leave No Trace 
AND Josh Hamilton & Elsie Fisher, Eighth Grade (Single Father/Teenage Daughter)
There's a lot to recommend in both films, two sleeper arthouse successes this year, but neither film would have the same emotional resonance without that authenticity of feeling in the central duet. Marvel at the way Hamilton looks at or speaks to Fisher, for example, perpetually impatient to be let in on her interior life, but also nervous about intruding on her journey and walling her off yet further. Equally impressive is the difficult balancing act McKenzie plays as both dutiful daughter and emotional caretaker for her troubled father, as she grows ever more restless to escape him without losing him. What a quartet of performances...

Click to read more ...

C O N S I D E R - Actresses of 2018, First Half of Year

With the year half over, it's time to look back on the first six months and what treasures they brought us. Here are the 18 performances by actresses we treasured most at the movies thus far this year. We've previously shared the biggest hits in multiple categories at the box office and 18 fav performances by male actors. We hope you'll sound off on these and share a few of your own in the comments... and we hope this list serves as a reminder to Oscar and Globe and SAG voters that amazing performances can happy at any time of the year. Why wait til December to start considering your "Best of" ballot? 

Disclaimer: before we begin I should note that there were a few key bits of actressing I have not yet seen that might have factored in like performances from Game Night, The Seagull, or Hearts Beat Loud.

Okay here we go...

7 LEADING ACTRESSES
(Jan 1st - June 30th releases) 

Toni Collette as "Annie" in Hereditary
What can we add to the already robust conversation around her brilliance? The nuanced construction is a marvel: she's giving you a portrait of an artist's idiosyncractic point of view and convictions, an adult child's contemptuous grief and anger about her parents, and, best of all, her own not always pleasant relationship to mothering. She does all of that while peppering in alarming details that prepare you for the climax. And the crescendo of this star turn! Movies are shot out of sequence which makes this performance even more of a wow.

Rachel McAdams as "Esti Kuperman"
and Rachel Weisz as "Ronit Krushka" in Disobedience
McAdams is in fine form as a woman who's repressed her sexuality for years and surprises with sharp glimpses into the woman that could have been or once was in younger form. But Weisz is holding the whole picture together with a complex take on a more self-actualized woman who nevertheless struggles with intimacy and with reconciling the first half of her life (religious) with the second (secular). It's right up there with her work in Constant Gardener and Deep Blue Sea as the holy trinity of her career.

Click to read more ...

Soundtracking: "Love, Simon"

by Chris Feil

Love, Simon is chasing the ghost of John Hughes, a brand of uplift where teen woes are packaged conventionally and without condescension for maximum warm fuzzies. Naturally that package must include an anthemic sound, music that connects with the generation it depicts and becomes part of the fabric of what we remember about the film. But if Love, Simon is supposed to be a gay alternative on Hughesian comedy, does the sound also have its gay twist?

Simon’s signature sound comes from Jack Antonoff and his band Bleachers, bookending the film. Instead of the singular force of Simple Minds’ “Don’t You Forget About Me” as Hughes employed in The Breakfast Club, it’s more like the film uses Antonoff as the artist to hang its headphones on instead of one song. He’s a straight musician, but Bleachers is fairly embraced by the queer teen set - at least the kind that the film depicts. Though in an age where Troye Sivan can produce hit bops about bottoming, is that really enough for the film to define itself musically?

Click to read more ...

The Link Visits

• Lit Hub interesting essay on the popularity of world-building in genre fiction
• Coming Soon Wreck It Ralph 2 has a scene with all the Disney princesses
• Cartoon Brew trailer for something called Another Day of Life which combines documentary footage with CG animation for a different kind of movie
• The Guaridan a five star review of the great silent film Pandora's Box, which y'all know I love. It's maybe my favorite silent

• The New Yorker the emptiness of the new Star Wars universe. I liked Solo more than most and disagree with a few key points here (Emilia Clarke had plenty of screen time to develop that character for example. She's just not an inspired actor is all) but it's still an interesting good read about the problem of prequels and self-consciously mythic work.
• Tom Cruise... speaking of self-conciously mythic. Top Gun 2 began filming
• Boy Culture Madonna gives her blessing to a book/movie deal that uses her music as backdrop for a boy's coming out story. It was a project mainstream publishers rejected. Bet they're sorry now that it has a six figure movie deal.
• Variety Angelina Jolie in David Oyelowo may be starring in a new fantasy drama called Come Away about the parents of Alice in Wonderland and Peter Pan. Say what? It's from Brave director Brenda Chapman
• Variety a report on the trouble of ultra cheap or ultra expensive movies in Japan. It's not just Hollywood that has a no mid-budget films problem
• Awards Daily the summer of Donald Glover
• Towleroad deleted scene from Love Simon featuring Colton Haynes

Theater People
• Stage is a new streaming service for theater fans launching this August. Taye Diggs is going to host the first three episodes of their debut talk show called "Crossovers" with Leslie Uggams, Billy Magnussen, and Tamara Tunie as initial guests
• Playbill Tony-bound musical adaptation The Band's Visit will launch a national tour in one year's time.
• TFE ← I just wanted to point you back to this interview we did with two cast members from the musical comedy Desperate Measures last year. The show was so successful it's reopening today at New World Stages for an open run with most of the original cast (including these two) rejoining. It is SO worth seeing so I hope some of you in NYC or visiting will make it!

Blueprints: "Love, Simon"

This week, Jorge takes a look at an early version of two of the most emotional moments of the groundbreaking teen movie.

“You get to exhale now.” This has become the phrase that has encompassed Love, Simon the best. The loving, healing words of a mother that allows her son to finally be himself. This, alongside the other heart-to-heart Simon has with a parent, is the most moving moment of the movie. 

However, as discussed before in this column, the road from page to screen is a long and arduous one. A screenplay goes through many different forms and iterations, gaining and losing things along the way. Let’s take a look at these two sequences, Simon’s conversations with his parents, and see how differently they began and how emotionally similar they remained in their finished form...

Click to read more ...