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Entries in racial politics (117)

Wednesday
May272015

Tilda, The Ancient One

Tilda Swinton has said that had she not met the avant-garde filmmaker Derek Jarman in the 1980s she might never have become an actress. He was unorthodox enough to understand her unusual path...

brilliant news after the jump

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Monday
May182015

Review: Bessie 

TFE's newest contributor Angelica Jade Bastién on HBO's latest biopic

For over two decades Queen Latifah has been trying to bring the life of Bessie Smith, the legendary "Empress of the Blues" who found success in the 1920s and 1930s, to the screen. Despite Bessie's life being a perfect mix of glamour and tragedy that seems tailor made for a biopic I'm not surprised it has taken Latifah this long to bring her story to life. Bessie Smith (Queen Latifah) is a rough hewn, country, bisexual, and passionate broad. The film doesn't sand off her edges or shy away from her contradictions instead it embraces them. Bessie tracks the legend from her early days as a singer with her older brother/manager, Clarence (Tory Kittles) always in her corner to the Great Depression when all her personal and professional success falters. 

Anyone familiar with women's pictures knows the emotional terrain Bessie is covering. But what makes this women's picture downright transgressive is its sympathetic,multi-layered portrayal of black queer desire...

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Friday
May152015

Mad Links on Furiosa's Road

Animals The Film this addiction romantic drama opens today in 8 cities. Go see it!
...David Dastmalchian, who so kindly guest-blogged for us, stars (and wrote it). He'll be doing a Q&A at tonight's screening at Village East 7:45 PM for those of you in NYC.
AV Club Anne Hathaway to star in a sci-fi monster movie called Colossal wherein she'll be psychically linked to the big monster
The Screenblog  Interview with the costume designer on Kate Winslet's The Dressmaker

Weekend Must Read
I know you shouldn't feed the trolls but this article from the MRA blog "Return of Kings" about why you should boycott Mad Max Fury Road because it's feminist is great great comedy. Unintentionally but that hardly matters when there are so many laughs to be had. My favorite part is the whining about ruining this great "piece of American culture" [slaps forehead] D'Oh. It's an Australian franchise, dumbass!

MNPP in a 'Ways Not To Die' post celebrating Mad Max, Jason sneaks in a little 'George Miller always cared about women' message 

Hollywood's Ongoing Diversity Issues
Moviefone More embarrassing news for Hollywood's anti-woman issues. Sam Waterston and Martin Sheen, supporting players on Grace and Frankie, are making the same thing as Jane Fonda and Lily Tomlin, the star attractions. What the F***?!? 
Heat Vision Fox developing The New Mutants, which was an X-Men spinoff back in the day. I wouldn't expect them to stick with its extremely diverse original lineup, because Lord knows when the X-Men was adapted it got a lot less diverse and way more narrowly obssessed with three alpha (white) males: Wolverine, Professor X, and Magneto
Women in Hollywood The DGA is part of the problem when it comes to underemployment of women
The Guardian Ava DuVernay might direct Marvel's Black Panther. since Marvel is looking for something more "diverse" and that word is apparently an actual quote? She seems like a weird fit since she excels at performance and humanistic drama and surely she has better things to do. Still, just when you hoped you could stop caring about superhero news this comes along. Obviously we'd watch it despite waning interest from the superhero glut.

Mad Men List Mania
Arts.Mic has a "definitive" listing of best characters with Peggy Olson, Don Draper, and Joan Holloway right where they belong in the top 3.
Rolling Stone same concept but with a different order and much love for Roger Sterling and the long departed Sal Romano in the top ten!
Esquire 100 Ways Mad Men might end. It says a lot about the show that with only 1 episode left it still retains its mysteries
Salon the 10 best Mad Men episodes from 'The Other Woman' (Joan showcase) to 'Babylon' (Peggy showcase)

Showtune Hot Song To Go
Matthew Eng reminded me of this. God I love this. Wouldn't it be great to see Maya Rudolph's PRINCE(ss) live?

 

Monday
Mar302015

Letting Go of "Looking" Has Not Been Easy

This article originally appeared in Nathaniel's column at Towleroad. It is reprinted here with minor adjustments. 

 

The first Sunday night without HBO's "Looking" came and went. Of course there would have been no "Looking" this past Sunday night even had the show been renewed, since the second much improved season had just wrapped. One of the funniest things I heard after the cancellation was this:

The good news is Looking thinkpieces are also cancelled."

Well, yes. Those are almost at an end, too.

The autopsy reports have to run their course and so does the mourning process. And if HBO makes good on its promise of a wrap-up movie (believe it when you see it), the cycle starts all over again in miniature even if the end point is still goodbye. Given all this finality, it's strangely apt that the second season's finest episode "Looking for a Plot" took places at a funeral (Doris's father) and sent Dom, Doris and Patrick spinning emotionally, even if they didn't quite realize it at first. But the mourning is real. At least for those of us who loved the show for what it actually was. More...

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Wednesday
Mar112015

Brandy. Whitney. Bernadette. It's Cinderella... Again

Cinderella Week continues with Andrew Kendall on a true event in showbiz history...

On our journey through Cinderellas we take a stop in 1997 for an unlikely entry in the canon. Unlike the animated version it did not change a cinematic form, nor like the Julie Andrews version did it launch a star. When the 1997 TV production of Rodgers and Hammerstein’s Cinderella premiered in 1997 it was hailed as one of the most successful TV musicals in years and audiences did, love it, 60 million of them. But, it has endured as little more than a footnote on the résumé of its fêted cast and crew.

This would be the second remake of the Rodger and Hammerstein’s Cinderella written for Julie Andrews in 1957 (the first remake a Lesley Ann Warren version in 1965). And, still, I’d swear on the altar of all things magical that this is the finest adaptation of the Cinderella story. Myriad reasons, but principally because this Cinderella has more on its mind than just the girl at the centre…

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