Best Shot Collection: Gone With the Wind (Pt. 1)

Seventy-five years ago this December (yes, we'll celebrate again...albeit in a different way) Gone With the Wind premiered. No, that isn't quite right. This epic about a selfish Southern Belle surviving the Civil War and beyond ARRIVED IN STYLE with a three day celebration in Atlanta which reportedly drew one million visitors -- how'd they fit them all into the theater? (Hee). 1939's Best Picture winner arrived with roughly a bajillion times the anticipation that today's blockbusters get because pop culture was far less fragmented back then and everyone was obsessed with it. It would stay in theaters for literally years (the first couple of them at twice the normal ticket price) and become the biggest cinematic smash the world would ever see. To put it into perspective only Star Wars ever came close with The Sound of Music, E.T. and Titanic fighting for a distant third.

To look at something this large for a single defining image is an impossible task (or two images rather since we've split it in half). My favorite recurring visual motif of the film, Scarlett moving against the current of the crowd as befitting her singular tetchy anti-heroine nature and her duties as protagonist just doesn't look magnificent in freeze frames, but my favorite instances are two: First, when war has been declared and she walks up the stairs calmly through a sea of pastel dresses running down them (bless the film's first fired director George Cukor - that's obviously his work!), and second, her selfish exit from the scene of an amputation when she moves from the sweaty interior nightmare of a hospital to the shock of an exterior nightmare of chaos outside in the streets. Other favorite images were too small or atypical. For instance, there's this calming exquisitely lit shot of Mr and Mrs Ashley Wilkes. [more...]

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This & That: Ant Man, Early Emmys, List Mania

Elisabeth Bergner, who started in German silents went on to a Best Actress Oscar nomination for Escape Me Never (1935)Schweigen a fine collection of 1920s and 1930s postcards of film actors. I loved looking at it despite my Richard Dix aversion. And this postcard left makes me desperate to see Escape Me Never, one of the 30s Best Actress nominations I still haven't seen
Cinema Blend profiles the 5 pilots from Amazon Studios including Hand of God with Dana Delany and Ron Perlman
E! Online Neil Patrick Harris responds to rumors that he and David Burtka are breaking up. It ain't so.
Pret-a-Reporter Inside Madonna's 56th birthday bash
THR Cinematography Gordon Willis who died earlier this summer, was memorialized in Hollywood this weekend

List Mania
Rope of Silicon every death in a Quentin Tarantino movie thus far
Cinema Enthusiast has been investigating 1992 cinema. Loves Howards End, The Player, Batman Returns and more
Do You Remember Movies names the 20 top female film stars of the 70s. I'm not sure what the criteria is but whatever it is, shunning Shelley Duvall ain't right! It ain't ever right.

Creative Arts Emmys 
By now you've probably heard that the kiddie table awards for the Emmys have been handed out. (Theory #1: If you have too many awards to fit them all into one big awards show, you have too many awards. Theory #2: Awards shows should be longer but if you still can't fit them into a 4 hour event, you have too many awards). Todd VanDerWeff, TV expert, reminds us that the Creative Arts Emmys don't really predict the major Emmys with quite the precision by which the craft categories on Oscar night can signal an impending Best Picture win. But it was a very good night for Orange is the New Black, Sherlock and True Detective among others. Here's a complete list of winners and the guest acting prizes went like so:

Guest Actress, Comedy: Uzo Aduba, Orange is the New Black
Guest Actor, Comedy: Jimmy Fallon, Saturday Night Live
Guest Actress, Drama: Allison Janney, Masters of Sex (her 5th Emmy but the first for something non-West Wing)
Guest Actor, Drama: Joe Morton, Scandal 

Congratulations to the winners. But I'm definitely shedding tears that the Mad Men curse continues (no acting winners ever in its entire run). Even Robert Morse's transcendent song & dance farewell couldn't break it.

Bliss
You may have already seen this Hello Kitty gallery of superheroes

I've never been more attracted to the Winter Soldier

In which Earth's Mightiest are modified for maximum cuteness and sparkle. But I hadn't seen it and now my life is complete. Well nearly complete. My life will only be complete IF they make Thor 3 this way. At least then it'd be infinitely more watchable than Thor: The Dark World.

Ant-Man
While we're on the topic of superheroes I do want to note that the long troubled Ant Man is finally out of the gate as filming has commenced. I've gone in and out of interest in the project over the years but unlike most of the internet, the last minute hiring of Peyton Reed in the director's chair was the best possible news I could have heard after the unfortunate exit of Edgar Wright. Peyton Reed is so undervalued (see Bring It On and Down With Love and be embarrassed for every ignorant person who has ever called him a hack.)

David Dastmalchian photographed by Caleb Condit

And now one last cherry on top. The rest of the cast has been announced and among the awesome ensemble cast which includes people we know and love like John Slattery, Bobby Cannavale, and Judy Greer, I have to personally congratulate David Dastmalchian for getting another big deal film. I've had an eye on the actor since nominating him for a cameo prize for The Dark Knight and he did super work again just last year in Prisoners in a small but key role.  His upcoming film Animals, which gives him a rare leading role, was this year's SXSW sensation. So happy for this fine actor. You should expect to hear more from him. And very soon. 

