Podcast: Whodunnit and Whydtheydoit... "The Hateful Eight"

When the cats away the mice will play? Something like that. This week's two part podcast marks the very first without your host (none of you needed to hear me whine about The Hateful Eight again! -- plus I was sick the day of the recording). So let's see what Nick, Katey and Joe think of it in this sure to be exciting conversation; I only have a vague notion of what they each thought of it so can't wait to listen with all of you! 

24 minutes 
00:01 Introductions & Teasings
02:00 Quentin Tarantino's The Hateful Eight: moviegoing crowds, racial & gender controveries, Agatha Christie mysteries
19:00 Reader Question: Three comedy performances that went wildly underappreciated this past year. Nick, Katey and Joe each pick a favorite. 

Part 2 will be up shortly

You can listen to the podcast here at the bottom of the post or download from iTunes. 

The Hateful Eight. Intermission and All...

"By the Hoary Hosts of Hogarth, it's hard to keep up!"

Lukewarm off the presses! Herewith a collection of very brief thoughts on this, that, and the other things that we haven't had time to comment on but definitely wanted to note. Please to discuss in the comments. 

• By now you've seen Entertainment Weekly's gallery of Benedict Cumberbatch as Doctor Strange. The film arrives in 311 days which means most movie blogs have about 622 more articles left to write about it in "anticipation" BLARAARGGGH! How to reverse the equation and get people to write the bulk of their thoughts on movies AFTER seeing them? Even Marvel's Sorcerer Supreme probably can't cast a spell that powerful. I have three things to say about these photos. 1) I still find Cumberbatch's casting weird because his face is so non angular / eyeberowless both of which are complete opposites of traditional depictions of the sorcerer 2) can't anyone ever find a way to represent magic that isn't shapeless CGI color beams. I beg filmmakers to try something new since this is literally the only way it's been done since CGI took over the cinema. 3) Marvel superheroes are always trying to make wing-tip hairdos happen --- see also Wolverine -- but it never translates into the real world trends. 

• Tired of movie awards yet? Too bad. You've still got two months of it to go. The latest critics orgs to throw their hat in the ring is the Austin Film Critics. They chose Mad Max for top hours but Room won the most prizes (3) taking Actress (Brie Larson), Breakthrough (Jacob Tremblay) and Adapted Screenplay (Emma Donoghue)

• Since Star Wars: The Force Awakens has been seen by 25% of the Earth's population already (we're guessing) we're getting the usual raft of what might be in the next film articles (including the silly/wonderful Poe & Finn are gay for each other fanfic wishful thinking) and a flood of info on what could have been... the post-movie release equivalent of the what-might-be speculation articles the internet is a hardcore junkie for. (ANYTHING TO NOT TALK ABOUT ACTUAL AS-THEY-EXIST MOVIES!) But I will say this: according to /Film our heroine Rey's original name in the script was "Kira" and we should all breathe a huge sigh of relief that they changed it. It's already unfortunate enough that Daisy Ridley stole Keira Knightley's face, clenched jaw stress, and speaking voice (do you think she trapped it in a seashell necklace Ursula style?). If she also had a homophonic name it'd be even more disastrous. Is it silly that I'm really worried about what the Daisy Ridley explosion will due to Keira's Knightley's career?  We've grown so fond of Keira over the years and really admire how much she's pushed herself to grow as an actress taking on challenging roles and stage work and so on.

• The internet is having a field day suggesting that Chris Nolan just can't handle his lack of Oscar nominations at this point and will embark on a World War II film next. Mark Rylance, Kenneth Branagh and Tom Hardy are the first announced cast members. 

• November and December are punishing insatiable mistresses. There are SO MANY new trailers we haven't even managed to do a DIY Yes No Maybe So on including but not limited to Fantastic Beasts and Where To Find Them, Star Trek Beyond, Midnight Special, The Legend of Tarzan, The Nice Guys, Mojave, Storks, Gods of Egypt, X-Men: Apocalypse, and Terminus. Which have you watched and wanted to discuss? I don't even think I said anything about Captain America: Civil War in November and you know how I feel about the good captain. (Hint: pretty much how he feels about Bucky Barnes.) 

new roles for Oscar Isaac

• FINALLY... we're really proud of our web friend Angelica Jade Bastién who's getting a lot of attention for her Atlantic Essay "The Case Against Colorblind Casting" which is a really fascinating read about acceptance versus erasure. It kicks off with the of the moment example of Oscar Isaac, riding high at the moment (and working constantly) on his considerable talent. 

