11 Days Until Oscar! Trivia Party

I'm beginning to have butterflies. You? Just for fun some random trivia surrounding the number 11 today. Links go to previous articles here at TFE on these films or performers

• Pictures with exactly 11 Oscar nominations
Mr Smith Goes to Washington (1939), Rebecca (1940), Sergeant York (1941), The Pride of the Yankees (1942), Sunset Blvd (1950), West Side Story (1961), Judgment at Nuremberg (1961), Oliver! (1968), The Godfather Pt II (1974), Chinatown (1974), The Turning Point (1977), Gandhi (1982), Terms of Endearment (1983), Amadeus (1984), A Passage to India (1984), Out of Africa (1985), The Color Purple (1985), Saving Private Ryan (1998), Lord of the Rings: The Return of the King (2003), The Aviator (2004), Hugo (2011), and Life of Pi (2012)

• Movies that won exactly 11 Oscars
That's the most any movie has ever won and it's a three way tie: Ben-Hur (1959), Titanic (1997), The Lord of the Ring: Return of the King (2003). Currently Ben-Hur is being remade and is supposedly opening this very summer... wish them good luck because living up to such a legendary film is never easy and remaking one at all is a fool's errand. 

• Only person to win exactly 11 Oscars
Cedric Gibbons won the Production Design category 11 times, back when it was called Art Direction. His first was for The Bridge of San Luis Rey (1929) and his last for the Paul Newman film Somebody Up There Likes Me (1956). That's the second most Oscars won by anyone. Walt Disney has the most with 20.

• Directors who've helmed exactly 11 Best Picture nominees:
None. Steven Spielberg is almost there, with Bridge of Spies being his 10th. He's in second place currently for most with only William Wyler ahead of him with 13. Wyler's record, which once seemed invulnerable, is sure to be defeated in the future now that we have more Best Picture nominees per year.

• Oscar winner of 2011
The Artist, a silent comic homage to the early days of Old Hollywood. And speaking of...

• Oscar winner of 1911
Just kidding, the Oscars didn't exist back then. The first American "feature films" as we know them (i.e. over an hour in length) started showing up soon thereafter and by the mid-teens 100 years ago Hollywood was on fire, and I'm not talking about the flammability of celluloid. By the mid teens the industry was producing over 500 features a year (most of them lost now of course) and some of them totally epic. See: D.W. Griffith's influential 3 hour double whammys of The Birth of a Nation (1915) and Intolerance (1916)

Bette in DARK VICTORY (1939) which I might call her third best performance

• Actors with exactly 11 Oscar nominations
None. Unless you count Bette Davis's write in for Of Human Bondage (1934) in which case she has 11 nominations. Curiously she won for her first two official nominations (Dangerous and Jezebel) and then just got better and better but never won again despite frequent nominations!

YOUR TURN. Use the number 11 wisely in the comments, however you'd like! 

Adam Stockhausen: From a Budapest hotel to a "Bridge of Spies"

Adam Stockhausen won the Oscar on his first nomination for GRAND BUDAPEST HOTELEmmanuel Lubezki (who keeps winning prizes) isn't the only craft superstar repeating the Oscar rounds this year. Last year's winner for Production Design Adam Stockhausen (Grand Budapest Hotel), a 43 year old powerhouse who's amassed a very impressive resume in just a doesn't years, is back in the mix this season with the Cold War drama Bridge of Spies.

That Best Picture nominee is his first movie with Steven Spielberg but he's already worked with auteurs like Steve McQueen (12 Years a Slave) and Wes Anderson (Moonrise Kingdom) on terrific projects, too. 

Here's our interview:

NATHANIEL: From Wes Anderson to Steven Spielberg! These auteurs seem very different. I imagine Wes Anderson making his own dioramas, and being like "Recreate this. Adam!". Whereas Spielberg, I don’t think of him in that 'this is what the set looks like' way at all!

ADAM STOCKHAUSEN: They have more similarities than you think. I don’t know if I want to get too deeply into what they do, because I’ll leave that for more esteemed people than myself, but I certainly see similarities. There are differences in the day to day: Wes pre plans shots and they’re carefully choreographed, Steven is slightly different in that the shots aren’t planned in advance, but the choreography is very similar. 

more after the jump...

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Silence of the Lambs Pt 1: The Grisly Case and a Hustling Rube.

For the 25th anniversary of the influential horror classic Silence of the Lambs, winner of 5 Oscars for 1991 (Picture, Director, Actress, Actor, and Adapted Screenplay), Team Experience is revisiting the picture, tag-team style all week long.

Cue: opening credits.

Pt 1 by Keiran Scarlett

00:00:01 – Howard Shore’s score always transports me into the mood of this film. It’s at once simple, yet incredibly evocative and iconic. 

00:00:24 – Seeing the Orion logo calls to mind Jodie Foster’s Oscar speech where she thanked Orion Pictures “as it used to be and how it will always be in [her] heart”. Amen, sister.  Seriously, check out the slate of Orion releases. There are some true gems in there.

00:01:31 – The opening montage of young FBI trainee Clarice Starling in the woods near Quantico, Virginia (thanks, super!) I love how Jodie Foster plays Clarice Starling as incredibly enthusiastic, but not naïve. That little look of “let’s do this thing” that she gives when she climbs that rope into the clearing. This performance is a great assembly of perfect little details.

more after the jump...

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Breaking Down Oscar's Production Design Nominees

Adam Stockhausen and Anna Pinnock with their Grand Budapest Hotel OscarsDavid here with a closer look at this year’s Oscar nominees for Production Design. Not too close, mind: this is all about the big picture. The PD is responsible for the entire art department, and as such, the entire visual look and feel of a film. If it’s difficult to separate that idea from what cinematographers and costume designers do, well, that’s the difficulty in awarding all these disciplines as if they act independently of one another. Such is the nature of the awards season beast.

The origin of the title is an amusing, unsurprising fable: William Cameron Menzies, coined it to describe his own function on the set of Gone with the Wind (a mammoth task, to be sure) after David O. Selznick instructed everyone that "Menzies is the final word” on the set on every technical aspect of the visual production. Menzies, incidentally, was the first Oscar winner of the award, under the label ‘Best Interior Decoration’ - the award changed to 'Best Art Direction – Set Decoration’ in 1947, and didn’t become ‘Best Production Design’ until 2012.

As we saw earlier in the week when the Art Directors Guild gave out their awards, the Oscar race seems to be a two-horse race. [More...]

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Art Directors Guild Winners: The Revenant crawls out in front?

David here to wish a happy 20th anniversary to the Art Directors Guild’s annual Excellence in Production Design Awards! The group handed out their 2015 awards last night, and their three film categories saw all three winners taken from this year’s pool of Oscar nominees. The Revenant, in the Period category, beat out the remaining two Oscar match-ups, Bridge of Spies and The Danish Girl, while The Martian triumphed in the Contemporary category and Mad Max: Fury Road took the Fantasy gong.

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