The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)
Manuel here. Getting a new batch of Oscar nominations is always overwhelming but since right now it’s all about first impressions, I figured we’d check in with the recently minted Oscar nominated scripts and see how they quite literally introduce themselves.
As most of these screenplays are cannily available online as FYCs (links here take you to the script), find below the very first line uttered in each nominated screenplay of 2015.
Think of it as a way of saying "Hello!" to these ten contenders...
Best Adapted Screenplay
Perhaps it's the inclusion of Nagy's beautiful adaptation but I kind of love this category, give or take the McKay script. Also, the doodle on The Martian's script is courtesy of Ridley Scott who sent that page out into space!
MODERN TRADER (V.O.) In the late seventies banking was not a job you went into to make large sums of money. It was a good stable profession like selling insurance or accounting.
Now that we've had 24 hours to process the Oscar nominations I polled Team Experience for one last Oscar Nomination reaction roundup. Which nomination did each of our contributors find most mystifying? Here are their answers which amused me so I hope you feel the same.
Please bear in mind that these items do not necessarily reflect the opinions of the management. We each have our pet peeves and our "achievements" we just can't with. Share your headscratchers with us in the comments. What's still antagonizing you this morning a full 24 hours after getting used to it as an "Academy Award Nominee"
Refresh your screen periodically for updates as this post will evolve
If you missed the Oscar nominations this morning you can check out the full list at our Official Nomination Index Page. The individual Oscar charts will take some time to update but should go up throughout the day. But while we're all gathered let's have so fun checking off some trivia and stats. This post is dedicated to the first timers in Oscar's club.
Feel free to contribute "firsts" in the comments!
First Time Lucky Mad Max Fury Road is the first live action sequel ever nominated for Best Picture whose original wasn't nominated. In fact the entire Mad Max franchise had received zero nominations up until this morning. Mad Max is only the second sequel ever nominated for Best Picture whose original wasn't up for the same prize. The only other example is Toy Story 3 (the first Toy Story did receive a special Oscar though, before the creation of the Animated Feature Category)
First Time Nominees Acting: Bryan Cranston, Brie Larson, Alicia Vikander, Jennifer Jason Leigh, Rachel McAdams, Tom Hardy, and two acting legends, film goddess Charlotte Rampling and stage giant Mark Rylance (whose shelves have all fallen from the weight of various trophies... but he doesn't work in movies much.)
Directing: Adam McKay, Lenny Abrahamson, Thomas McCarthy... and George Miller, believe it or not. Yes, he is an Oscar winner and previous nominee but in different categories (and two of three previous Oscar trips were for talking animal pictures, LOL, the super classic Babe and the animated winner Happy Feet). As of today he's now been nominated in five separate categories: Best Director (MMFR), Best Picture (MMFR & Babe), Best Original Screenplay (Lorenzo's Oil), Best Adapted Screenplay (Babe), and Best Animated Feature (Happy Feet).
Pop Star: Lady Gaga follows up her Oscar Sound of Music medley performance with an actual Oscar nomination for songwriting for "Til It Happens To You". Oscar voters seem happy with her which is weird because they've shunned her predecessor Madonna remarkably oftenn in this category with movie songs that becamse big hits like Into the Groove, This Used to Be My Playground, Live to Tell, etcetera.
Other hit songwriters on their first nods include Sam Smith and James Napier for "Writing's on the Wall" from Spectre. And "Earned It" from 50 Shades of Grey from The Weeknd, whose star went supernova recently. The LA Times on his rise to fame.
First Time? Not Exactly but It's Still Cool The Muse reports that Antony Hegarty (of Antony & The Johnsons fame) is the first trans person to receive an Oscar nomination. Antony is nominated for co-writing the "Manta Ray" the Original Song nominee from the documentary Facing Extinction. But this isn't strictly true. First time in modern era when people are quite aware of such things.
