SAG Awards Live Blog

Let's talk about you for a second...

7:11 This is the face Sarah Silverman made after hearing "Let's talk about you for a second" which is... sublimely funny, a perfect encapsulation of the faux humility #blessed of superstars attending awards shows in which they all fawn on each other. You're great. No, no, you're great.

07:14 Rami Malek doesn't know who he was wearing. Alicia Vikander says 'I've only watched this on YouTube' before. Idris Elba is working the grey in his beard. Everyone is adorable x3 is my point.

07:22 Saoirse is in light pink and Brie in baby blue and I'm not sure what to make of that.

07:25 Jesse Tyler Ferguson and E! Brad talking to each other 

- "Are you a nervous nellie."
- "Yaaas"

(hugs)

"-I hope I didn't get any contour on you"

This is the gayest thing I've ever seen on television. Which is saying a lot.

07:31 Nicole Kidman has arrived. [More...]

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Music Supervisors & Casting Directors have no Oscar category. But they do get prizes.

Here's two awards curiousity for your afternoon. Both involve guilds that differentiate their prizes not by genre but by budget (i.e. big, small, micro): Casting and Music Supervision.

The Guild of Music Supervisors has been giving out awards for six years now. The music supervisor's job entails finding pre existing music, getting rights to all the songs, overseeing all music related aspects of a production. This year their big winners were all films which various people have labelled "snubbed" over the past week: Straight Outta Compton, Carol, and Diary of a Teenage Girl. And Furious 7's "See You Again," which did not make Oscar's Original Song nominated shortlist, takes Original Song. (more about their awards here.) 

The Casting Society's "Artios" awards do things a little differently. They divide their awards both by budget and by comedy/drama. Their big budget winners: The Big Short / Straight Outta Compton. Their indie winners: Me and Earl and the Dying Girl and Room. Their low budget winners: Dope and The Stanford Prison Experiment.

That last one is a really great call because the film hasn't been in the conversation at all which means they were clearly thinking about its actual merit as opposed to hearing its name constantly in the "awards" circus. I've said since I saw it that one day it might read as a who's who of male stars before they were big. (More about their awards here.)

Golden Globe Predictions - All Film Categories

I'll be live-blogging / live-tweeting the Golden Globes tonight but just from habitual need, not from any place of confidence, it's time for the predictions. I'm hiding EVERYTHING after the jump so that nobody will think to look here when the Globes are actually in session. Tricky! 

COMEDY/MUSICAL FILMS

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BAFTA Nominations: Bridge of Spies and Carol lead

With the Oscar nominees less than a week away, the British Academy of Film and Television Awards, or BAFTA as they're more easily referred to, can often be a real indicator of where AMPAS might be headed come Thursday morning. It used to be that the British were quite idiosyncratic in their tastes, picking homegrown, grassroots produce like Fish Tank. Unfortunately recent years have seen even the Best British Film category taken a much more populist bent. Therefore, it's their taste in American films that can often be a huge indicator of what energy the British contingent might inject into their Oscar votes.

Eligibility rules can often cause an issue - Murtada gave a rundown of any possible hiccups the other day - but recent years have seen studios keen to align the two continents as much as possible, to avoid situations like Charlize Theron's Oscar-winning turn in Monster turning up a whole year later at BAFTA. So, never fear - Trumbo's still here!

More...

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USC Scripter Nominations Add a TV Category. (But Where's "Carol" in Film?)

The USC Scripter announced their nominations today. They honor authors of original printed works alongside the screenwriters who have adapted them. They are a group of Academics and writers who somehow have been in lock and step with Oscar in choosing the same winning Adapted screenplay for the last 5 years. The Social Network (2011), The Descendants (2011), Argo (2012), 12 Years A Slave (2013) and The Imitation Game (2014).

This year they have expanded their awards - which will be presented February 20 - to include TV adaptations. Their nominees are after the jump... 

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