10th Anniversary: Milk (2008) is Aging Beautifully

by Eric Blume

This month marked the tenth anniversary of the release of Gus Van Sant’s semi-biopic Milk, chronicling the last eight years of the life of gay politician Harvey Milk.  If you’ve never seen Milk, get ye post haste to it, if for no other reason than to be fully immersed in this crucial window of history.  If you saw Milk when it was released a decade ago and haven’t seen it since (which was true for me), watch it again:  it’s aging beautifully.

Olympic diver Tom Daley’s husband, Dustin Lance Black, won the Oscar for Best Original Screenplay for this movie, and the trophy was richly deserved.  Black not only manages to avoid almost every biopic cliché, he captures the beginning of the gay rights movement with precision, pain, and most importantly, humor.  Black’s script starts when Harvey Milk turns forty, had been mostly closeted, and was not politically aware. He chronicles his consciousness-raising without a hint of clumsiness or fake nobility.  And while Black keeps his focus squarely on Milk, his real achievement is in casting a wider net: he gives Milk’s real-life contemporaries a vivid presence, and shows us a full community within the Castro neighborhood in San Francisco.  This script manages to be both macro and micro, and throughout you can see Black’s gigantic heart and passion for this story...

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Blueprints: "Little Miss Sunshine"

To celebrate the family awkwardness of Thanksgiving weekend, Jorge takes a look at one of cinema’s most memorable dysfunctional families and how they make their entrances.

Look, no family’s perfect. Far from it. And no holiday brings out the imperfections more than Thanksgiving. Every difference of opinion, tightly-held grudge, annoying personality trait, buried secret and imprinted trauma tend to resurface. And while it may be hell for those going through it, these interactions are usually fertile ground for narrative drama.

But most families tend to be dysfunctional year-round, not just during the holidays. Some don’t need a holiday weekend or a glass of wine to bring out their unpleasant side. All you need to see it is a quick first glimpse. So let’s take a look at the Hoovers in 2006’s Little Miss Sunshine, who are precisely that kind of family. Let’s see how they are each individually introduced in the script, as fully flawed human beings...

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Does Box Office Matter to Best Actress Hopefuls?

by Nathaniel R

Helen Mirren's The Queen was in many ways a completely standard win... a solid success before the nomination and an even bigger hit afterwardsDoes Box Office matter to Oscars? It does and it doesn't. And how much it matters varies from year to year and from category to category. It obviously matters, regardless, if you're either a flop or a big hit but anything inbetween (where most movies fall) is up for speculative debate.

For instance, just this year people have debated whether The Wife's box office take is strong enough for a Best Actress nomination for Glenn Glose (hint: it totally is... though winning will be harder) and whether it will matter that Roma won't really have that much of a theatrical presence (it might. it might not. The streaming only/mostly thing is relatively uncharted territory) or if the major success of A Star is Born will make a win possible for Lady Gaga (it won't hurt!)

For fun let's look at how much the Best Actress nominees films made before they were nominated for the past fifteen years and see what patterns emerge. The films in red won Best Actress Oscars.

BOX OFFICE RANK OF BEST ACTRESS FILMS
BEFORE THE NOMINATIONS (2003-2017)
AND WHERE THIS YEAR'S LEADING ACTRESSES CURRENTLY FIT...

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Months of Meryl: Julie & Julia (2009)

The Filmography: Across 52 films, Meryl Streep taught America how to act, and how to accept awards. It’s been 41 years since Ms. Streep’s first film. Today we might think we live in the world Jennifer Lawrence, Brie Larson, and Alicia Vikander made, but beneath it all is Meryl, 69 if she’s a day, and no one can touch her.

The Contenders: Too young to recall The Hours press tour, and much too young for any pre-Devil Wears Prada context, really, Matthew and John  were looking for a challenge. And from Still of the Night to Dark Matter, they found it. Risking their sanity, their jobs, and Ingmar Bergman centennial retrospectives, they have signed on for a deranged assignment.

365 days. 52 films. A dozen-plus accents. Three Oscars. Two boys. One refurbished Blu-Ray player. How far will it go? We can only wait. And wait. And wait...

The Months of Meryl Project. Wrapping up soon on a blog you’re already reading.

#41 — Julia Child, beloved chef and unanticipated television star of singular personality.

MATTHEW: In surveying all 21 of the films that constitute Meryl Streep’s history-making haul of Academy Award nominations, Nora Ephron’s Julie & Julia, to my mind, represents an acting challenge that only this stupendous performer could have possibly played and been rewarded for playing...

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Showbiz History: Lost in Translation, Eyes of the Mummy, and Clive Owen

10 random things that happened on this day, October 3rd, in showbiz history

1918 CENTENNIAL ALERT: Ernst Lubitsch's The Eyes of the Mummy, starring Pola Negri and future Oscar winner Emil Jannings, premieres in Germany. It will take four years to make it to the US. You can watch this early horror film in its entirety on YouTube. It's not very good but Lubitsch would go on to a brilliant career directing screwball comedies. Negri plays a girl rescued from captivity in an ancient Egyptian temple but her nightmare is only just beginning!

1929 Actress Jeanne Eagels, the star of The Letter that year, dies of a drug overdose at 39, after which she becomes the first (and still only) actress ever Oscar-nominated posthumously...

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