Exit Video

"Female Superhero Pitches a Movie" - this one has some pretty great lines in it as she keeps meeting roadblocks and narrowminded executives. I wish the pace was faster and the video shorter for more viral pleasure but, still, it's funny.

TCM: Anna Kendrick ♥s "The Women" (So do we.)

It's Diana's last report from the TCM Film Festival which closed this weekend. One more from Anne Marie is coming up and it's a wrap. Take it away, Diana...

Ben & Anna Kendrick at The Women screening

In one of the few overlaps in our TCMFF schedule, Anne Marie and I sat down for the all-star classic The Women (1939). We've both watched the film a countless number of times - it's such a treat. The El Capitan organist played a variety of film standards (including the Star Wars theme) as we chuckled and waited for the introduction. The cherry on top? Anna Kendrick, cool girl exemplar, was the special guest, there to introduce the comedy classic alongside TCM stalwart (and object of many TCM fangirls’ affections) Ben Mankiewicz.

 Walking out on stage, Kendrick sported a chic yet casual look with a black tee, black skinny jeans and black heeled boots paired with hipster glasses and gently messed hair. Within moments of sitting down, she nonchalantly revealed she was also still wearing her retainer. Kendrick opened up about how she stumbled on the film and fell head over heels for it, feeling the biggest connection to Rosalind Russell...

'While working on Broadway ' (Kendrick put laughing emphasis on the "way" and sidebarred that “it was a douchey thing to say, no matter how I say it”), the then 12 year-old Kendrick was introduced to the film by two older fellow actresses who considered the a rite of passage for the then-tween. Like many of us, Kendrick couldn’t keep the unbridled passion to herself and forced friends to watch it. Also, like many of us, she realized that not all tweens are that keen on a black-and-white 1939 comedy. Nonetheless, she persevered with her own interest in classic films, thanks in large part to a father who would rent things like The African Queen for them to watch at home to counteract her frequent video store choice of Spiceworld.

Stating that The Women is part of her D.N.A., Kendrick vowed that she would incorporate the Sylvia (Russell) leg-chair-hook “into a movie, if it’s the death of me.” (You know the one, early in the picture, when she’s gossiping in the Haines’ powder room and hooks the chair with her leg and without missing a beat sits down to dish even more.) Later on in the screening, that moment elicited a raucous amount of applause, thanks pretty much entirely to Kendrick’s introduction.

the cast of The Women (1939). Accept no substitutes

On a current note, Kendrick revealed a great, passive aggressive way actors give shade to each other on-set. Whereas Joan Crawford would knit while feeding lines to Norma Shearer during reaction shots on “The Women,” apparently the thing to do on a modern-day film set is to break strategically, meaning to laugh a bit too heartily and flub the scene all the while crediting your fellow actor with being too good and too funny. Not that Kendrick has done anything like this, just that she 'heard about it' from other actors.

Anna Kendrick on stage as a tweenWhen introducing the young actress, Ben Mankiewicz said that she was one of the few actors working today who could have easily been a star in any other Hollywood era. From her martini glass-shattering performance in Camp to her Academy Award-nominated performance in Up in the Air to her full-hearted introduction at this screening, Kendrick continues to win the hearts of new fans. As Mankiewicz predicted (and I agree), she’s on her way to legendary, award-winning stardom herself.         

Seasons of Bette: Dark Victory (1939)

Seasons of Bette had a headache last week but is feeling much better now, thank you. Herewith, your catch-up episode on Dark Victory (1939)

it was the ghastliest feeling, everything went fuzzy. 

Fallen out of order, have I. That's awfully dreadful of me given that the great revelation of both Anne Marie's brilliant A Year With Kate and my own intermittent Seasons of Bette series is that you can actually watch a movie star grow in power and nuance and embrace of their own specificity if you watch their films chronologically.

This is true, at least, of the studio system where stars were invested in for the long haul rather than dabbled with for a few months at a time if agents, lawyers, producer, directors and stars could agree on a one-time contract. The old system had its drawbacks of course, giving thespians less agency in their own filmography and less ability to test their range in different genres and with left turn character types. Despite that, and even because of it, it was uniquely ideal soil for the true movie stars to grow like majestic redwoods. You know the kind of superstar I'm talking about: they are emphatically always themselves no matter how well they play any particular character. [more...]

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Mickey Rooney (RIP)

I came to the news of Mickey Rooney's passing late due to my offline vacation but it wouldn't be right to not mention it here at the musicals-loving The Film Experience. My first exposure to Mickey Rooney, as far as I remember, was Babes in Arms (1939) for which he was Oscar nominated at 19. I think my parents took us to see it at an awesome revival house in Detroit. Tweens and teenagers, who always fear being uncool, aren't supposed to love old black and white movies made many decades before they were born but cinephiles and/or musical-fanatics are a different breed and I had no shame whatsoever about seeking them out. [More...]

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