European Film Awards honor Antonio Banderas, Juliette Binoche, and The Favourite

True giants of cinema gathered in Berlin today for the annual European Film Awards. It was honestly a bit overwhelming to see Wim Wenders, Juliette Binoche, Claire Denis, and Pedro Almodóvar all sitting side by side in the front row. How to even imagine the cinema without them? 

In a surreal sort of way, what was happening on stage was even more overwhelming... but for its inexplicable surreality (more on that in a bit) and its time travelling nature.Regarding the latter due to the indifferent nature of release dates across borders the overall champ was The Favourite which had its American awards run a full year ago. 

The winners and more commentary follows.

Costuming goddess Sandy Powell and the producers of The Favourite

FILM The Favourite
COMEDY The Favourite...

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Tweetweek: 1917, Movie Real Estate, and 'The Bad Place'

by Nathaniel R

So we were at the first screening of 1917 yesterday at the DGA theater in NYC and as you may have noticed if you were online, the Oscar pundits and online film press collectively went berzerk for it, immediately declaring it was going to win everything, it was best this and that... even of the decade! 'Nobody's ever done this before' (uhhhhh. people have been doing continuous take movies since at least Hitchcock's Rope in the 1940s and probably before that and one of 'em just won Best Picture five years ago!)  For the record we enjoyed it and it is quite technically impressive... but deep breaths people. "Consider" your opinions before tweeting them out before the credits of the thing you just watched have even stopped rolling!

Much is made in 1917 about the futility of medals and yet my dumb ass still wants one for noticing each and every invisible cut in this “one-take” movie

— Kyle Buchanan (@kylebuchanan) November 24, 2019

I'm not going to share the generically breathless super-hypey tweets (they all sound pretty much the same) but more 1917 reactions are after the jump, plus The Bad Place, A Beautiful Day in the Neighborhood, Dick Tracy, Cats, and Best Real Estate Envy movies. So read on for more curated tweets...

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Podcast: JoJo Rabbit and Oscar's Screenplay Races

with Murtada Elfadl & Nathaniel R 

Index (38 minutes)
00:01 Taiki Waitit's JoJo Rabbit. Is its satire successful? We're mixed on just about everything within it including the actors though we both loved Scarlett Johansson as the mother to a little Nazi boy.
16:00 A Parasite tangent "It's so metaphorical!" 
19:20 JoJo Rabbit's Oscar chances hard to read, right? It could be anywhere from 2 to 8 noms
21:50 Adapted Screenplay - The Irishman, JoJo Rabbit, Little Women, etc?
27:00 Original Screenplay - Marriage Story, Parasite, Bombshell, etc?
35:00 Randomness: Hustlers, Dark Waters, and Cats
37:00 Off to Campaign Events!

Related: Oscar Screenplay charts

 You can listen to the podcast here at the bottom of the post or download from iTunes. Continue the conversations in the comments, won't you? 

JoJo Rabbit and Screenplays

The Look of "Joker"

by Cláudio Alves

In 1989, Tim Burton envisioned Gotham City as an Expressionistic nightmare, something necessarily unreal. Three years later, Batman Returns showed a different sort of urban reverie, one tainted by quasi fascistic imagery, an appropriate dark meaning for a darker film than its predecessor. Joel Schumacher's sequels would see Gotham go through another transfiguration, from a gloomy nightmare into a candy-colored hallucination. This process of growing artificiality would end when Christopher Nolan revitalized Batman for a 21st-century audience.

Nolan's trilogy shows us a Gotham that's a foreigner's idea of an American metropolis and one can almost chart, throughout the films, how the city goes from being a dream of Chicago to New York City 2.0. Todd Phillips' Joker perpetuates this configuration of Gotham as DC Comics' version of Manhattan, but he isn't looking to the real contemporary city for inspiration. The film is set in a New York of yore, a fantasy built from nostalgia and the cinematic legacy of New Hollywood's urban dramas. Gotham is never just a city, rather the idea of one…

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The Best Production Design Oscar Race

By Cláudio Alves

Will a Tarantino movie finally be nominated for Best Production Design?

Let's take a look at the Best Production Design Oscar race. While period pieces and fantasy extravaganzas dominate the costuming category, production designers are more open to other styles, too, like sci-fi, contemporary excellence, and even superhero movies. That said, at least in regards to the films that have already opened, the major contenders are roughly the same as with the Best Costume Design Oscar race. 

THOSE WE'VE ALREADY SEEN

Rick Heinrichs designed Dumbo's spectacular sets.

Rick Heinrichs won an Oscar for a previous collaboration with Tim Burton (Sleepy Hollow) and his designs for Dumbo are quite good, like nightmare visions of an Art Deco Disneyland. I’m less enchanted with Gemma Jackson’s pseudo-Arabian designs, but it would be foolish to count Aladdin out of the race...

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