FYC: "Pinocchio" for Best Makeup & Hairstyling

by Cláudio Alves

Carlo Collodi's 1883 novel The Adventures of Pinocchio has been adapted countless times to the big screen, from the time of the silent shorts to today's world of streaming services and opulent CGI. However, it should be noted that, throughout the majority of film history, the most famous adaptations of this literary nightmare have been rather unfaithful to its source material, its sharper edges indiscriminately sanded off. A tale of cruel moralism full of ghoulish characters, Pinocchio's story is often mellowed until its hellish visions are more enchanting than terrifying. 

When it was time for Matteo Garrone to shoot his version of the narrative, the Italian director went back to Collodi's original tone…

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Nathaniel's Ballot: Editing, Makeup, Visual Effects, Production Design

by Nathaniel Rogers

Rooting for LOVE AND MONSTERS to get a visual fx Oscar nomination. Such a pleasantly fun surprise as mainstream movies go! It would have been a big sleeper hit in a normal theatrical year

Oscar balloting begins in 11 days so we'd like to finish our own Film Bitch Awards by then. Or at least the Oscar parallel portion. So in an effort to speed that up here are four categories. My take on the best in film editing, makeup & hairstyling, visual effects, and production design. Within these four categories there are surprisingly no repeat nominees. 

Fascinating read --The Root on Ma Rainey's Hair and Makeup20 slots = 20 different films with honors for And Then We Danced, Borat Subsequent Moviefilm, Emma, The Father, First Cow, Hillbilly Elegy, I Carry You With Me, Love and Monsters, Ma Rainey's Black Bottom, Mank, The Midnight Sky, Mulan, News of the World, Nomadland, Palm Springs, Personal History of David Copperfield, Possessor, Promising Young Woman, Tenet, and Welcome to Chechnya.

This was not intentional. I didn't notice till after hitting "publish". But it's as good an example of any of how I approach awards each year. Though I do believe in "spreading the wealth" it happens organically, since I genuinely only try to think about that specific category when I "vote". Do you also agonize over your own "best of" choices? It's a niche affliction but I've met many other film fans who do!  

Makeup and Hairstylists nominations - Quite different than Oscar finalists!

by Nathaniel R

Borat Subsequent MovieFilm

Apologies that we missed this announcement but the Makeup and Hairstylist Guild announced their nominees this past week. It's an interesting peek at what the makeup professionals in the industry think since it's not super reflective of what the Academy's smaller makeup branch thinks given that FOUR of Oscar's ten finalists (The Glorias, One Night in Miami, Emma, and The Little Things) are nowhere to be found. Other films that makeup and hair artists clearly did like such as Mulan, Bill & Ted Face the Music, The Prom, Promising Young Woman, and Borat Subsequent Moviefilm somehow all missed Oscar's finals.

The categories with six nominees in the list after the jump are due to ties in voting...

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The Academy Shortlists Have Arrived

As most of you reading probably know, there are nine Oscar categories that go through rounds of voting rather than just one ballot for the nominations. So each year the Academy narrows the field in these nine categories a few weeks to a month before the final nominations. Anything not listed below is no longer possible as a nominee in that specific category, since the ballots will only include these choices. (Curiously they don't do this winnowing process with one of the specialized categories, Best Animated Feature, so all 27 eligible films in that category are still possible as nominees.) The Academy will vote on the actual nominations between March 5th and March 10th and the Oscar nominatitons will be announced on March 15th, 2021. Then we'll have an unusually long wait for Oscar night on April 25th, 2021.

Here are the shortlists... 

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Interview: Makeup artist Denise Kum on working with Gong Li and Mulan's epic battles

by Nathaniel R

Gong Li and Denise Kum on the set of Mulan

Mulan may have been released in September but some of its most memorable looks -- battle scarred villains, matchmaking painted faces, Gong Li's masked face and taloned hands, and Mulan's hair flowing in battle -- are still remarkably easy to conjure up with great clarity months later. We were thrilled to speak with its gifted makeup artist Denise Kum about her career and work on the Disney epic.

We spoke over Zoom while she was in Prague completing work on a World War II drama called Operation Mincemeat before diving into full fantasy with Amazon's forthcoming series The Wheel of Time based on Robert Jordan's bestsellers. Kum's work stretches from lush period pieces, through grounded dramas, to high fantasy and superhero franchises. She likes to genre hop. One consistent throughline in her work, though, is her frequent collaborators. "I've worked with Niki since I was very young," she says with obvious love for Mulan's director Niki Caro. Mulan was also a reunion with the costume designer Bina Daigeler who she's known for years and production Designer Grant Major "I've know him since I was, god, 18 or 19. He's actually the godfather of one of my daughters." This tight-knit filmmaking family's shorthand was helpful on Mulan though she's quick to add that "That's an unnatural situation for a film of this scale."

[this interview has been edited for length and clarity]

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