Halfway House 2012. Best Picture (Thus Far)

HAPPY INDEPENDENCE DAY! We're taking stock and talking 2012 crop now that the year is half over. If you asked me to nominate for "Best Picture" right now, here are the titles I'd scribble in the air with sparklers... in alpha order.  I fully expect 2 or 3 of them to be written in ink at the end of the year in my top ten list.

 

The Avengers (review)
Let's not overstate. Popcorn entertainment occassionally does come better than this but The Avengers is still pretty damn fun and clever as it hurdles the complicated 'how on earth do you combine all these franchises into one?' question with confidence and humor. It's easy to forget how wrong this could have gone. Well done Joss Whedon. Extra bonus points for redeeming the two most previously disappointing characters (The Black Widow and The Hulk) by making them the unexpected key pieces of this jigsaw puzzle.

Beasts of the Southern Wild (capsule)
Benh Zeitlin's evocative utopia/dystopia journey is like nothing you've ever seen. So get to seeing it the first chance you get. We'll obviously be talking about it more as the year wears on and top ten lists and awards begin looming.

Bullhead (review)
Michael R. Roskam's brooding tragedy-laced crime drama about a lonely cattle farmer and illegal growth hormones was nominated for Best Foreign Film last year. It finally hit US cinemas this year. They always make us wait. 

Declaration of War 
Valérie Donzelli's restless, experimental retelling of her own traumatic experience as a new parent of a sick child with then boyfriend Jérémie Elkaïm(also playing a version of himself) was a bracing experiene and even an oddly joyful movie. Though it was clearly a longshot for Oscar play (they didn't nominate it for foreign film) I'm glad France submitted it bringing it to our attention here. 

 A Festive 4th of July with Dallas and the Kings of Tampa

Magic Mike (review)
Steven Soderbergh's nuanced observational portrait of a stripper/entrepeneur facing the uncertain future has stylish filmmaking, good solid laughs, and better character portraits than you usually get on the peripheries of the narrative. 

Moonrise Kingdom (capsule)
Not since The Royal Tenenbaums have Wes Anderson's form and content enjoyed a marriage this whimsical, aching and bittersweet. It's multifaceted and, better yet, enjoyable on serious and silly levels depending on your mood. Seems likely to reward us on future viewings. 

Runners up? Not really. Those six stand head and shoulders, even groins in Mike's case, above the pack. Don't miss any of them. If I had to make a top ten list this early with so few films seen (yikes) 7 through 10 in descending order would go to... no I can't it's too unsatisying... I can't I ca... oh, all right. 

JUST 4 OSCARY FUN...
Try to imagine what would happen if the year ended right now. Which films do you think would make Oscar's BP list? It has to be films that are eligible (i.e. released already) so I'm feeling like there's no way it wouldn't be these five: Avengers, Beasts of, The Best Exotic Marigold Hotel, The Hunger Games and Moonrise Kingdom... with Hunger Games losing a Best Director opportunity to Steven Soderbergh for Magic Mike. I've got this alternate reality all figured out! Marketable skill.

Those five movies are arguably the only five that'll have enough devotees to cry "it's going to happen!" in five more months... even if it isn't in most of those cases. Do you agree? Or do you think something heartwarming / messagey (like The Intouchables?) or something critically supported but divisive (like Magic Mike) would surprise and knock the not-beloved-but-way-successful Hunger Games out?

Most importantly: What would your ballot look like so far? And do you think anything we've seen yet is going the distance to an Oscar nomination.

Read Also "Best Of..." Actress, Actor , Supporting Actor and Supporting Actress

Yes/No/Maybe So: The Sessions

Michael C here.

“In my heart I feel that he will give you a free pass on this one” says kindly priest William H Macy to paralyzed John Hawkes. Hawkes is looking for a greenlight from the church to use a sexual surrogate so he can finally experience the joys of intercourse. "My penis speaks to me, Father Brennan," Hawkes helpfully clarifies.

So opens the trailer of Sundance crowd pleaser The Sessions.

Yes

Come on everybody. Let’s see if we can get a chant going like the end of Rudy…'John Hawkes! John Hawkes! John Hawkes!'

After his brilliant nominated work in Winter’s Bone and his equally brilliant un-nominated work in Martha Marcy, there is every indication that Hawkes delivers another sit-up-and-take-notice performance here. Honestly, Sessions could end with Helen Hunt wheeling him out onto the field at the Super Bowl to catch the game winning pass in his teeth and I’m confident Hawkes could make it intensely subtle and believable.

A nomination for The Sessions – and sexual frankness aside it certainly looks pitched right at the Academy sweet spot – will likely be chalked up to their love of gimmick performances, but really, Hawkes is currently one of those guys like Tom Hardy or Michael Shannon knocking it out of the park every time at bat.

I also felt an unreasonable amount of pleasure seeing William H Macy turn up. He’s not exactly pushing his talent to its limits, but doesn’t it feel like forever since he’s had a really good big screen role?  Last thing that springs to mind is him insisting that Vermont would not apologize for its cheese.

