Beauty Break: International Cat Day
by Nathaniel R
Since today is a day to honor our beloved feline friends, let's share pics of celebrities with cats. Not celebrities in Cats. That would be tragic. This photo gallery is the opposite...
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by Nathaniel R
Since today is a day to honor our beloved feline friends, let's share pics of celebrities with cats. Not celebrities in Cats. That would be tragic. This photo gallery is the opposite...
Daniel Walber's series on Production Design. Click on the images to see them in magnified detail.
Olivia de Havilland was in nine films that were nominated for the Oscar for Best Production Design. It’s not the record, but it’s quite something. I’ve covered three of them: Hold Back the Dawn, My Cousin Rachel and Hush...Hush, Sweet Charlotte. But none of those actually won the award, so I still have some work to do. I haven’t got time for Gone with the Wind, and The Adventures of Robin Hood can wait a few weeks until our 1938 celebration, so I dove into The Heiress.
I hope you’re ready to think deeply about embroidery.
Granted, I’m not entirely sure director William Wyler was thinking deeply about his protagonist’s favorite pastime. The emphasis on Catherine Sloper’s (de Havilland) stitching can feel like little more than shorthand for “spinster” status. And the mid-19th century was a high point for this association, as embroidery was a standard part of the girls’ school curriculum.
Dr. Austin Sloper (Ralph Richardson) sent Catherine to the finest boarding schools, where she would have learned the art of the sampler from an unmarried teacher. The end of the film bluntly zooms in on one of these stitched alphabets, which in this context might as well read “OLD MAID”...
As you know, Olivia de Havilland passed away on Saturday. She leaves behind a filmography full of immortal classics as well as a legacy that still shapes the American film industry. At first glance, de Havilland might seem like an odd choice for this series. Her most acclaimed roles did nab Oscar nominations and she won twice. Still, there was, at least, one occasion when the great Olivia could have considered herself snubbed by AMPAS. It happened in 1952 when the actress returned to the screen after a short period dedicated to the stage. Surely a wise move since The Heiress (1949) was undoubtedly a tough act to follow.
Her next feature after the break was a Daphne du Maurier adaptation that's noteworthy for at least two reasons: one, it launched the career of Richard Burton in Hollywood and two, it went on to score four Oscar nominations. We're talking about My Cousin Rachel…
by Nathaniel R
We have long dreaded this day coming so it's with heavy hearts that we share that the iconic Olivia de Havilland has passed away. We have celebrated her several times here at The Film Experience, most notably in 2016 with a multi-film retrospective for her Centennial. Having been a true screen immortal for the past (gulp) 80 years, it was hard to picture this woman as an actual mortal. Pictures of her happily bicycling in Paris in her centenarian years were popular around the web but all things eventually end. The Oscar winner, who had just celebrated her 104th birthday on July 1st, died peacefully yesterday in her Parisian home...
New bi-weekly Monday series. By popular vote you selected this streaming film for screening & discussion...
by Nathaniel R
Where did the sayings "wear your influences / heart on your sleeves" originate? No matter the etymology of the phrase we think it disagrees with fussy widow Mrs Cornelia Hilyard. Her billowy sleeves aren't half as expressive as the sheer scarf and shawl like top over her simple house dress. She fidgets with it constantly, untying and unbuttoning the extra layer of fabric due to the unfortunate duet of a broken air conditioner and a great lady's modesty!
The influences and emotions clinging visibly to this lady in her cage, or rather Lady in a Cage (1964), are much the same. Screenwriter Luther Davis and Director Walter Grauman throw just about everything they can think of that was cinematically en vogue or brazenly attention-grabbing in the early 1960s into the mix (drug use! homosexuality! juvenile delinquents! sex! formerly glamorous leading ladies getting sweaty and desperate and humiliated for your viewing pleasure). The film's sociopathic parents -- its daddy is Psycho and its mommy is Whatever Happened to Baby Jane -- have cast a long historical shadow over Lady in a Cage...