Months of Meryl: Heartburn (1986)

John and Matthew are watching every single live-action film starring Meryl Streep. 

 

#13 — Rachel Samstad, a New York food writer who is seduced and betrayed by a tomcat D.C. columnist.

MATTHEW: The celebrated run of 80s-era films that cemented Meryl Streep as a master among screen actors is so overwhelmingly remembered for its cadre of self-sacrificing period heroines that it was only inevitable that Streep’s two comedic outings would recede into the background. Based on its critical reception alone, Streep’s 1989 Roseanne Barr match-up She-Devil, which we’ll get around to discussing soon, may very well deserve to be remembered as a curious career outlier — that is, if it deserves to be remembered at all. But what about Heartburn, the all-around more prestigious comic vehicle? The project marked Streep’s first reunion with her Silkwood director Mike Nichols and that film’s co-writer Nora Ephron, from whose thinly-veiled best-seller the film was adapted...

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Review: Love Simon

Stepping in briefly from vacation to celebrate Love, Simon. This review was originally published in Nathaniel's column at Towleroad.

Vanilla is a delicious flavor. Especially if you’re in the right mood for it. Loving vanilla doesn’t mean you can’t love more daring or less common flavors. But you deserve a good scoop of vanilla on occasion. The best thing that can be said of Love, Simon — and this is stronger praise than it sounds — is that it’s very vanilla. Imagine a cross between classic rom-coms like Sleepless in Seattle and Never Been Kissed and then just flip it a teensy-tiny bit until it’s gay. Not queer, mind you; we’re going for vanilla.

Love, Simon, the new film directed by gay TV power-producer Greg Berlanti (Flash, Riverdale, Brothers & Sisters, etcetera), is based on the novel “Simon vs. The Homo-Sapiens Agenda”. Though the novel’s title (I haven’t read it) suggests something less pro-heteronormativity, the film version is quite happy with assimilation. The only thing about Simon (Jurassic World’s Nick Robinson) that “reads” as gay or at all discomfited by his suburban nuclear family life is his inner monologue in which he tells us about his “huge-ass secret”...

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YNMS: Give Us "Permission"

by Jason Adams

Raise your hand if you're a Rebecca Hall fan! I feel as if I can see a virtual sea of hands waving in front of me, as well I should in a post-Christine world where she's shown us just exactly how much she's capable of putting on-screen. If only more awards bodies had taken notice last year... or this year too, actually, where she turned in another very fine piece of work in Professor Marston and the Wonder Women. Shame she's getting over-looked, but lucky for us she's not going anywhere.

Next year's she re-teaming with the man who gave her her big break in the movies (that would be Woody Allen, so I hope she's got her talking points in order) but before that she's got Permission coming out, a romantic drama about longtime partners opening up their relationship that co-stars Dan Stevens...

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Podcast: War for the Big Sick Planet of Baby Drivers

In this episode Nathaniel, Joe and Nick talk three new movies with our usual tangent of asides including Michelle Pfeiffer in Ant Man and the Wasp, Charlton Heston in Ben-Hur, and more...

Index (42 minutes)
00:01 National Critics Institute / Michelle Pfeiffer news
07:44 The Big Sick performances, and it's place within the Romantic Comedy ecosystem
19:00 Matt Reeves's War for the Planet of the Apes, Gary Oldman vs Woody Harrelson, prequel issues, and the original 1968 classic.
30:40 Edgar Wright and Baby Driver, plus Kevin Spacey's sexuality, and Jon Hamm as a movie actor

 You can listen to the podcast here at the bottom of the post or download from iTunes. Continue the conversations in the comments, won't you? 

Related Reading
Nathaniel's first restaurant review
Kevin Spacey as Gore Vidal
Emmy Drama Actress roundtable
Gay pornish Planet of the Apes gif

Baby Driver, Big Sick, Planet of Apes

150 Words on The Beguiled, The Big Sick, and Planet of the Apes

Three movies I didn't review when they were brand spanking new but opinions don't have expiration dates so why not share 'em, anyway? 150 words on each because you're busy and I'm busy, too. 

War for the Planet of the Apes
The freshest character in War for... is named  “Bad Ape.”  But really, who’s good? The final installment of the Apes reboot is, in essence, a war picture which means everyone is compromised. Yes, even noble Caesar (Andy Serkis) is tempted to do the wrong thing repeatedly. Bad Ape (Steve Zahn) gives the movie its only moments of levity but even those are pitiable, like the abused creature himself. The new film isn’t “fun” at all but proves a fitting capper to a surprisingly meaty trilogy. It’s a danger to interpret all current cinema in light of the apocalyptic choices of the US electorate of late but boy is this thing a compelling downer; you can argue that the final film is all about racism, evil lying fascists (Woody Harrelson), and the willful self-destructiveness of the human race. Let’s hope the series (if not our planet) wraps up right here. B

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