SXSW: The dystopian visions of Executive Order & Witch Hunt

By Abe Friedtanzer

 

It’s sadly not all that difficult to imagine our society slipping into dystopian territory, and while that might have seemed impossible here in America, recent events have suggested we’re not that far away from authoritarian misery. Cinema has long explored such inevitabilities, and it’s those “very near future” concepts that don’t look so different from what we know today that can be especially terrifying. They can also be insightful, strong pieces of filmmaking, and SXSW has two this year that are indeed frightening and thought-provoking...

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Streaming Review: Boss Level

by Ben Miller

 

Groundhog Day is becoming its own genre of film.  Groundhog Day as a horror film -> Happy Death Day.  Groundhog Day as a sci-fi war film -> Edge of Tomorrow.  Groundhog Day as an existential romantic comedy -> Palm Springs.  Joe Carnahan's Boss Level continues this new tradition as the violent action film edition. It does this while maintaining a fun tone and never crossing over into offensiveness.

Frank Grillo stars as Roy Pulver, a former special forces soldier who wakes up every morning with people trying to kill him...

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Oscar Race: Live Action Short Finalists Reviewed

by Nathaniel R

As we did with the Documentary shorts finalists, we're reviewing the Oscar possibilities in Live Action short. Unfortunately this group is harder for audiences to see (at this writing) so we don't have screening links for all of them. We've been unable to track down Two Distant Strangers but let's discuss the other nine options, divvied up into four 'types'...

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Review: Cherry

by Christopher James

Tom Holland ditches the superhero cape for a much grittier turn in the Russo Brothers' new film, "Cherry."Cherry is five movies in one, and each one of them is bad in a different, unique way.

Joe and Anthony Russo’s ambitious new film for Apple TV+ has many different goals. Unfortunately, much like a juggler with too many balls in the air, every one of those goals falls to the ground, landing with a thud. Despite clear ambition and clearly talented people involved, nothing comes together in Cherry. What we’re left with is a misshapen, overlong mess where our lead Forrest Gumps his way through a variety of genres and ripped-from-the-headlines issues...

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Review: The United States vs. Billie Holiday (Hulu)

by Christopher James 

How can a remarkable life lead to an unremarkable film? On paper, The United States vs. Billie Holiday has so much going for it. Oscar nominee Lee Daniels is an inspired, live wire choice for director and Andra Day makes a fantastic acting debut. She more than rises to the inimitable challenge of playing a legend like Billie Holiday. Unfortunately, The United States vs. Billie Holiday falls into a common biopic trap. All of the information feels a mile wide and a foot deep. We breeze through so much of Billie’s life, but we never get a moment to digest what we’re seeing or piece together a central character. The movie moves quickly through all events in Holiday’s life, leaving the audience behind in the process...

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