"It's Her Year"

I think you have to hand it to both Meryl Streep and Viola Davis during this pre-season. The former co-stars (Doubt) and friends are constantly being pitted against each other by eager awards gurus and Oscar fans alike but they're both staying classy in regards to what may or may not be an epic upcoming battle for the Best Actress crown. Perhaps one of them will take the lead this week and never let it go starting at the Critics Choice (Thursday) and Globes (Sunday) but last night at the New York Film Critics Circle dinner they were their usual classy selves. Viola presented Meryl her Best Actress prize.

It’s a testament to her that she’d do this in this year, which is her year."

Meryl reportedly said when accepting the honor. 

"It's his/her year"

We hear that each and every year though the faces change. It's fascinating that it looks like it's coming down to Meryl or Viola when they're such gracious vocal fans of each other. Meryl even asked Hollywood to give Viola a big role when she won prizes for Doubt. Here we are a few years later...

Whose year is it anyway? 

Streep Reader Ranking ~ Coming Soon

While Meryl continues her triumphant march towards Oscar nomination #17 for The Iron Lady (and possible Oscar #3) we've been tabulating your opinions about her 16 previous nominations.

I received a lot of mail about this and since I love reader participation  I'm not complaining! Don't misunderstand. But that means it's taking me some time to tally up the results including, most beloved performances, which performances are underseen but have über-devotees and so on. I'm halfway through so results are coming next weekend but a few sneak peeks before then. Stay tuned!

The Iron Linky

By now you've heard that Meryl Streep will be receiving an Honorary Golden Bear at Berlinale in February. The fun part of this news that you probably haven't heard elsewhere is this is the 62nd Berlinale Festival and Meryl is... 62! They grew up together! The best part of this news for those attending the festival? That would be festival screenings of Kramer vs. Kramer, Sophie's Choice, The Bridges of Madison County, A Prairie Home Companion and Out of Africa. I'd love to see all of those on the big screen again... even though they're not the five exact choices I would have made as a programmer (obvs you have to have Kramer & Sophie though). Coming next weekend we'll look at the Reader Streep Rankings. (Thanks for all your e-mails.)

Oscarables
The Wrap Will the Oscars move away from the Kodak Theater in two years? They're considering their options before recommitting to the contract.
Gold Derby shares the new Oscar ballots for Best Picture and accompanying instructions sent to Academy members. Voters can only vote for five favorites though more than five might be nominated given the complicated rules and thousands of ballots.

Etcetera
Antagony and Ecstasy rips into Phyllida Lloyd's The Iron Lady. Only Streep survives.
Low Resolution rips into Albert Nobbs. Close survives. Sort of.
Paper Mag Matthew Modine turns to short filmmaking with Jesus Was a Commie. May also battle the Batman but won't confirm it.
Guardian Swordsman Bob Anderson, who staged fights for massive beloved franchises Lord of the Rings and Star Wars, has died. 
24 Frames talks about a quartet of movies with ambiguous endings. Spoilers obviously. Strangely the author chastises you for not having seen Rampart. Not that the distributor will let you!
Stale Popcorn thinks Rooney Mara is The Girl With the Ungrateful Stuck Up Attitude.  
Cinema Blend Demi Moore will cameo as Gloria Steinem in that Amanda Seyfried Linda Lovelace biopic which keeps getting starrier. 
In Contention interviews Jeremy Irvine and Richard Curtis on War Horse 

A Raggedy Oscar Podcast Reunion

Surprise! The old team is back together momentarily. Clearly we need more time than 40 minutes to get into everything that's going on in the Oscar race so this one is a totally raggedy conversation... a la Margaret and Rampart, two films that are discussed.

So welcome back to Katey, Joe, Nick from Nathaniel, your host here at The Film Experience.

UPDATE: The entire podcast is embedded below but it is having some trouble playing all the way through with Google Chrome. Works perfectly in Firefox or download from iTunes. 

Topics include but are not limited to:
• Cooking tips from The Help
• The Iron Lady and Streep's hard sell for the third Oscar
• Team Margaret and Team Rampart, two wildly underseen movies that share some intuitive storytelling and vivid ensemble work.
• Critical advocacy in the age of consensus
• The silly battle lines drawn between Hugo & The Artist
• Shailene Woodley and Nick's Descendants agnosticism.

A Raggedy Oscar Reunion

Anne Hathaway Sings "She's Me Pal" to Meryl Streep

The Kennedy Center Honors were a good hagiographic time last night on CBS (unless you were expecting something different in which case... where ya been? This is how lifetime tributes are). Musical theater fans would have had to enjoyed that endless Parade of Amazement when they trotted out a healthy cross section of Broadway's best female voices for the Barbara Cook homage (Sutton, Rebecca, Kelli, Patti, Audra + Glenn Close doing "Losing My Mind" !) but as for me.... as for me...

I got both my musical theater kicks and my 80s nostalgia and my Streep Mania and a current actress obsession (Hi, Annie!) all rolled up in one gift as Hathaway repurposed Streep's most indelible moment from Ironweed* (1987) to serenade Streep herself.

The line "her heart is as big as a ham" is accompanied by the splits, marking Anne Hathaway once again as a true kindred spirit PERFORMER/actress -- both ladies woulda been in vaudeville if they'd been born 100 years ago.

A+

I love that Hathaway can make her eyes well up with tears totally on cue. Acting is magic. The complete video is below. Hathaway comes in at the 11:40 mark.

*Ironweed was a flop in its day and I know so few people who have seen it but I still remember sitting in the movie theater absolutely electrified / paralyzed when Meryl belted out that "He's Me Pal" number for Jack Nicholson. At the time Meryl's musical-theater chops were a complete shock! It's easily one of my favorite moments from her entire lauded filmography.