Pictures from a Rebellious Premiere

Here's Murtada on the opening night of the BFI London Film Festival.

The BFI London Film Festival opened Wednesday night with a gala premiere of Suffragette. Alongside stars Carey Mulligan, Meryl Streep and Helena Bonham Carter, protesters made their voices heard. The group Sisters Uncut chose this movie about suffragettes to protest the UK government’s recent cut of funds supporting victims of domestic abuse.

It was an apt choice and led to some interesting pictures. On the same red carpet the latest couture gowns mixing with color bombs and protest signs. Glamour and activism after the jump...

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Podcast: Sicario & Stonewall

Katey, Joe, Nathaniel and Nick, all returned from TIFF (where the four of us were actually in the same place at the same time for the very first time ever!), return to "Now Playing" cinema to catch shrapnel coming off of Sicario & throw bricks at Stonewall. 

43 minutes 
00:01 TIFF postscript & Room
03:30 Sicario dark, haunting, superbly crafted, POV politics
21:00 Stonewall (2015) what were they thinking?
33:00 Stonewall (1995), Stonewall Uprising (2010), and other final thoughts 

You can listen to the podcast here at the bottom of the post or download from iTunes. Related reading: Katey on Room, Nathaniel on Stonewall, Nick on Sicario, Noah Tsika's negative reaction to Sicario, Jeffrey Wells's super-weird war on fans of Room.

And in case you missed it, here's the photo of the podcast team at TIFF.

Sicario and Stonewall

Pt 2 Smackdown Xtra: On the Waterfront with a Broken Lance

Nathaniel (your host), Brian, Mark, Anne Marie, Manuel and Todd VanDerWerff continue their Smackdown conversation. Here's part two of our 80 minute conversation

THE SMACKDOWN IF YOU MISSED IT
Pt 1 PODCAST - The High & Mighty & Executive Suite

Pt 2 (40 minutes)
00:01 Recap of Part 1 and we continue our On the Waterfront conversation seguewaying to the movie's rawness and experimentation, Elia Kazan personal voice, the influence of New York theater, and the slow death of the studio system
10:00 Broken Lance, Latino actors in Hollywood, Social Message Movies, and a shout out to Natalie Wood (?)
27:30 Thelma Ritter and other Supporting Actresses of 1954
35:45 Sign Off and Thank Yous. Last words from Eva Marie Saint and Marlon Brando 

You can listen to the podcast here at the bottom of the post or download from iTunes.  Continue the conversation in the comments.

SUGGESTED READING: We reference two books in this conversation: Mark Harris's instant classic Pictures at a Revolution (which you've probably already read) and a brand new one: Brian Herrera's Latin Numbers: Playing Latino in Twentieth-Century U.S. Popular Performance. Pick those up. 

1954 Pt 2: On the Broken Lanced Waterfront

Broken Lance's "Half Breed"

Robert Wagner keeps invading our Smackdown celebrations. In our 1952 revisit he appeared briefly as a shell shocked soldier for Susan Hayward to comfort with her crooning in With a Song in My Heart. He was almost impossible to look at from the pretty. And here he is again, distracting another Smackdown with his smolder in the western Broken Lance.

Perhaps we'd better go inside."

[Translation]: Jean Peters, you're about to tear your clothes off under the moonlight and devour me but I will chivalrously save your reputation... now that I've already won you with my lips. 

The rising 24 year-old actor was rumored to be carrying on behind the scenes with the then 47 year-old Barbara Stanwyck (who happens to co-star in Executive Suite, another of this month's Smackdown movies) but his most enduring romance was yet to begin. How many times do you think a then 16 year-old Natalie Wood, just one year away from her key transition film from child star to teen icon (Rebel Without a Cause) demanded to watch Broken Lance? Do you think her friends & handlers were all "enough with the Broken Lance, Nat!" According to Natalie herself, by 1954 her love would have already been six years strong though the actors had yet to meet.

"I was 10 and he was 18 when I first saw him walking down a hall at 20th Century Fox," she recalls. "I turned to my mother and said, 'I'm going to marry him.' "

She did.

Natalie married RJ (for the first time) in December 1957. She was just 19.

In Broken Lance, the then 24 year old actor (of German and Norwegian descent) plays our protagonist, the "half breed" son of Native American princess "Señora Devereaux" (played by Mexican actress Katy Jurado) and an Irish cattle rancher (played by Spencer Tracy of Irish descent) who is at odds with his half-brothers. R.J. is heavily bronzed for the role. For all the typical Old Hollywood clumsiness with racial identity and casting -- something that hasn't changed much in the subsequent 61 years (note: Rooney Mara as "Tiger Lily" in the forthcoming Pan) --  Broken Lance actually really sells the racial identity angst with something like humane progressive verve. Jean Peters, playing RJ's love interest Barbara, jokes that her man is more upset about being half Irish than half Indian in a clumsy date scene which results in both of them doing those cheery Old Holllywood fake chuckles as we dissolve out. Elsewhere, though, there's rich drama. Tracy's three sons from an earlier marriage, who serve as the plot's antagonists aren't always comfortable with their bi-racial home but neither are they painted as explicitly racist. Their "evil," if you will, arrives from a more complex mix of agendas and grudges against their father and you can see that the eldest actually respects his stepmom and youngest brother, even as he speaks out against them. In the films most sympathetically acted moment of strife, Tracy squares off with the Governor (E.G. Marshall), over their children's unexpected romance (pictured up top). The governor's discomfort with his daughter falling for his closest friend's bi-racial son-- a young man he otherwise likes quite a lot and has seen grow up, mind you -- clearly scars both men, tearing their decades long friendship apart. Prejudices hurt everyone, not just the target of the prejudice.

