The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)
Nathaniel R reporting from the NYFF/TIFF as these films played at both fests...
Fortieth birthdays don't get much better than this. In August Chile's most celebrated filmmaker Pablo Larraín turned the big 4-0 just after his excellent new film Neruda opened in his home country. One month later Jackie, his first English language picture, joined Neruda on the international festival circuit to even more excitement. Both are likely and deserving Oscar nominees come January. Pretty good year.
As we've noted many times the Official Foreign Film Submission List generally contains at least one surprise when Oscar announces it -either a switcheroo from a country who had second thoughts about their submitted film or a disqualification or a film we hadn't yet heard of. We don't know the date but it's any time in the next week or so. At the moment the list is 86 wide (a record if it holds!) thanks to the last few films we know of to announce including Costa Rica's romantic dramedy About Us, Malaysia's autism drama Redha, and the biopic Xuan Zang from China which is about a famous monk during the Tang Dynasty. That one sure looks pretty.
If you haven't looked at the Oscar charts in a while take a gander. We'll obviously break it down in several fun ways when the official list is announced.
What You Can Watch If you are eager to see the selections please note that Sweden's A Man Called Ove, UK's Under the Shadow, South Korea's Age of Shadows, and Israel's Sand Storm are now in select cities and Mexico's Desierto hits next Friday. The only three available to watch online right now in the US that we know of are Palestine's The Idol (for rental on Amazon), Venezuela's From Afar and Greece's Chevalier (which are both streaming on Netflix). If you know of legal options in your country to view these please let others know in the comments.
There was a time - say early 2012 - when Michelle Williams could do no wrong with Oscar. Basking in her third overall nomination for My Week with Marilyn (2011), the second in as many years as she was nominated the year before for Blue Valentine (2010), she had the heat, she had the momentum. She also had the critical and cinephile love with acclaimed performances behind her in Take this Waltz (2011), Meek’s Cutoff (2010) and Wendy and Lucy (2008).
The win was definitely coming and soon. How times change.
The new trailer to the Howard Hughes whatsit Rules Don't Apply starring Lily Collins and Alden Ehrenreich has arrived. It's written, directed, and produced by co-star and Hollywood royalty Warren Beatty as the eccentric billionaire previously played by Leonardo DiCaprio in The Aviator.
Have you heard from people that I'm crazy?
Why yes, Warren we have. We see you've called in a few favors, too...
A flurry of documentaries are having their premieres on Netflix and in their own way serve as glowing examples of the positives and the negatives of the streaming platform. Netflix made an impression very early in their life as original content providers; the Academy’s documentary branch has already warmed to their productions and acquisitions. They deserved the statue for The Square in 2012 (losing to music doc 20 Feet from Stardom), and proved their keen eye (and deep pockets) were no fluke with subsequent nominations for Virunga (losing to Citizenfour), What Happened Miss Simone?, and Winter on Fire (both losing to music doc Amy)
This year it’s entirely feasible to imagine an Oscar line-up with five Netflix titles. I can't imagine the doc branch ever letting that happen, but they have the product and it’s looking entirely possible they could finally win in a memorable and game-changing first. But what about the films themselves: Into the Inferno, Amanda Knox, and Audrie & Daisie?
Friday, October 7, 2016 at 10:30AM 
