Aladdin Pt 3: Free at last! A 'Whole New World' awaits.

In Part 1 Ben introduced us to the romantic heroes and their evil nemesis. In Part 2 of our re-watch of Disney's Aladdin (1992) Timothy took us into the Cave of Wonders where our 'diamond in the rough' met the whirlwind vocal performance of Robin Williams as the Genie. He discussed stylistic, color palette, and comic choices in the storytelling on the fantastical journey. We return to the film just as Aladdin has dropped his pompous prince pretenses and admitted that the Princess is not a prize to be won and promptly jumps off her balcony just as she requested.

Part 3 by Nathaniel R

- Startled by his sudden humility and agreement, as well as the not so mundane matter of magical carpets, Jasmine drops her own defenses and becomes curious about this new prince. She can't shake the feeling that she knows him.

- Does Jasmine have facial blindness that she can't remember the only man she ever almost kissed in her life? The one from the day before no less!

-Aladdin moves at quite a clip but we know it's been no more than two days due to the plot business because she has only three days to get married by the laws of both Agrabah and childlike-attention-spans-of-target audiences. 

- Tim spoke of Aladdin's intuition and it is a beautifully realized aspect of his character. He's not aware of it, per se, the way he is in regards to his other physical and mental skills, so he's more of an idiot savant when it comes to emotional intelligence. He instinctively gets the Genie's pride / Jafar's competitiveness / and Jasmine's need to roam. He harnesses all three in the course of the plot, the latter not to manipulate her like the other two but to free her spiritually/romantically though he isn't thinking of all this when he asks...

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Aladdin Pt 2: Manic Magical Improv, Sight Gags, and "Prince Ali"

In Part 1 of our re-watch of Disney's Aladdin (the proper one, from 1992, not the live-action thing coming out this weekend) Ben got us through the introductions to good-hearted "street rat" Aladdin, frustrated princess Jasmine, and up to the mouth of the Cave of Wonders. We enter as Aladdin takes his first step into a whole new world…

Part 2 by Tim Brayton

0:28:04 – Let's take just a minute to appreciate the atmospheric concision of this descent into the cave. First, we had a shot of Aladdin stepping over the tiger-god's teeth, dissolving into this beautiful wide shot of him (below) at the top of an impossible flight of stairs, a tiny bright dot in the overall gloom that shifts from cold blue to hot, threatening red as our eye glides down the lines of the composition.

Then another dissolve takes us to the foot of stairs, with Aladdin about to step into the heart of the cave. It's a swift, visually-driven way of taking us down into… Hell? It's hard to say just yet, but it creates a terrific sense of mystery, both promising and foreboding...

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Team Experience Awards 2018: Our Favourites

by staff

We couldn't let the Oscar season go without our team of writers giving you our 7th annual Team Experience Awards (Nathaniel doesn't vote on these but his Film Bitch Awards will resume in a couple of days). We've given ourselves some time to catch up to 2018's offerings and as a result we have some fun surprises in store for our ballot! This year our Best Film goes to Yorgos Lanthimos' The Favourite, one of the six prizes we've given it of thirteen total nominations. Next behind is Barry Jenkins' If Beale Street Could Talk with nine mentions, and then the love is spread pretty wide elsewhere with Roma, Hereditary, BlacKkKlansman, and Can You Ever Forgive Me? doing well among nominations.

Best Picture

1. The Favourite
2. If Beale Street Could Talk
   
3. Roma
   
4. Can You Ever Forgive Me?
5. Hereditary
   
6. BlacKkKlansman
   
7. Widows
   
8. Annihilation
   
9. First Man
   
10. We the Animals

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Team Experience: Joyful News and the Best/Worst Oscar Branches

by Nathaniel R

Later today a special edition of the podcast as Murtada, Nathaniel and Nick discuss the Oscar nominations. But, for now, our final group survey on the nominations so we can then move on to the nitty gritty of each category as well as return to new and old movies,  Film Bitch Awards, regularly scheduled programming, and all of that good stuff. We asked the team two more questions about the nominations and they answered like so. Please let your own voice be heard in the comments.

WHAT NOMINATION GAVE YOU THE MOST JOY TUESDAY MORNING?

JORGE MOLINA: I woke up my entire neighborhood when Marina de Tavira's name was called out. I was expecting a surprise Supporting Actress nomination, but not her. Marina's performance is such a striking and beautiful contrast to Yalitza Aparicio's (whose nomination was a lesser but equally great surprise), and one that reflects much deeper things about female and class relationships in the movie. It's not a big performance, but it's so nuanced and raw. I couldn't be happier she's getting the recognition, and that she's only the second supporting actress to be nominated for a foreign film ever! Viva Marina!

CHRIS FEIL: No single craftsperson deserves their nomination (or eventual win) more than costume designer Ruth E. Carter (Black Panther). I don't make the facts, I just relay them...

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One Last Hurrah for the Unloved! (Our Post-Nomination Eulogies)

by staff

We asked Team Experience to share eulogies & tributes to their most beloved cinematic achievement that was left out on Oscar nom morning. Not everything can be nominated. Since we must now turn our attention to the actual nominations, please shed one last tear of appreciation for these great artists and films.

BEN MILLER: Leave No Trace - you were too beautiful and non-assuming to be truly embraced by an awards body like the Academy.  Yes, Winter's Bone got a Best Picture nomination for Debra Granik's 2010 film, but you were rated PG and there was not a cliche, line of exposition, or bit of over-acting to be found.  You are too perfect a creation to be lumped in with the Oscars.  We will remember you when Ben Foster, Thomasin McKenzie and Granik eventually accept their future statues.

NATHANIEL R: Eighth Grade, you were too lovely and far far too young. Too humiliatingly real, too emotionally fragile and too comically pure for the heightened spectacle of Hollywood's back-patting event. You gave us hope for the future (Elsie Fisher and Bo Burnham have bright ones) while also transporting us back to our own childhood. You were a time machine even H.G. Wells would have marvelled at and cringed through... provided, of course, that he attended the British equivalent of junior high in the 19th century...

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