Split Decision: Top Gun: Maverick

No one feels the same way about any film. Thus, Team Experience is pairing up to debate the merits of each of the big awards season movies . Here’s Chris James, Travis Cragg and Cláudio Alves duking it out over Top Gun: Maverick.

CHRIS: I couldn’t think of a better movie to have reignited the box office this summer than Top Gun: Maverick. The sequel arrived 36 years after the first became a blockbuster in 1986. Personally, I never loved the original. Despite fun, pop-culture defining moments, it often felt like a scattershot action movie with nauseating jingoism. My expectations for the sequel were low, but the film blew past them like a fighter jet passing Mach 10.

Central to my enjoyment of Top Gun: Maverick is the renewed focus on character over spectacle...

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ICYMI - Best Picture "Split Decisions"

The "Split Decision" series was created by the Team here because we realized nobody ever fully agrees on any movie; That's part of their fascination and the fun of awards season (if you keep it civil of course... which the internet tends to struggle with). The series will return soon with the final episodes on Top Gun Maverick and Women Talking but if you're just rejoining us we've already covered the other eight Best Picture nominees so we'd love for you to join the conversations on All Quiet on the Western Front (on Netflix), Avatar (in theaters), Banshees of Inisherin (in theaters and on HBOMax) Elvis (on HBOMax)  Everything Everywhere All At Once (on Showtime and rentable), The Fabelmans (in theaters & rentable), TÁR (rentable) and Triangle of Sadness (rentable).

When we started the series we didn't know what would be Best Picture nominated so we also discussed Babylon and The Whale. How far do you suppose they were from the Academy's top 10 vote getters? Or was something else vying for 11th?  Should we do the Split Decisions series again in the future? We'd love to hear your input. 

Split Decision: Elvis

Team Experience has been pairing up to debate the merits of each big awards season movie. Here's episode 11 with Chris James and Glenn Dunks duking it out over Elvis. The series resumes will resume for a few final episodes after the nominations.

CHRIS: Well, well, well, Glenn. We meet again. Excited to talk about Elvis with you. Previously, I was a sourpuss about the cinematic excesses of Babylon. While I have mixed thoughts on Elvis, I think the excesses of this movie are more in service of the film and its titular subject. I went with a few friends to the Chinese Theater in Hollywood to watch it on opening night and had a blast reacting both with and at the movie. As a friend said to me, "maximalism is meant to provoke a response, even laughter." At the very least, Elvis is an enjoyable watch.

It's always good to see a movie for adults become a box office success, especially in the post-pandemic era...

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Split Decision: "The Banshees of Inisherin"

Team Experience is pairing up to debate the merits of each of the big awards season movies this year. Here’s Abe Friedtanzer & Eric Blume on one of the Oscar frontrunners...

ERIC:  Abe, here we are again with another split decision.  But unlike our discussion about The Whale, which you loved and I didn't, we're swapping sides for The Banshees of Inisherin.  I absolutely loved this film.  I'd go as far as to say it's close to a masterpiece.  It's a piercing and painful meditation on loneliness, a heartbreaking and lyrical stare in the face at death.  Martin McDonagh is tackling The Big Themes with ferocity and honesty, and I was deeply moved.  But let's start with why you didn't care for the film...

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Split Decision: “Avatar: The Way of Water”

No two people feel the exact same way about any film. Thus, Team Experience is pairing up to debate the merits of each of the awards movies this year. Here’s Glenn Dunks and Cláudio Alves on James Cameron’s latest.

GLENN: Hi Cláudio! Welcome to Pandora... the whales are majestic, the grass gets you stones (mmhmmm) and the eyewear are Ray-Bans. An awful lot of ink has been spilled across the 13 years between Avatar movies. Ink about how nobody remembers Avatar. Ink about how it has no cultural imprint. Ink about how nobody knows the characters' names. Ink about how nobody actually even liked the 2009 original and it was purely a hit because of the 3D. And yet here we are with a James Cameron movie already having become (yet again) the highest grossing movie of the year and also potentially (yet again) the leader of the nomination board on Oscar morning 2023…

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