All 95 Foreign Film Nominees This Century. Oscar & Box Office Trivia!

by Nathaniel R

Roma's great competition: Shoplifters, Never Look Away, Cold War, and Capernaum

Dear readers, I've been filled with existential despair this week. I'm not sure how to continue covering the Oscars next year if the Oscars are going to drain all the art out of it by denying all the categories that make cinema, cinema, and announcing them off air. I haven't quite formed my thoughts on this (I expect this upcoming Oscar night to be disastrous) for a complete post but while we still have the more movie-fan friendly categories to look forward to let's continue to talk about them!  We've done some research on how the foreign film category tends to fare in the US marketplace that we wanted to share. In addition to being a super high quality roster, this year's Foreign Film list has done well with audiences, too. 

Both Poland's Cold War  and Japan's Shoplifters have become genuine hits and will certainly outgross the long runs of the last few years worth of most talked about foreign flicks whether or not they were Oscar nominated like The Square, A Fantastic Woman , Elle, The Salesman, and The Handmaiden. In fact, in any year without Roma or each other in it, wouldn't Cold War or Shoplifters be winning this category with ease ?!? 

After the jump, let's take a look back at all 95 nominees this century and how well they fared at the box office. Plus lots of trivia just because trivia is fun and will ward off the despair...

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Adams / Weisz + Oscar

by Murtada Elfadl

Weisz and Adams at their first Oscars as nominees

This year marks the second time Rachel Weisz & Amy Adams have been nominated together in the supporting actress category: Weisz for The Favourite, Adams for Vice. The first time they did so was for their first nominations, thirteen years ago for The Constant Gardener and Junebug respectively. They are linked together in my mind -and possibly for some of you - because of that. Adams’ performance in Junebug is my favorite of her nominated performances and I've always said that if she had won that year we wouldn’t be talking about overdue status for years on end. 

Since that time their Oscar careers have diverged...

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10th Anniversary: Milk (2008) is Aging Beautifully

by Eric Blume

This month marked the tenth anniversary of the release of Gus Van Sant’s semi-biopic Milk, chronicling the last eight years of the life of gay politician Harvey Milk.  If you’ve never seen Milk, get ye post haste to it, if for no other reason than to be fully immersed in this crucial window of history.  If you saw Milk when it was released a decade ago and haven’t seen it since (which was true for me), watch it again:  it’s aging beautifully.

Olympic diver Tom Daley’s husband, Dustin Lance Black, won the Oscar for Best Original Screenplay for this movie, and the trophy was richly deserved.  Black not only manages to avoid almost every biopic cliché, he captures the beginning of the gay rights movement with precision, pain, and most importantly, humor.  Black’s script starts when Harvey Milk turns forty, had been mostly closeted, and was not politically aware. He chronicles his consciousness-raising without a hint of clumsiness or fake nobility.  And while Black keeps his focus squarely on Milk, his real achievement is in casting a wider net: he gives Milk’s real-life contemporaries a vivid presence, and shows us a full community within the Castro neighborhood in San Francisco.  This script manages to be both macro and micro, and throughout you can see Black’s gigantic heart and passion for this story...

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Blueprints: "Little Miss Sunshine"

To celebrate the family awkwardness of Thanksgiving weekend, Jorge takes a look at one of cinema’s most memorable dysfunctional families and how they make their entrances.

Look, no family’s perfect. Far from it. And no holiday brings out the imperfections more than Thanksgiving. Every difference of opinion, tightly-held grudge, annoying personality trait, buried secret and imprinted trauma tend to resurface. And while it may be hell for those going through it, these interactions are usually fertile ground for narrative drama.

But most families tend to be dysfunctional year-round, not just during the holidays. Some don’t need a holiday weekend or a glass of wine to bring out their unpleasant side. All you need to see it is a quick first glimpse. So let’s take a look at the Hoovers in 2006’s Little Miss Sunshine, who are precisely that kind of family. Let’s see how they are each individually introduced in the script, as fully flawed human beings...

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Does Box Office Matter to Best Actress Hopefuls?

by Nathaniel R

Helen Mirren's The Queen was in many ways a completely standard win... a solid success before the nomination and an even bigger hit afterwardsDoes Box Office matter to Oscars? It does and it doesn't. And how much it matters varies from year to year and from category to category. It obviously matters, regardless, if you're either a flop or a big hit but anything inbetween (where most movies fall) is up for speculative debate.

For instance, just this year people have debated whether The Wife's box office take is strong enough for a Best Actress nomination for Glenn Glose (hint: it totally is... though winning will be harder) and whether it will matter that Roma won't really have that much of a theatrical presence (it might. it might not. The streaming only/mostly thing is relatively uncharted territory) or if the major success of A Star is Born will make a win possible for Lady Gaga (it won't hurt!)

For fun let's look at how much the Best Actress nominees films made before they were nominated for the past fifteen years and see what patterns emerge. The films in red won Best Actress Oscars.

BOX OFFICE RANK OF BEST ACTRESS FILMS
BEFORE THE NOMINATIONS (2003-2017)
AND WHERE THIS YEAR'S LEADING ACTRESSES CURRENTLY FIT...

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