It would be nice to believe that someone as talented as Isaac could have done as well without colorblind casting or an ability to be seen as “ethnically flexible.” Isaac has steadily increased his profile in recent years by bringing intensity and intelligence to vastly different roles...

But his success hasn’t come without compromises. Isaac is open about the choices he’s made in his career including dropping his last name, Hernández. “Starting out as an actor, you immediately worry about being pigeonholed or typecast,” he said to the magazine In. “I don’t want to just go up for the dead body, the gangster, the bandolero, whatever. I don’t want to be defined by someone else’s idea of what an Oscar Hernández should be playing.” His tendency to play characters of different backgrounds extends to his new Star Wars character, whom Isaac has described as “non-ethnic.” Notably, he didn’t say “white” or “racially ambiguous,” instead referring to his character’s absence of ethnicity.

Give it a read! 

Women's Pictures - Dee Rees's Bessie

Considering how often Pariah is called "a critical darling," it's disappointingly shocking that it took another 4 years for Dee Rees's next movie. Bessie is an HBO biopic of singer Bessie Smith, the Empress of the Blues, who rose to prominence in the 1920s and died in a car accident in the mid-1930s. When the movie premiered earlier this year, Angelica Jade Bastién wrote a fabulous personal review of it which I highly suggest you read. As Angelica points out, Rees's sophomore effort is a well-directed film that gets a lot right, even though it falls into a lot of the typical biopic pitfalls.

While the plotline of Bessie's meteoric rise, humbling fall, and return to semi-greatness followed a predictable biopic path, what really struck me about this collaboration between Dee Rees and Queen Latifah was how unapologetically individual it was. Unfortunately, fact-based films about black characters, if they are expected to attract a wider (whiter) audience, incorporate white characters to a large degree. Selma and 12 Years A Slave both have white antagonists who gain a lot of screentime - in the case of 12 Years A Slave, it was enough screentime to net Michael Fassbender an Academy Award Nominations.

In Bessie, blackness and queerness dominate...

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Thoughts We Had... THR's Annual Actress Roundtable Cover

We'll have to wait a little while for the full video, which is more fun than the cover but it's always exciting to see THR's roundtable covers nonetheless. Like Vanity Fair's "Hollywood Issue" -- less thrilling than it once was for a myriad of reasons -- it's a tradition that is both great fun for its glamour and personality and highly aggravating for its exclusions and repetitions and limited world view... just like, HEYYYY, the Oscars themselves!

By now you know the drill. First an image. Then the thoughts that come to mind without self-censorhip after the jump...

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Spike Lee's "Bamboozled" - Still angry, still timely

TFE is celebrating the three Honorary Oscar winners this week. Here's Lynn Lee on one of Spike Lee's most controversial joints...

Is Spike Lee an Angry Black Man?  Reductive as the label is, it’s hard not to associate with an artist as reliably outspoken as he is accomplished—if only because so much of his best work is fueled by genuine anger at the condition of African Americans and the state of American race relations generally.  The irony of having achieved major critical and commercial success by channeling those frustrations surely hasn’t been lost on him, even if it’s done nothing to diminish them.

Bamboozled (2000), an incendiary, balls-to-the-wall satire about a disaffected black man who creates a pop culture monster, shows Lee at his angriest and most conflicted.  The film takes its cue from Malcolm X’s famous wakeup call:

You’ve been hoodwinked.  You’ve been had…You’ve been bamboozled”

It tells the tale of a Harvard-educated black TV writer (Damon Wayans, sporting a deliberately outlandish pseudo-French African accent) who pitches a hideously racist modern-day minstrel show as a fuck-you response to his white boss’s demand for “blacker” material—only to have the show become a megahit despite, or rather because of, the controversy it causes.  [More...]

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