Also, that bit about simultaneous orgasms? Funny.

No

Right around the time the OK Go song kicked in I felt my expectations take a hit. This preview is going out of its way to let audiences know that even though the main character is a man paralyzed by polio from a young age Sessions is still going to be fun, fun, fun. There is even the strong suggestion an unlikely yet heartwarming romance blossoms between Hawkes and Hunt.  

Hopefully, this can be chalked up to the nature of trailers to reduce any movie to two minutes of mushy comfort food, skipping over complex or tricky material in favor of punchlines and triumph over disease uplift. Hopefully.

Maybe So

For whatever reasons Helen Hunt has proved a surprisingly divisive actress. For hardcore movie folk a lot of it no doubt stems from her ’97 Oscar win over Judi Dench (a travesty to be sure) but other than that I’ve never understood why she rubs so many people the wrong way. She has never been my particular cup of tea, but that has a lot more to do with her questionable taste in material than her performances. I’ve got the feeling this performance may silence a few of her haters. Or I’m kidding myself and the mere presence of Hunt in the trailer has haters running at the movie like Spike Lee with a trash can at the end of Do the Right Thing. “HAAAATE!”

The fact that Sessions won the Audience Award at Sundance is also a positive indicator. Their track record isn’t perfect, but Sundance voters do have a knack for picking out gems like The Station Agent or Maria, Full of Grace as well as breakout hits like Hustle and Flow and Precious.   

Are you a Yes, No, or Maybe So?

So for the presence of Hawkes and for giving off the vibe of an intelligent, emotionally honest movie along the lines of 50/50, despite the trailer tricks, mark me down as a solid yes. What say you?

Halfway House 2012. Lead Actress (Thus Far)

Don't you love to take stock every six months? At the very least it's a good excuse for list-making. Lists! Wheeee. If all Academy members did this before they sent in their nominee ballots in January, we might end up with a spread of nominees that wasn't so December slanted. I never decide who to vote for this early but I do draw up lists of performances I enjoyed /  respected to consider again later in the year when all the advertising rushes in an effort to shape the highly malleable collective subconscious and thus, votes.

If I had to draw up a ballot right now:

• Judi Dench, The Best Exotic Marigold Hotel
  The movie is considerably less broad once it's reigned in by her warmth, laughter, and subtlety
• Valerie Donzelli, Declaration of War (France's Oscar submission 2011, US release in 2012)
  She still has raw wound access to what must have been a highly traumatic experience (she and her ex-boyfriend play fictionalized versions of themselves trying to save their nearly fatally ill child) but the turn has a wide range of feeling and levity via mischievous romantic impulses and gallows humor.
• Jennifer Lawrence, The Hunger Games
  How soon till she's back at the Oscars? Maybe not for this... directly. 
• Stephanie Sigman, Miss Bala (Mexico's Oscar submission 2011, US release in 2012)
  Wonderfully naturalistic. She just vibrates with impotent terror. 
• Quvenzhané Wallis, Beasts of the Southern Wild 
  A force of nature even while nature is whipping up mythological force all around in "the bathtub" 

Oscar thoughts and other fine performances after the jump...

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Yes, No, Maybe So: "Silver Linings Playbook"

I apologize ahead of time for not including the trailer we are about to discuss in the post but I have a firm policy against ads ON ads. So when movie trailers come with ads SAY NO. I will not watch a commercial in order to see a commercial. Hollywood has tricked people into thinking that trailers are free cliff-note movies but no, they are just commercials. So, I won't. I won't! And all the embeds without ads were fuzzy so I can't. I can't.

Wait, I found one just as I was about to post this. Okay embedded. For you.

"Calm down crazy," quoth Jennifer Lawrence (and the Sassy Gay Friend before her)

But yes Silver Lining Playbook trailer is upon us and so we must break it down with the Yes, No, Maybe So™ system.

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Review: "Magic Mike"

An exhilarating all night double date is winding down on a bridge in Tampa, just before the sun rises. Mike (Channing Tatum) stands up on the railing, looks over his shoulder and dives gracefully backwards into the water to the mild delight of the anonymous girls. His new protégé "The Kid" (Alex Pettyfer), already eager to follow in his new buddy's footsteps (and body rolls), jumps in awkwardly after him.

Hey Mike, I think we should be best friends!" 

The Kid blurts the invitation out with both of them bobbing in the water. He's like a little boy who's just discovered a whole new playground. It's a perfectly crush-worthy unguarded moment -- the kind that makes you give yourself over completely to a movie. My heart is yours, movie. Treat me right. 

This gem of a scene is also, as it turns out, the exclamation point to a perfectly formed Act One, "June". The movie takes place over the course of one life-changing summer for Mike and The Kid: June, July, and August. You go to Magic Mike to see seven spectacularly formed male bodies but the movie turns out to be all sculpted, too: June is introductions, flirtations and promise, by July you're deep in love/lust and too hot for clothing, and in August... 

the cock rocking kings of Tampa

Well, you know how sticky August gets...

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