Review: True History of the Kelly Gang

by Chris Feil

For director Justin Kurzel, folklore goes hand in hand with with gorgeous brutality. After emerging with the true crime saga The Snowtown Murders and then the Fassbender double of Macbeth and Assassin’s Creed, Kurzel has established himself through a fascination with grisly legend, rending violence with stoic sheen and brooding male personas. His latest, True History of the Kelly Gang, is no different but somewhat more accomplished.

The film follows the rise of the infamous Ned Kelly, a tale you might have seen in the many, many cinematic retellings. Here George MacKay plays the historical figure with crumbling psychosis. Instead of a detailed account of the actions of his band of outlaws, this version (adapted from Peter Carey’s novel by Snowtown’s screenwriter Shaun Grant) charts Kelly’s exploits from adolescence to execution, delivering more of a character study of Kelly as a psychological victim of British imperialism. Along the way is an ensemble of characters that oppose him in ways big and small, from The Babadook’s Essie Davis as his bitter mother, to Russell as Harry Power showing the preteen Ned his first brushes with violence, to Nicholas Hoult as the film’s dandy police officer villain Fitzpatrick.

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Lawrence & Hoult Reunited... At the Box Office

Jennifer Lawrence recently split from X-Man boyfriend Nicolas Hoult and now they're reunited ...sort of... at the box office. He's a sort of dead heartthrob with a thing for a charismatic blonde in Warm Bodies while she's a charismatic blonde with a thing for a barely living headcase in Silver Linings Playbook.

Top of the Box Office
01 WARM BODIES $19.5 *NEW*
02 HANSEL & GRETEL: WITCH HUNTERS  $9.2 (cum. $34.4) 
03 SILVER LININGS PLAYBOOK  $8.1 (cum. $80.3)  Beau's Review
04 MAMA  $6.7 (cum $58.2) 
05 ZERO DARK THIRTY $5.3 (cum. $77.7)

In other movie/money news: Bullet to the Head, the only wide release going up against the zombie romcom Warm Bodies, came in at #6 which is amusing since that's how you generally kill the walking dead; The Best Picture nominees continue to make a lot of bank in the bottom half of the top dozen box office with those long legs at the box office;  A Royal Affair which is competing with Amour for Best Foreign Film just crossed the $1 million mark in US arthouses, always a significant line for subtitled pictures. Amour has reached $2.5 million, the lowest grossing Best Picture for decades... though it's still in under 100 theaters. (Expansion still in progress. Stay tuned.) Globally speaking it's still slightly behind Caché and The White Ribbon as the most successful Haneke picture. 

What did you see this weekend? Or were you all about The Superbowl?

Yes, No, Maybe So: "Jack the Giant Killer"

I was going to cover Dario Argento's Dracula but I just didn't have it in me. And besides, it wasn't really meant for public consumption... just interested distributors. If you'd like to bare your neck for the generally über sexy pair of new fangers Thomas Kretschmann and Asia Argento, you can read takes on that unfinished 3D effort over at Stale Popcorn and My New Plaid Pants. So let's look at another genre offering. 

Nicolas Hoult climbs beanstalks, kills giants.

Fairy tale reworkings are all the rage these days so let's look at Bryan Singer's Jack and the Beanstalk  um... Jack the Giant Killer instead. Did Jack and the Beanstalk sound too Veggie Tales or fairy tale quaint? One of the odd effects of not obsessing over movies while they're still in production like 95% of the movie blogs on the 'net is that I'm often totally taken by surprise when a trailer arrives because I've often forgotten that the upcoming movie even existed. Such was the case here so I had zero preconceived notions affecting reactions to the trailer.

YES NO MAYBE SO breakdown and trailer after the jump.

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Yes, No, Maybe So: "X-Men: First Class"

The trailer has arrived.

Travel back in time with me to the late 70s. Yes, I know the movie we're about to discuss takes place in the early 60s. But I wasn't alive yet and neither were many of you. Wee Nathaniel was alive in the 1970s (shut up!). Jump forward to Christmas 1979. In Nathaniel's Christmas stocking, the greatest gift he'd known until that time: The Uncanny X-Men #129. He tore through the pages, died right on the spot from joy and went to heaven. The End.

The point is this: no matter how many bad superhero movies may come, no matter how glutted the superhero genre becomes at the movies, no matter how many bad X-Movies arrive (Hi, X-Men 3 and X-Men Origins: Wolverine. You suck!) Nathaniel will always be susceptible to Charles Xavier and the School For Gifted Youngsters. He will always hope that the movies will ever capture the magic of those first comic books. He will always be glad that Bryan Singer's X-2 (the second or third best superhero movie ever made) nearly managed it in a few scenes.

To this point the X-Men movie series has ignored The Hellfire Club, who were all introduced in this very (personally sacred) issue that changed my young life. I was a junkie thereafter for mutants, comic books, and spectacularly-bodied superheroines like Storm & Phoenix and spectacularly-bodied ice queens like Emma Frost, The White Queen. Kitty Pryde was also introduced in this movie but she was only 13. (Even then I preferred the older ladies. Storm and Phoenix were probably only 20 or something but to me that was ADULT. anyway.... reign it in. geezus!

This time the movies are going there, Emma Frost (January Jones) and all.

X-Men: First Class trailer and further anxiety after the jump! Wheeeee

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