Yes, No, Maybe So: "People Like Us"

It's time to buy your tickets -- or not -- for a new movie based entirely on its trailer. This one is called People Like Us and stars Chris Pine and Elizabeth Banks (who introduces the trailer... I find it so weird when they do that). The film also stars La Pfeiffer but they weirdly pretend like it doesn't until halfway through. Which also happened with Dark Shadows. Marketing departments clearly think she has no bankability anymore which is depressing. She has a robust online fan community still -- far more than some other 80s superstars -- so it stands to reason that they go see movies if she's in them. Unfortunately there are few case studies to be had. And maybe Hollywood is basing everything on Chéri bombing a few years back?

Let's break it down after the jump.

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Beauty Break: New Pfeiffer Photoshoot!

Thanks to TFE reader and fellow Pfan Michael for alerting me to this new Michelle Pfeiffer spread in California Style* The Golden State's Lifestyle Magazine. I couldn't find the article on line but here are the beautiful pfotos. More for the altar** !!!

Diva.

* Someone please send me this actual magazine. I deserve it!

** You won't believe me but I don't actually have an altar. The worship is within. 

Hit Me With Your Best Shot: "Ladyhawke"

Time for Season 3 of Hit Me With Your Best Shot. Wednesday evenings.

from left to right: Goliath, Navarre (Rutger Hauer) and Isabeau (Michelle Pfeiffer's stunt double)

I thought we'd kick off this season with a personal favorite from the 80s. I use the word favorite emphatically because in many ways, Ladyhawke (1985) is a movie with a confusing relationship to objective quality. It's both great and bad, the score arguing that it's a feature that absolutely should not exist outside of 1985 while the mythic story fights for timelessness. The sound (Oscar-nominated) has wonderful details, maximizing the earthly details of fluttering wings, wolf howls and horse hooves while also embracing the transcendently romantic voices (Rutger Hauer and Michelle Pfeiffer) but it's marred by jarring score cues that take you out of the action and weird post-production "comedy" vocal work from extras. It feels, at least for its first half, like it's a movie with several authors and endless studio interference from people who didn't believe in a romantic fantasy epic in a time long before fairy tales were hot commodities and sword and sorcery epics were the furthest thing from bankable. So, would you laugh at me if I claimed I thought it was thisclose to being a classic? People are always reediting the Star Wars prequels to try to make them into the movies they should have been but the fantasy with the easiest fix to nudge it from punchline to greatness is Ladyhawke.

The one area where Ladyhawke can lay legitimate claim to greatness without lengthy conditional explanations is in the cinematography of three-time Oscar winner Vittorio Storaro (most famous for Apocalypse Now and various Warren Beatty epics). Many films throughout history have used sunsets and sunrises for their sheer beauty but Ladyhawke's reliance on light is more than vanity; it's storytelling.

Pfeiffer's beauty and Hauer's pain after the jump

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"Burtonjuice. Burtonjuice. Burtonjuice."

Tim Burton was one of my very first movie loves. I fell out of love abruptly when Planet of the Apes crash-landed but the divorce was lengthy and complicated. My lawyers cited irreconcilable differences (Charlie and the Chocolate Factory), emotional neglect (Sweeney Todd) and physical visual abuse (Eyesore in Wonderland) and we thought we had a great case. But somehow Burton still won in court and our alimony is now paid in movie tickets; we are required to see all his movies no matter how terrible!

But by returning to his first stab at greatness with the upcoming Frankenweenie expansion in October and reuniting with his Batman Returns superstar Michelle Pfeiffer for the upcoming Dark Shadows in May, how can we not feel nostalgic for our failed marriage to that wild haired auteur?

A retrospective calls.

BURTONJUICE begins March 15th and we'll do it each Thursday until we finish the movies and/or we can't stand it anymore whichever comes first. (My bets on the latter.) Will you relive the ecstasy and torture with me? I can't go through it alone! If I ask you to "hold me" by the Christmas decorations, the proper response is (say it with me) "_ ____" even if you don't have scissors for hands.

FYC Best Supporting Actress Michelle Pfeiffer

Too early?

In all seriousness though, the only thing we know for certain about the 2012/13 Oscars is that Dark Shadows will be up for Costumes (Colleen Atwood) and Art Direction (Rick Heinrichs). The Burton Factory can usually bank on those honors. I'd also personally like to thank Ms. Atwood ahead of time for La Pfeiff's plunging neckline with fancy Medieval cross necklace. Love.

Sorry! As you were. Back to the 2011/2012 Oscars for 33 more days. Every Oscar chart is updated.