Coincidentally, the only previous example of a trans Oscar nominee also comes from the music categories. Angela Morley (born Wally Stott) was nominated in the music categories twice in the 1970s for The Little Prince (1974) and The Slipper in the Rose (1976). (Lana Wachowski, Hollywood's most famous trans filmmaker, has yet to be Oscar nominated -- the Matrix (1999) which she co-directed with her brother Andy, was nominated for and won four Oscars but none of them went to the Wachowskis.)
First For Your Country Colombia and Jordan are enjoying their first Foreign Language Film nominations for Embrace of the Serpent and Theeb respectably. Also though I haven't fact-checked I believe Chile is enjoying it's first animated short film nomination with Bear Story.
FINALLY...
The First Mean Girl Oscar Nominee Queen Bee Regina George it is. Rachel McAdams is up for Spotlight. Tina Fey has won Globes & Emmys, Lizzy Caplan has been nominated for an Emmy. Will their be a second Mean Girls Oscar nominee at some point? If so who you think it'll be?
If you dwell too much on the negatives on Oscar Nomination Morning it can be so deflating that the rest of the season (just one month to go) can feel agonizing. Nevertheless we owe the movies and actors that enrich our lives a proper send off here now that Oscar has closed this particular chapter on them. But never fear. The Academy Awards are a fun time from a anecdotal calendar perspective and important in a history chapter kind of way but they're never ever ever the full book on the movies.
Here are achievements in film from Carol, Creed, Inside Out, and more that we here at TFE have no intention of saying goodbye to in reality, though we'll have to set them aside in a particular kind of way this month...
Benicio del Toro in Sicario While Sicario received some recognition in the technical categories, it didn’t end up making the cut for any of the majors, including the acting awards. That’s a particular shame in the case of Benicio del Toro, who quietly managed to steal the movie from his excellent co-stars but couldn’t quite nab a supporting actor nod from Oscar. His character starts out as a taciturn, enigmatic presence, content to keep a low profile and deflect questions about why he’s there. But as the movie unfolds, he starts to assume increasing authority and gradually morphs into an ominous, even terrifying figure of retribution. It’s arguably somewhat lazy writing that he’s driven by personal revenge, yet del Toro, to his credit, doesn’t use this tried-and-true motivation as an excuse to chew scenery. Instead, he delivers a remarkably controlled and powerful portrayal of a formerly moral man who’s corrupted by his single-minded pursuit—and knows it. -Lynn Lee
Inside Out When the Academy decided to open up the Best Picture category, it was thought that more diversity would be represented. While there have been a few interesting choices since the decision, it is usually just more middle of the road prestige pics. That a genre film like Mad Max Fury Road was able to make it in today should be celebrated....
While I update the charts I asked the team to share their single favorite Oscar nomination of the day. And I hope you'll pick a single nomination to praise in the comments to. What most delighted you?
And now the favorite things hoopla begins...
Mad Max: Fury Road - Best Picture Back in May, critics and cinephiles, myself included, fell in love with Mad Max: Fury Road. It wasn’t just lust or infatuation. It was the kind of love that breeds doubt that others could see in the movie what we saw. Perhaps for that reason, a chorus of moans immediately went up about how not only is the Academy so often forgetful of Spring films, but that Mad Max was probably too fun, too action-y, too daring, hell, too feminist, for the academy to acknowledge it come Oscar season. Then, over the course of the summer, it didn’t even become the blockbuster many expected it would. Domestically speaking, it barely recouped its $150 million budget. (That may sound like a lot, but in the summer of “gigantosauri,” as Mark Harris called it, it was runtish.) How wonderful then today, to see a movie as exciting as it is smart get its due. - Kyle Stevens
Lenny Abrahamson, Room - Best Director Every moment is so carefully considered. His touch is so gentle that he earns every tear he's coaxed out of us by patiently setting up character and context. He makes Room feel so big and the real world so oppressively small. You can feel that the film was constructed by someone with a deep well of compassion and a profound understanding of what presentation the story demands to impact us. I had hoped that he could make it in, but so rarely does the director's branch award solid quiet observation. - Chris Feil
Friday, January 15, 2016 at 4:00PM 
