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Entries in Makeup and Hair (79)

Thursday
Dec242015

Holiday Podcast Part 1: The Ballot Rush

Nathaniel, Nick, Katey, and Joe all return for a two part discussion -- something you can listen to while you're travelling for the holidays, a gift from us to you. This was recorded on December 13th (apologies for the delay) so it predates the Critics Choice nominations and subsequent Star Wars kerfuffle which is why we don't discuss those. But we're here to talk precursors and more. (Part Two will be up tonight)

42:30 minutes 
00:01 The Big Short is suddenly a factor. Why?
07:30 Helen Mirren in Trumbo and Woman in Gold
11:00 Sarah Silverman and Best Actress
15:00 Randomness and SAG voters
22:00 Spotlight and the Globes
24:30 Rooney Mara & Alicia Vikander & BFCA
32:00 Best Director & Picture Possibilities
35:00 Original Song Contenders
40:20 Weird Stats plus Hair and Makeup

Further Reading for Context:
SAG Nominations
Globe Nominations
Original Song's 74 Contenders
Oscar Charts

You can listen to the podcast here at the bottom of the post or download from iTunes

Holiday Podcast Pt 1

Wednesday
Dec162015

Academy's Make Up and Hairstyling Branch Triple-Down on Tom Hardy

Glenn here. If there's one thing we know about the Academy's make up and hairstyling branch it's that we know nothing about what they will or will not like. Evidence of that is quite clear in this year's preliminary shortlist of seven contenders, of which three will be selected as the nominees. As we are all aware, the make up and hairstyling category remains the only one with three nominees each year - give or take a slow year in the world of animation - despite every film having it in some capacity and despite being one of the few categories that doesn't have a predetermined sway towards prestige.

This year's field of seven is as wholly unexpected as we have come to expect from both the branch and from this year in general. The list of films in contention for a nomination who will get to present their works to the branch, include Tom Hardy, Tom Hardy, and Tom Hardy. [More...]

Click to read more ...

Thursday
Nov192015

Will Mockingjay Part 2 Change The Hunger Games' Disappointing Oscar History

If next January comes around and brings no Oscar nominations for The Hunger Games: Mockingjay – Part 2 then it will have the unenviable tally of zero nominations from four films. Only The Twilight Saga, Mission: Impossible and Fast and the Furious franchises can claim such a strike rate. There was a time when every film that made over $200 at the American box-office could claim at least one nomination - even Austin Powers: The Spy Who Shagged Me! But since Mission: Impossible II in 2000, that has no longer been the case. Still, for Lionsgate’s hugely successful Hunger Games to bow out with nary a single nomination to its name is genuinely surprising.

What’s more, these films are hardly wanting for acclaim and nomination-worthy elements. Salute (or click) for more!

Click to read more ...

Wednesday
Nov042015

In Praise of Blanchett's Curls in Truth

Manuel here. There’s plenty to enjoy in the Dan Rather scandal film, Truth, but at the top of the list is the electric performance by Cate Blanchett who is really wiping the floor with everyone else lately. She was deliciously campy in Cinderella (which we should be taking more seriously Oscar-wise). She is perfection in Carol (few directors work as well with actresses than Todd Haynes). But her work in Truth is something else altogether. I figured we should celebrate a seemingly insignificant aspect of the performance that kept me enraptured: Cate’s gorgeous locks.

See how excited her curls are here?

Look, they even mirror Cate's anger!

So many scenes of hand-wringing that are followed by frantic hair-tussling. You can almost track the character’s state of mind by how carefully shaggy her blond curls are. Especially in comparison to Carol’s sleek and well-coiffed hair (always in its place, as composed as its heroine), Mary Mapes’s ringlets are always threatening to distract and take over the conversation.

Is it frivolous? Perhaps, but Blanchett is a performer who uses everything in her arsenal to build a character, and luscious curls are but another prop with which she created another amazing character to add to her already legendary roster.

Thursday
Oct152015

Links: Jennifer's World, Screenplay Competition, Gena's Glory

Illustration by Jennifer WilliamsActresses Actresses Actresses
<-- If you haven't yet read Jennifer Lawrence's short essay "Why Do I Make Less Than My Male Co-Stars" you should.

Salon
 on the many stars who are coming out in support of JLaw on Twitter
Teen Vogue Jennifer Lawrence and other stars before they were famous posing for Abercrombie & Fitch
THR Actress Joan Leslie (Yankee Doodle Dandy, Sergeant York) has died at 90 
Tracking Board Yorgos Lanthimos' (The Lobster) next project is about Queen Anne and it's called The Favorite. The female driven film will star Rachel Weisz, Emma Stone and Olivia Colman  
David Poland "20 Weeks To Oscar" he thinks only four movies are locked up in Best Picture: The Martian, Spotlight, Steve Jobs and Room but here's what I found most interesting. He argues that only Brie Larson & Kate Winslet can rest easy in their respective actress fields and I can see that The rest of the fields are fluid.
AV Club Because Ryan Murphy isn't spread thin enough he's pitching an anthology series called "One Hit Wonders" to star Goop herself, Gwyneth Paltrow  

Oscar Chatter
Awards Daily on the Screenplay races. Celebrity writers + Best Picture heat 
In Contention Kris Tapley on the makeup race. Can box office bombs factor in?

