Pt 2: New Oscar Trivia, Stats, and Curiosities

Picking up where we left off after the headliner categories. But click not away. The below the line crafts and specialty categories are just as important and trivia-interesting. I promise.

FOR THE EYES

Production Design: Colin Gibson, Mad Max: Fury Road
Makeup and Hairstyling: Mad Max: Fury Road
Costume Design: Jenny Beavan, Mad Max: Fury Road

Jenny Beavan previously won the costume category for another perfect film A Room With a View. Not since arguably Dianne Wiest has a two time winner won for such polar opposite achievements. Yes both of Wiest's Oscars are from Woody Allen pictures but those star turns couldn't be more different stylistically / emotionally / pscyhologically. Mad Max Fury Road is also the first sci-fi winner EVER in this category... unless you count Star Wars (1977) though some people prefer lumping Star Wars into the fantasy genre rather than sci-fi... and there have been multiple fantasy winners.

I can't think of any interesting stats to go with the Makeup and Production Design Oscars but they were richly earned, don't you think?

More after the jump including further Star Wars coincidences...

Click to read more ...

Tuesday Top Ten: Oscar Fashion

Jose here, reporting for red carpet duty, and wishing I was half as cool as perennial nominee Sandy Powell (pictured left).

Full disclosure: I did not watch the Oscars on Sunday. I know, I know (I will be banished from TFE soon or burned at the stake later this week and you know what my last words will be) --  so all my red carpet knowledge is coming from pictures. If there was a fabulous dress that made an appearance during the ceremony I missed it, but expect you all to fill me in in the comments. Perhaps it was my general boredom with this particular awards season, or people taking less fashion risks than usual, but it was a lackluster affair when it came to most red carpets, and the Oscars were no different. Seriously, off the top of your head, can you come up with three or five iconic looks that people will be talking about for years to come, from this season? 

Without further ado, the ten best looks on Oscar night...

Click to read more ...

Oscar Telecast Ratings Hit Eight-Year Low

We’re currently awash in Oscar numbers and statistics, but there’s another Oscars number to be taken into account. After much discussion of the Academy as an entity leading up to Sunday night, it seemed like public interest would be high going into the ceremony, particularly given the Leo narrative and some high-grossing nominees like The Revenant, The Martian and Mad Max: Fury Road. But numbers for the Oscars telecast for this year have come in, and the Chris Rock-hosted show fell 6 percent to 34.3 million viewers in preliminary numbers and an eight-year ratings low...

If you haven’t already read Kieran’s analysis of Rock’s hosting stint you definitely should, because he gets at a lot of reasons why the ceremony was so uneven and might have put people off watching. But the most telling aspect of the ceremony’s ratings is that the 18-49 demographic only dropped 5 percent, which means that much of the lost audience was older viewers...

Click to read more ...

Those Kohls Oscar Speech Commercials

Oscar night was  thin with fun movie-related commercials. Coming out ahead in that vacuum was department store Kohls with a series of kooky commercials with actors lipsyncing to Oscar speeches. This one here brings back memories of my own Oscar-obsessed childhood:

The downside of this goofy series of commercials is that they're not immediatedly recognizable or memorable. Imagine how much more hilarious they could have been if we'd been given an iconic "It came true" or "I'm so in love with my brother right now".

Actor clearances surely played a factor - it's okay to laugh at yourself, kids. We were however treated to one infamous speech, in perhaps the most charming of the set:

What memorable speeches would get you lipsyncing at home?

Oscar Night Shockeroos

Oscar night never fails to deliver on surprises, but the 88th ceremony, which kicked off just 25 hours ago was among the most shocking. The Revenant's take was left to its three star players in favor of a film (Mad Max Fury Road) once   hought too weird to be taken seriously by the stuffy Academy. Let's run down the unexpected moments of the night!

First, the winner surprises:

Spotlight wins Best Picture
The nominee that most pundits had all but given up on became the newest example in recent years to defy those "can't happen" statistics. The festival staple was the season's first front-runner, but kept getting underestimated next to the big dollar heavyweights like The Revenant and the emergence of similarly politicized, but higher pedigreed The Big Short. But there is power in the preferential ballot and you can bet that Spotlight's win was solidified by number of second and third place votes. Given the broad admiration for the film, its somewhat surprising that the film's chances to win were so doubted.

"The Writing's On The Wall" wins Best Original Song
After Lady Gaga's performance brought the unusually standing ovation averse audience to their teary feet, even Sam Smith seemed gobsmacked that she lost. The combination of political fire, an agressive campaign, and Diane Warren's nomination history were thought to be unstoppable. Damn, Academy, you guys really like "Skyfall."

Ex Machina wins Best Visual Effects
Manuel gave us a fun bit of trivia on the win earlier, but this is a win we'll likely be celebrating around these parts for some time. Like The Girl with the Dragon Tattoo's Best Editing win, this was a gasp-inducer that no one expected. It's also the rare craft win (and nomination) for a supporting design element - hooray for BEST, not MOST! Dance party at A24 headquarters!

The Mad Max Hour
It really did feel like the steampunk actioner could go all the way towards the middle of the show. While its six wins weren't quite so surprising in themselves, the rapid succession of statues felt for a minute like dominoes falling into place. One more commercial break and its winning streak came to a dead hault, but the love in the room for Mad Max was more palpable than for any other film. WITNESS!

Losers, oddities, and more after the jump... 

Click to read more ...