Oscar Volley: Adapted Screenplay - a wealth of good choices, but will the Academy make the right ones?

The Oscar volleys continue. Today Lynn Lee, Mark Brinkerhoff, and Eurocheese sound off on this year’s Adapted Screenplay race.

a wealth of options for Oscar voters

Lynn: Gentlemen, I don’t know about you, but from where I’m standing, Adapted Screenplay is an embarrassment of riches this year. There are at least three contenders that tackle the incredibly difficult task of illuminating their characters’ inner lives and psychology (The Power of the Dog, Passing, and The Lost Daughter) with minimal to no voice-over narration and they all do it brilliantly. Then there are the play adaptations – everything from Shakespeare via Coen (The Tragedy of Macbeth) to Shakespeare / Sondheim / Laurents via Kushner (West Side Story) to Jonathan Larson via Lin-Manuel Miranda (tick, tick …BOOM!) to Stephen Karam doing Stephen Karam (The Humans) – where each manages to pull off a bold departure from previous iterations while retaining basic fidelity to the source text. And then there’s my personal favorite, Drive My Car, which manages to be at once an ambitious expansion of a Murakami short story and a spectacularly moving adaptation of Chekhov’s Uncle Vanya at once.

That said, we can’t realistically expect most Oscar voters to be familiar with the underlying material for these screenplays. It’s a safer bet the nominations will align pretty closely with the Best Picture nominees or almost-nominees that don’t have original screenplays...

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Oscar Volleys: Four locks, and the race for the fifth spot in Best Actor

Continuing our Oscar Volley series at The Film Experience. Tonight Gabriel Mayora and Ben Miller on Best Actor in a Leading Role

Ben Miller: My big question: is this a race only for the fifth slot? Will Smith, Benedict Cumberbatch, Andrew Garfield, and Denzel Washington all feel locked in. Is there any vulnerability in that top four?

Gabriel Mayora: I am surprised by how excited this self-professed raging actressexual™ (thank you to Nathaniel for that genius term) is to discuss this year's Best Actor category. Most years I find it hard to muster much enthusiasm for this category, but maybe after seeing the race take some surprising shifts last year, I have a renewed interest. I  agree with you that Smith, Cumberbatch, Garfield, and --to a slightly lesser extent, maybe? -- Washington are all locks, there is little room for surprise come nomination morning.

And while my first instinct is to complain about the Academy's lack of originality, I can't say I blame them. Those four are all so good...

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Oscar Volley: So many stars, too little shine in the Best Original Song race

Welcome to our Oscar Volley series at The Film Experience. Each day, members of Team Experience will have a conversation about the Oscar categories. Today, Baby Clyde and Josh Bierman tackle the always controversial Best Original Song.

Ariana Grande, Van Morrison, Billie Eilish, Beyoncé

Baby Clyde: Has there ever been such a starry array of contenders with so little to offer? You’d think at least one from a list including Beyonce, U2, Carol King, Van Morrison, Jay Z, Billie Eilish and Brian Wilson would know how to write a good pop song. They’ve previously written some of the greatest of all time! Unfortunately there is an unwritten rule that even the finest tunesmiths turn in absolute garbage when an Academy Award is up for grabs. It’s got to the point where I actually feel bad for Diane Warren...

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Oscar Volley: Will Best Film Editing only have Best Picture nominees?

By: Tim Brayton and Chris James

Frontrunners "Belfast" and "The Power of the Dog" will also likely duke it out in Best Film Editing.

Welcome to our Oscar Volley series at The Film Experience. Each day, member of Team Experience will have a conversation about one or two of the Oscar categories. Today, Tim and Chris tackle the Best Film Editing race. This race has long been a predictor for Best Picture. In the past fifty years, only Birdman (2014), which was famously designed to look like it had no editing at all, and Ordinary People (1980) were able to win Best Picture without a nomination in this category. Will the branch have a few tricks up its sleeve or just got with the five hottest Best Picture contenders...

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Punditry Madness! Team Experience joins in...

So dear readers, I've been having meetings with the team and they all wanted to join in on the Oscar prediction fun. So before the traditional charts on the Picture, Director, Actress, Actor, Supporting Actress, Supporting Actor, and Best International Feature Film pages you can see what each participating team member is predicting. It's fascinating to note the variety of opinions despite the fact that we're now late in the season. 

BEST PICTURE / BEST DIRECTOR
Though Power of the Dog is leading with 11/13 #1 placements (and all #1 placements in Best Director), there are still Belfast holdouts. Ben & Chris think Branagh's personal passion project still has some Oscar oomph in it...

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