General Linkage
Interview talks to Emma Donaghue the novelist who adapted her own work for the screen in Room
Criterion has an amazing conversation with the French director Arnaud Desplechin (Kings & Queen, My Golden Days). They talk Oscars, Lars von Trier (?), male versus female actors, nudity, everything. I like this bit on his relationship to Mathieu Amalric who is in most of his films:

Mathieu is hard with me. He’s really hard. You don’t know all his French films, but I saw all his French films. He always plays the same part in all the films. They’re quite good, but I remember when I proposed Kings & Queen to him, he told me: “Arnaud, the script is great, but I don’t want to play the same character as in My Sex Life. You have to prove to me that this is another character.” I have to prove to you? Come on, you play the same character in five films, why am I obliged to prove that to you? He said, “Because it’s love, so you have to prove it.”


Birth. Movies. Death Thor: Ragnarok will be Marvel's darkest. But will it introduce Valkyrie? (People will be completely be over superheroes by the time the females arrive. sigh
Empire NOooo. Now they want to make a Die Hard "origin story". Boo
Playbill two underused fine actors Aaron Tveit & Mary Elizabeth Winstead headlining a new CBS comic thriller BrainDead with a truly bizarre premise
AV Club broke down 22 references in the Hail, Caesar! trailer
MNPP Jason has some thoughts on a possible tv version of Y: The Last Man

Finally...

"I had seen her when I was a teenager in Lonely Are the Brave with Kirk Douglas. I'd never seen anyone that beautiful with a certain gravitas. It was particularly unique in that time, when many women were trying to be girlish, affecting a superficial, 'I'm a pretty girl' attitude. It seemed to be the best way to succeed, but Gena did none of that. There was a directness—not that she wasn't fun and didn't smolder—but it came from a place that was both genuine and deep.

-Mia Farrow on Gena Rowlands
"

Elle Magazine's "Women in Hollywood" issue is available digitally now and comes out next week featuring Gena Rowlands, Alicia Vikander, Salma Hayek, Kate Winslet, Carey Mulligan, Ava DuVernay, Amy Schumer, and Dakota Johnson.

Monday
Jun012015

Critics Choice TV Awards: Faceoff, Allison Janney, The Americans

Charlize giving a "Genius" award to Seth McFarlane. The title disturbs both of them. After the laziest weekend of all time in TFE HQ, we must jump right back to deep conversations on all the entertainment thingies that matter and some that don't. Who's to say which is which but you? This week I watched a lot of mindless TV as I vegged out (I have no idea why my body/mind absolutely rejected my normal blog 24/7 routine) so let's go with that first and talk about the Critics Choice TV Wins. They're the Emmy-like sibling branch of the BFCA (I am not a member of the former, just the latter). Thankfully they don't try to predict the Emmys at all the way my branch tries to predict the Oscars (sigh). They're totally willing to get behind TV shows that haven't a prayer with Emmy (note their win for The Americans which The Emmys consistently ignore) . This doesn't mean they don't still make annoying choices but at least you can tell they're voting from their hearts.

Drama
Best Drama Series: The Americans (FX)
Best Actor in a Drama Series: Bob Odenkirk, Better Call Saul (AMC)
Best Supporting Actor in a Drama Series: Jonathan Banks, Better Call Saul (AMC)
Best Supporting Actress in a Drama Series: Lorraine Toussaint, Orange Is the New Black (Netflix)
Best Guest Performer in a Drama Series: Sam Elliott, Justified (FX)

More winners and commentary after the jump...

Click to read more ...

Monday
Apr272015

April Foolish Predictions: Sound, Score, Make Up & FX

April is almost over and we MUST finish our April Foolish tradition - the first wave of Oscar nomination predictions before anyone knows anything. The film year is still only a toddler but they grow up so fast. The first third of the year always features the least amount of Oscar content but from movies already released we'll hope for miracles that Cinderella and Ex Machina could be remembered in the places they deserve to be. But the bulk of the heavy hitters are yet to come. Even in the more popcorn categories like Visual Effects.

NEW CHARTS --> ORIGINAL SCORE, ORIGINAL SONG, SOUND MIXING, SOUND EDITING
Which movies will have original songs? Will the composer Thomas Newman ever win an Oscar? Will Skyfall, atypically embraced by the Academy, have any sort of afterglow with AMPAS to help Spectre win nominations as well? And who will the composers be on a whole slew of Oscar Bait movies that haven't revealed their composer yet (since the score is one of the last things to happen)? These are the questions we're already asking so please do suggest answers in the comments once you've looked at the charts. 

NEW CHARTS ---> VISUAL EFFECTS, MAKEUP AND HAIR
Is Ex Machina too subtle for Oscar? Will Mad Max Fury Road be too outre for them? Will the visual effects category just be a quintet of franchise favorites they've honored before like Jurassic World, Star Wars: The Force Awakens, Avengers: Age of Ultron and so on? Will the makeup category be dominated by old age latex, fantastical character creations or a trans woman's journey? 

Care to make any predictions yourself?