Bless John Lithgow and Hugh Jackman

Two new celeb videos of note today. First, John Lithgow wrote a 'children's' book called "Trumpty Dumpty Wanted a Crown". And he's corralled his famous friends to read the various fables to us: Meryl Streep, Alan Alda, Glenn Close, and The Bening appear in this particular episode! 

Second, Hugh Jackman is the brand ambassador for R.M. Williams and is taking his sponsorship contract quite literally in this cheeky bit of promotion.

The Furniture: The frozen escape of "Doctor Zhivago"

"The Furniture," by Daniel Walber. (Click on the images for magnified detail)

Ten movies were nominated for Best Production Design at the 1965 Oscars, one of the last years before the Academy retired separate categories for color and black & white. There are some striking examples on the list, from the bloated (The Agony & the Ecstasy, Ship of Fools) to the bizarre (Inside Daisy Clover). But when you come down to it, there’s really no looking past Doctor Zhivago.

This was David Lean’s second consecutive film to win the category, after Lawrence of Arabia three years earlier. While their visual scope is similar, the two films actually have very different preoccupations. Lawrence of Arabia is about a man determined to shape history. Doctor Zhivago is about a man trying to escape it. Understanding the difference helps us understand the design.

We begin on the eve of the Russian Revolution, a moment of great social contrasts...

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Why are so many lesbian films set in the past?

by Anna

Ammonite (2020)

With Ammonite's trailer now familiar and the film and Kate Winslet continuing on the festival and press rounds, there's been buzz aplenty for Francis Lee’s follow-up to the excellent God’s Own Country. That said, there are some who have a quibble or two. Jill Gutowitz expressed mild annoyance, asking:

Does every lesbian movie have to be two severely depressed women wearing bonnets and glancing at each other in british accents?”

(She followed up by saying she’ll be seeing Ammonite.) It is a good question. And why are so many recent WLW-themed works period pieces?

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Almost There: Reese Witherspoon in "Election"

by Cláudio Alves

A few weeks ago, we asked you to vote on what performances should be analyzed on the Almost There series. While Myrna Loy in Test Pilot won the poll of 1938 specific titles, John Cazale's supporting turn in Dog Day Afternoon was your pick from a selection of new to streaming titles. But your runner-up choices will also get their chance to shine. Cazale won, but Reese Witherspoon's iconic performance as Tracy Flick in Election was close behind…

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NYFF: Laura Dern's first leading role and a lost Blaxploitation treasure

Sean Donovan looks at two films from NYFF's "Revivals" section...

The major film festivals of the world, New York included, take as much responsibility for cinema’s past as its future. Alongside new hyped arthouse projects, festivals program curios from the past that may have fallen through the cracks or not received their due recognition in their day. In other instances, festivals re-deploy older films to the contemporary moment in an act of deliberate commentary, the film speaking to culture in a way that feels freshly vital for 2020 (that is certainly the case of one of the selections profiled here). Over the past weekend, New York Film Fest virtual cinema uploaded two of their revival selections, Joyce Chopra’s Sundance-winning drama Smooth Talk (1985) and a Blaxploitation cult film The Spook Who Sat by the Door (1973). Both are canny, fascinating picks from the NYFF, and well worth the revisit in 2020...

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