How Jenny Beavan won the Oscars

Tim here. I watched the Oscars this year completely without the aid of social media of any sort – absolutely worth doing, if you haven't recently. It lets you enjoy the ceremony for the ceremony.

What that means is that I didn't realize for two whole days that there was quite a furor over my very favorite visual from the whole night, Jenny Beavan's outstanding outfit that she wore on the way to collect her Best Costume Design award for Mad Max: Fury Road. It turns out that there were quite a few people who did not share my view that it was the night's clear highlight. Several of them were sitting right inside the Kodak Theater with her, in fact, rather visibly failing to be delighted by her attire. That's especially true of an epically grumpy Alejandro González Iñárritu. He and several other conspicuous non-clappers were the subject of a Vine that went viral on the spot.

The internet has obligingly and appropriately pushed back, including a magnificent Paddy Considine tweet that I dare not show here on account of the very curt language Considine fired off in Beavan's defense, but it's very much worth checking out.

I did not come to rehash all of that, but to take us back to the outfit itself.

What was buried in the clapping controversy was that Beavan was wearing just about the coolest outfit to have graced the Oscars this decade. It's an instantly classic entry in the annals of "Costume designers just do not give a crap" alongside Milena Canonero's form fitting Victorian men's suit in 2007, and Lizzy Gardiner's 1995 American Express dress (another controversial outfit that many people hate but remains one of the greatest things anyone has ever worn). Just look at it! 

All other considerations aside, that is badass. And it's also really on-point. The inherent ruggedness of (fake) leather, the heightened cartoon gaudiness of having a sequined image on the back, the fact that the image is a sort of cult identity marker, the way that her accessories suggest scavenging. She is, in effect, wearing the movie on her body, and taking it up to win the Oscar with her. More importantly, it's a way to put her own personality on display during a moment that should be entirely about here. And there is far more of Beavan the human being in that moment than any stock Hollywood figure wearing stock evening wear – this is a woman whose primary medium of expression is clothing, after all. As she put it backstage:

I don't do frocks and absolutely don't do heels, I have a bad back. I look ridiculous in a beautiful gown… I just like feeling comfortable and as far as I'm concerned I'm really dressed up."

And as far as we're concerned, she won the whole Oscar ceremony.

The 88th Oscars' Biggest Losers and Classics That Shared Their Fate

David here with some commiserations. The winners have been duly celebrated but what of those valiant souls who came, who sat, and who meekly applauded while silently ripping their pocket speeches to pieces? Are they over it by now?

Leonardo DiCaprio 😭 #Oscars pic.twitter.com/Ugrwz1XSw2

— pictoline (@pictoline) February 29, 2016

Sometimes being the biggest loser can make you more famous than being a winner - just ask Leonardo DiCaprio, who may well just cease to exist now that his one purpose in life has been fulfilled and the internet’s long love affair with affectionately mocking memes has come to an end. Can we assume that Roger Deakins is up next for this treatment…?

The record for the biggest loser on Oscar night is jointly held by 1977's The Turning Point and 1985's The Color Purple. Since The Revenant walked away with 3 gongs from a possible 12 and Mad Max: Fury Road gloriously swept the technical categories for 6 out of 10, no film came close to the record - unlike recent failures True Grit and American Hustle, which both saw 10 noms come to sweet f' all. (The Color Purple's director Steven Spielberg was saved from indignity again with Mark Rylance's sort-of-surprise win for Bridge of Spies.)

Yet some of 2015's biggest movies still ended the night empty-handed. Since time has a habit of remembering movies differently to Oscar, let's see what hallowed company Sunday's biggest losers are joining in the hall of infamy. How might they fair in the collective memory in twenty years time? (Please forgive my Photoshop skills after the jump)

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Pt 2: New Oscar Trivia, Stats, and Curiosities

Picking up where we left off after the headliner categories. But click not away. The below the line crafts and specialty categories are just as important and trivia-interesting. I promise.

FOR THE EYES

Production Design: Colin Gibson, Mad Max: Fury Road
Makeup and Hairstyling: Mad Max: Fury Road
Costume Design: Jenny Beavan, Mad Max: Fury Road

Jenny Beavan previously won the costume category for another perfect film A Room With a View. Not since arguably Dianne Wiest has a two time winner won for such polar opposite achievements. Yes both of Wiest's Oscars are from Woody Allen pictures but those star turns couldn't be more different stylistically / emotionally / pscyhologically. Mad Max Fury Road is also the first sci-fi winner EVER in this category... unless you count Star Wars (1977) though some people prefer lumping Star Wars into the fantasy genre rather than sci-fi... and there have been multiple fantasy winners.

I can't think of any interesting stats to go with the Makeup and Production Design Oscars but they were richly earned, don't you think?

More after the jump including further Star Wars coincidences...

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Tuesday Top Ten: Oscar Fashion

Jose here, reporting for red carpet duty, and wishing I was half as cool as perennial nominee Sandy Powell (pictured left).

Full disclosure: I did not watch the Oscars on Sunday. I know, I know (I will be banished from TFE soon or burned at the stake later this week and you know what my last words will be) --  so all my red carpet knowledge is coming from pictures. If there was a fabulous dress that made an appearance during the ceremony I missed it, but expect you all to fill me in in the comments. Perhaps it was my general boredom with this particular awards season, or people taking less fashion risks than usual, but it was a lackluster affair when it came to most red carpets, and the Oscars were no different. Seriously, off the top of your head, can you come up with three or five iconic looks that people will be talking about for years to come, from this season? 

Without further ado, the ten best looks on Oscar night...

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Oscar Telecast Ratings Hit Eight-Year Low

We’re currently awash in Oscar numbers and statistics, but there’s another Oscars number to be taken into account. After much discussion of the Academy as an entity leading up to Sunday night, it seemed like public interest would be high going into the ceremony, particularly given the Leo narrative and some high-grossing nominees like The Revenant, The Martian and Mad Max: Fury Road. But numbers for the Oscars telecast for this year have come in, and the Chris Rock-hosted show fell 6 percent to 34.3 million viewers in preliminary numbers and an eight-year ratings low...

If you haven’t already read Kieran’s analysis of Rock’s hosting stint you definitely should, because he gets at a lot of reasons why the ceremony was so uneven and might have put people off watching. But the most telling aspect of the ceremony’s ratings is that the 18-49 demographic only dropped 5 percent, which means that much of the lost audience was older viewers...

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