"Rob Roy" at 25

by Eric Blume

It’s been a quarter century since the release of Rob Roy, a film directed by Michael Caton-Jones and featuring the pairing of Liam Neeson and Jessica Lange. The period drama is about the eponymous 18th Century Scotland clan chief Robert Roy MacGregor.

Evidently there was a box-office hunger for this type of film around 1995, since one month later Mel Gibson’s Braveheart opened. The latter tragically went on to win Best Picture some nine months later.  Both films feature tales of broad-stroke heroism, where the main figure is portrayed as a rebel fighting the system, full of masculine bravado and BDE (the un-fun kind)...  

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Early Blanchett in "Paradise Road"

For this week's episode of Murtada's new podcast "Sundays with Cate," I've finally joined in as a special guest. I told him I wanted one of her obscure movies and though my preference was the total oddity The Man Who Cried (2000) which no one ever discusses and which is quite discussable (trust) it is hard to find these days. So we did Paradise Road (1997) instead. This is the movie Dame Blanchett made right before Elizabeth which would of course change everything. 

In the mid 90s she was but one of many rising actresses Hollywood was curious about but not yet besotted with... would this young Aussie deliver? The answer was "and how!" but time hadn't yet provided that spoiler alert. 

Listen in!

The first Oscars I lived through

by Cláudio Alves

Throughout my life, I've always had trouble remembering numerical data, be it phone numbers or birthdays. Curiously enough, that never stopped me from being able to memorize movie's release years or various tidbits of Oscar trivia. That's why I started associating Best Picture winners to people's ages, to remember them. Some people have astrology; I have the Oscars. For instance, my sisters are Terms of Endearment, Dances with Wolves and Gladiator and my parents are West Side Story and The Sound of Music.

Although, maybe I shouldn't have chosen such a systemsince I've always detested my Best Picture, which won the Oscar precisely 25 years ago today. It was none other than 1994's maudlin hymn to political passivity and dumb luck known as Forrest Gump…

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Almost There: Alfre Woodard in "Passion Fish"

by Cláudio Alves

Alfre Woodard is one of the great American actresses of our time. If there were any doubts about that, last year's Clemency must have surely killed them for good. Still, for people obsessed with movie awards, Woodard's mastery might not be obvious. Her sole Academy Award nomination came in 1983 for a film that few remember, Cross Creek. The lack of recognition for that feature doesn't mean it doesn't deserve praise and it certainly doesn't reflect lackluster acting. But we're here to talk about a different performance.

The 1992 drama Passion Fish was up for Actress and Screenplay and it's easy to imagine that a third nomination for Woodard nearly materialized...

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What should have been Meryl's third?

by Cláudio Alves

Daniel Day-Lewis may be the best triple Oscar winner among actors, but that doesn't mean he's the best performer of the bunch. It just means that he's had the luck of getting awards for his very best efforts. Historically, if we can count on the Academy for something it is to award the right people for the wrong movies. That started early -- Katharine Hepburn won her first Oscar for Morning Glory in the same year she was eligible for George Cukor's Little Women?

In any case, neither Hepburn or Day-Lewis are the subjects of this piece. That would be Meryl Streep, the most nominated actor ever and proud winner of three Oscars. Her first two victories, for Kramer vs Kramer and Sophie's Choice, are usually considered among the best in their respective categories, but the same can't be said for her third triumph...

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