Doc Corner: 'Icarus' Doesn't Fly
By Glenn Dunks
It is easy to see why Netflix purchased Icarus for a record five-million dollars. Charting director-and-subject Bryan Fogel’s attempts to prove how easily it is for athletes to dope and how easy it is to get away with it before getting sucked into the Russian Olympic doping scandal of 2015, it’s a premise that swings between two wildly popular forms of documentary. But blending the personality theatrics of Morgan Spurlock’s Super Size Me with true crime, Icarus ultimately isn’t able to replicate the entertainment and the sheer chutzpah of that 2004 perfect storm of charming lead and grotesquely captivating experiment.
For starters, Fogel greatly overestimates the desire to watch somebody screw the system and (attempt to) get away with it. After all, we live in a world with Lance Armstrong already in it – and it takes Icarus just 58 seconds to feature him in archival sound and video – so there seems little need for a talented, but self-admitted amateur cyclist to muddy the waters and prove how scandalous it all is...