All in all Broken Lance is an engaging western with more ambitions than gunfights for a change of pace. And this is why we should always love the Oscars, people. Let others reflexively gripe about it and miss out. Awards history directs us to movies we might otherwise never see from before our time. And Oscar history, for all its imperfections and blindspots, can illuminate pop culture throughlines, introduce you to rich now underappreciated talents, and provide wonderful anecdotal bits and bobs from mainstream history, cinematic and otherwise.

I love doing the Smackdowns and I hope you do, too. If you wanted to vote on this round, I need your votes by this evening at the absolute latest. The 1954 Supporting Actress Smackdown arrives Sunday morning at 10:00 AM.

Actresses of Color Who Deserve Better Careers

Gugu Mbatha-Raw had a GREAT 2014. Will the roles be there for her? (Photo by Paola Kudaki for Elle) Here's a topic always worth discussing. Actresses of Color who deserve better careers. I made a top ten on this topic many moons ago -- 2007 to be exact over at the old blog which went like so: Anika Noni Rose, Regina King, Naomie Harris, Hazelle Goodman, April Grace, Tonya Pinkins, Audra McDonald, Gabrielle Union, and the list was topped by Viola Davis and Kerry Washington. The past eight years were very very kind to about three of them -- this was before Viola's Oscar nominations and before Scandal for Kerry and before Audra's record breaking 5th and 6th Tony Awards), but others were ignored or their careers stayed roughly the same. Do people even know who Hazelle Goodman is anymore? It will always mystify that April Grace proved she could hold her own, charisma wise, with Tom F'ing Cruise at his most intense in a stand-off in Magnolia and not come out of it with a giant career. Hollyweird.

But the subject is always worth revisiting since Hollywood changes slowly. And, to be honest, it's even a topic that applies to white and blond actresses because Hollywood is not exactly a meritocracy. Make the wrong move here, miss an opportunity there, or don't have the right agent and all the talent in the world might not make for a big career. But back to the subject of actresses of color. Remember when Lupita was in discussions for Southpaw and eventually moved on (the part went to Naomie Harris)? Having seen the picture I think we can all now agree that there's zero reason on earth, plot-wise / character-wise / talent-wise why the juicier wife part couldn't have gone to Lupita (or Naomie) instead of to Rachel McAdams. Even when Hollywood discovers someone as exciting as Lupita they don't come up with opportunities for them, opportunities that are all around if you think about it; Maybe you've noticed that the industry makes multiple HUNDREDS of movies a year.

The topic is on my mind again because Dell on Movies made a list and A Fistful of Films countered with another. Naturally, I don't agree on all of the choices. I think Queen Latifah, for example, often phones it in. Maybe subconsciously she knows that her substantial charisma will smooth over the blank spaces? But there are some obvious YES situations here too: Q'orianka Kilcher (The New World), Adepero Oduye (Pariah), and Emayatzy Corinealdi (Middle of Nowhere). I actually wonder if their names aren't part of the problem. Hear me out: I don't mean this in a "too ethnic!" racist kind of way. I've noticed it a lot with white actors, too - especially with stage performers oddly enough. Names are getting SO long and complicated. It seems that "stage names" are a thing of the past but there's something to be said for refashioning your given name towards something that's catchy and easy for the public to remember / obsess over. If it's already catchy like "Lupita Nyong'o" just keep it but if it's hard to remember and difficult to spell why not make it easier for potential fans? Just ask Frances Gumm (who became Judy Garland), Archibald Leach (who became Cary Grant) or Natalie Zacharenko (who became Natalie Wood) and so on. Every once in a while someone new changes their name to something catchier -- did you know that Brie Larson is actually Brianne Sidonie Desaulniers? -- but mostly today's actors are keeping their original names. 

For what it's worth Emayatzy has a series regular role in Amazon's Hand of God starring Ron Perlman (as a businessman who starts speaking in tongues and seeing visions) and Dana Delany as his sharp wife that drops all of its first season episodes in early September. Emayatzy plays Perlman's mistress/prostitute. Pilot reviewed here.

I'm not in the headspace today for a full top ten on this topic but I know it would include Melonie Diaz (such a welcome presence - she always pops), Carmen Ejogo (so gorgeous and talented), Kimberly Elise (just brilliant and so infrequently works in movies), Danielle Brooks (so dependably engaging on Orange is the New Black and I want to see what else she can do), Adriane Lenox (who originated Viola's role on stage in Doubt to a Tony Award), Clauda Kim (Age of Ultron / Marco Polo)... maybe you can help out in the comments with your own?