Sunday, June 21, 2026 at 10:53AM by Nathaniel R
Can John Turturro hold on to his Sundance buzz for "The Only Living Pickpocket in New York" © Sony Pictures Classics
Whoops. Lost some momentum there to finish the first round of Oscar predictions. Let's take on Best Actor and Best Supporting Actor...
Wednesday, June 10, 2026 at 1:11PM by Nathaniel R
JIM QUEEN is a French gay adult animated comedy about a virus that turns gay men into heterosexuals. It premiered at Cannes.
Every year I hope to become more of a voracious viewer of animated films. There's so much happening around the world in animation but international animation (beyond some films from Japan) rarely hits US movie theaters or stays for a long enough time to build a fanbase. The animation year started out unexpectedly strong with more animated films premiering at Cannes than is usually the case. And Annecy, the annual summer animation festival, is just around the corner -- we'll be reviewing a few titles from Annecy for the very first time -- though sadly we're not travelling TO the festival but responding to screeners. While we would love for the Best Animated Feature race to be a truly competitive international free-for-all each year, the stats suggest that it's always Disney's to lose. More accurately it's always Disney/Pixar's to lose (or at least it was until the 2020s) even if the selected nominees each year paint a broader picture of the artform...
Sunday, June 7, 2026 at 1:40PM by Nathaniel R
Four inspirations for 2026 movies: Mrs Dalloway becomes CLARRISA, The Unfaithful Wife becomes MINOTAUR, Rocky (1976) gets a making of bio with I PLAY ROCKY, and of course the bestseller turned blockbuster PROJECT HAIL MARY
As someone who never used to have writers block but who has it frequently now, I have a newly reinvigorated respect for fellow writers who perservere. That said, the screenwriters life can't be easy given the amount of script doctoring, star and director and studio "notes", multiple drafts, and anything else that can change an original concept or even an adapted one -- and what is the difference really in some cases? Cheers to anyone who sees anything they wrote up on screen, even if it's only partially their vision in the end. Let's look at some Oscar possibilities after the jump...
Friday, June 5, 2026 at 9:30AM by Nathaniel R
Jacqueline Durran's work on WUTHERING HEIGHTS was the first gauntlet thrown for the 99th Oscars Best Costume Design race. © Warner Bros Pictures
Dearest (im)patient readers. The time has come. Let's dive into our April Foolish first round Oscar predictions of the year. We'll put up one category (or more) per day until it's complete. To kick us off, the sartorial wonders of Best Costume Design. Last season my medals went to the juke joint 30s fashions of Sinners, the colliding cultures of midcentury NYC in Marty Supreme, and the retrofuturism of Fantastic Four: First Steps... but Oscar felt differently giving the statue to the gonzo insectoid / color fetishism of Frankenstein. We can only hope the 2026 film year has as many stellar options. And if you stop to think about it, the year has already started with something of a bang...
Sunday, May 24, 2026 at 9:39AM by Nathaniel R
FJORD wins the coveted Palme d'Or. Will Oscars nominations follow for Cristian Mungiu, Renate Reinsve, and Sebastian Stan? ?
Will the 2026 Cannes Festival have lasting impact on this cinematic year? With the oft-reported absence of major Hollywood outings at the 79th festival, the best we might hope for (for those of us on the other side of the ocean) is a similar or muted echo to last year when the four non-English features that dominated the Cannes conversation (It Was Just An Accident, Sentimental Value, The Secret Agent, Sirāt) proved to have incredible staying power, wowing audiences from their May 2025 premieres all the way through the culmination of awards season on Oscar night in March of 2026. Not all of the award-winning films from a year ago held strong the whole film year, of course; Sound of Falling, The President's Cake, The Mysterious Gaze of the Flamingo, award-winning in May, struggled to make a big impact several months later with quieter distribution and media reactions. Now that the 2026 edition of the festival has wrapped Fjord, Fatherland, The Black Ball, Minotaur, A Man of His Time, All of a Sudden, and Teenage Sex and Death at Camp Miasma, as well as all of the non-winning films will now face the broader audience endurance test as they make their way through international markets. Will we see any of the 2026 Cannes titles in the mix come Oscar season, still building large devout fanbases? Not every film that wins big at Cannes "plays" elsewhere and some which come up empty-handed on the Croisette become awards players in other contexts (like Oscar or equivalent awards in their home countries).
The winners from the 79th Annual Cannes Film Festival and some commentary after the jump...
