Tuesday, December 6, 2011 at 5:07PM 
Should you be ever be travelling home from the dentist after a particularly excruciating visit (hypothetically speaking) I highly recommend being surprised by Ludivine Sagnier (recently interviewed) staring back at you from subway ads. Beauty is a great healer.
Carry on while my novocaine wears off...
Ludivine Sagnier, advertisements Monday, September 12, 2011 at 8:00AM Paolo again. Despite some minor screw-ups and nervous breakdowns, here I am to report on TIFF Day 4, which brought more polished kind of movies than the ones that I've seen in the past three days.
I saw Christopher Honore's Beloved as a recommendation by the TIFF Twitter account because I said that my two favourite movies were A Streetcar Named Desire and Do the Right Thing. Now I wonder what they would have said if I wrote that my top two are The Conformist and The Big Sleep.
Beloved begins with a sequence of a Roger Vivier boutique where its customers try out the heels that the shop sells. Different colours, skins, anything a girl wants. A young shop employee named Madeleine (Ludivigne Sagnier, recently interviewed right here) steals a pair and by wearing it she's mistaken for a prostitute. That's only one of the things that are difficult to swallow here, prostitution treated as something that Madeleine can get in and out of. Also incredulous is her daughter Vera (Chiara Mastroianni) turning a gay man (Paul Schenider) straight, the opposite of what happens in Honore's Love Songs where a straight man turns gay. Honore tackles the fluidity of human sexuality in his films, as characters deal with being guilty of or the victims of infidelity. It's very open to, say, the Freudian nature of love where parents see their lovers within their children. Madeleine embodies that ambivalence and, since this is an Honore film, she occasionally sings these issues out.
The joke, of course, is that the adult version of Madeleine has to played by Mastroianni's real life mother, Catherine Deneuve and thus the younger Madeleine has to copy the older actress's younger self. The scenes set in 1964 make the comparison slightly unconvincing, but the non-linear film fast forwards into the late 70's to better results. It's scary how Sagnier nails Deneuve's essence, and it's not just the former's hair doing all the work. There's this snark that both have, this sexy cynicism that mirrors one with the other. Now if anyone can explain to me what the Prague Spring and 9/11 really have to do with these women's love lives...
Now there's my favourite movie forever this day, Steve McQueen's Shame. His previous work Hunger succeeds in making its audience marvel at his aesthetics in those film's first few minutes. Shame doesn't do this (at first) making the shots and the characters' actions within the frame more cyclical. It almost scares us into thinking that the movie will just be protagonist Brandon (Michael Fassbender) waking up and ignoring his sister Sissy's (Carey Mulligan) needy voice messages for a hundred or so minutes.
It's not until the entrance of the supporting cast that the film is humanized. Shame & Albert Nobbs after the jump.
Thursday, September 8, 2011 at 1:00PM If you first discovered Ludivine Sagnier, as many movie lovers did in the early 00s through the films of François Ozon, the sensation was something like wide-eyed whiplash. One moment she was the exuberant tomboyish daughter of Catherine Deneuve in the musical 8 Women and the next she was anything but as a lusty bikini-clad (or unclad) vixen causing trouble for Charlotte Rampling in the thriller Swimming Pool. Both films were international hits and her turn as "Tinker Bell" in the UK/USA/Australia production of Peter Pan further upped her profile. Sagnier has been a movie star in France ever since.
Ludivine Sagnier in Alain Courbet's Love Crime
Currently both The Devil's Double in which she plays leading lady to a Dominic Cooper double-act and the thriller Love Crime in which she plays headgames with Kristin Scott Thomas are now in theaters and Beloved with Catherine Deneuve will undoubtedly follow; consider her international profile revived.
I sat down to talk with one of my favorite French actresses earlier this year during New York City's annual Rendezvous with French Cinema event. After introductions and a bit of small talk about French cinema and The Film Experience's actressy nature, we got down to business.
NATHANIEL: You started so young Cyrano de Bergerac (1990). You were all of 9 or 10!
LUDIVINE: People always ask me how I got started. My story is so common that it's a bit tiring. I went to an audition with my sister who wanted to be an actress and they asked me if I wanted to do an audition and they picked me and didn't take her. It happens so many times in the industry. I've talked to a lot of actresses...
Deneuve and Sagnier in Cannes in MayNATHANIEL: So when you were first coming up as an actor in France were you conscious of this great legacy. Like you're next in line after Huppert and Deneuve and well, so many actresses... France makes great ones.
LUDIVINE: NO! I Didn't see myself that concretely... I didn't like myself that much in the beginning. But it's funny because I just shot a movie where I was playing Catherine Deneuve in the 1960s and she is playing me older. It's Beloved from Christophe Honoré who I did Love Songs with. Maybe this time I had the feeling that we are part of the same family, that we have a common story. First she was my mom in 8 Women. Then I was Chiara's sister in Love Songs and Chiara is her daughter. And now Chiara is my daughter in Beloved. Everything is so mixed up!!!
And now I dare think we share the same history. When I started... NO.
Continue For Ludivine's Feelings on Star Persona, International Careers and Genre Hopping
Saturday, August 6, 2011 at 9:00PM 
La Daily Musto Jane Fonda aging like fine wine. Damn, girl! (Now if only someone in the movies would write her a rich role again.)
Boston Globe Wesley Morris notates that sex has left the Hollywood movie, even in a movie about a sexaholic (Crazy Stupid Love). He blames Harry & Sally and that time that they met.
Vogue Italia has a four minute video reel with Ludivine Sagnier, looking luscious as usual.
Acidemic on Marlon Brando as a tortured homo in Reflections of a Golden Eye (1967)
Socialite Life Maddox Jolie-Pitt is 10 years old already. Christ, time is flying by. The family celebrated with "Wicked" the musical.
Just Jared Nicole Kidman and Matthew McConaughey on the set of Paperboy.
IndieWire surveys the up and comers in indie film for 2011
Finally... have you seen this Peanuts/Jaws mashup?
Sunday, February 20, 2011 at 1:41PM One of the best things about A-list festivals is that you get red carpet ogling inbetween all the big ticket movies. Oh sure, you get that at medium sized festivals too but the celebrities and movies are more regional and less Klieg lit. So who was at Berlinale? Hailee Steinfeld was despite also showing up at US events and London events in the same week (I didn't include her in the lineup because she's been featured so much lately). That girl has probably logged more air miles in the past month than you have all year!
Here's a small sampling of stars.
From left to right: Dominic Cooper had a new film at the festival called The Devil's Double (more on that in a bit). He must weigh 120 lbs. He is always wearing the slimmest most form fitting suits that money can buy and constant cardio workouts can provide; Diane Kruger, still enjoying that post-Basterds boost, was there to push Unknown (#1 at the US box office this weekend); Gabourey Sidibe, who everyone griped would be hard to cast after Precious is doing pretty well for herself, don't you think? In addition to Showtime's The Big C she is in Yelling to the Sky (Zöe Kravitz has the lead role) which premiered in Berlin ; Diane Lane and Josh Brolin were there for the True Grit premiere (Bridges and Steinfeld also attended) looking more doubly attractive than ever, yes?
The other extra special thing about international red carpets is that the European stars get way more attention than they do at US events. And some of them are more than deserving of flashbulbs.
From left to right: Ludivine Sagnier and Sibel Kekilli, two TFE favorites from France and Germany respectively, were at the fest. Ludivine co-stars with Dominic Cooper in The Devil's Double. Sibel attended the True Grit premiere but she didn't have a film of her own to push this time. However -- GEEKY FREAKOUT ALERT -- I didn't know this but she's playing "Shae", Tyrion's beloved prostitute in HBO's Game of Thrones. Yes; Diane Kruger gets featured twice because everyone knows she's a clotheshorse; German star August Diehl, who shares Inglourious Basterd's best chapter (the one in the cellar) with Kruger and Michael Fassbender, headlines the German film Wer Wenn Nicht Wir (If Not Us, Who) which won the Alfred Bauer, a prize that rewards innovation in films; And finally Spain's Carmen Maura, who we've loved since the late 80s on account of all of those delicious Pedro Almodóvar movies (she's still the reigning champ of his filmography, having starred in 8 to Penélope Cruz's 4.) is part of the star ensemble in Les femmes du 6ème étage.
A Few Movies To Be on the Lookout For
That film of Maura's translates to Women on the 6th Floor but according to Obsessed With Film, who call it "shamelessly enjoyable", it's being called Service Entrance for English markets. It's about a rich Frenchman who becomes obsessed with Spanish maids living above him in the servants quarters. Maura's delightful Volver daughter Lola Dueñas is also in the cast.
The Cooper/Savignier movie mentioned earlier called The Devil's Double is about a man forced into being the body double for one of Saddam Hussein's sons. Cooper plays both roles, body double and the son of Hussein and he's reportedly great in it though the reviews of the film are not as kind, likening it to Scarface for its Big lurid violent sensationalism. But Ludivine & Dominic? I'm in.
Once I started investigating what played beyond the prize winners, there were too many movies thatsounded interesting, particularly the Bollywood drama about a black widow 7 Khoon Maaf starring Priyanka Chopra as a black widow and Naseerudin Shah (we love him) as the eldest of several of her usually doomed husbands. It turns out, it's playing in NYC right now. There's also a French animated film from the director of Kirikou and the Sorceress (2005) called Les Contes de la Nuit and a new Chen Kaige movie Sacrifice that Variety thinks is a return to form of sorts. So let's just end with an all star Shakespeare that we know you'll eventually have a chance to see.
Ralph Fiennes directs Vanessa Redgrave in Coriolanus
Ralph Fiennes modern dress Shakespearean adaptation Coriolanus, didn't win any prizes but reviews were interesting with Vanessa Redgrave being held up for significant praise. That's no surprise in terms of reviews. Can this film eventually wow Oscar voters? They tend to prefer their Shakespeare in period traditional form but Oscar winner Vanessa Redgrave hasn't been in the mix since (gulp) 1992, so it would sure be nice to see her on the red carpet again if the performance is as wonderful as we hope.
My sadness about this movie pre-viewing is that Linus Roache does not appear. When Fiennes was doing this on stage a decade ago, Linus Roache (Priest, Wings of the Dove, Batman Begins, etcetera) was his much raved about co-star. I had just moved to New York when they were doing it at BAM and I was so poor I didn't even consider going. Sadness.
Roache belongs to that unfortunate club of Wonderful Actors Who Never Get High Profile Work (at least not since the 90s) and he's been replaced in the film version by Gerard Butler. First he has to settle for Law & Order and now he's dumped for Butler, King of Bad Movies? What a world. What a world.
See also: previous Berlinale post for the jury awarded films
