Catching up w/ Critics Prizes: Chicago, London, Kansas City, and SEFCA

Another week another big round of critics prizes. As previously noted we only cover about 16 groups (for sanity purposes) so here were a fourth of them as announced these past few days.

CHICAGO FILM CRITICS ASSOCIATION

Chicago's association was first established in 1988 with a Best Picture prize for Mississippi Burning of all things. This year they liked The Handmaiden so much that it even broke into their Best Picture nomination, a rarity for the group. The last foreign language film to do so with Chicago was Crouching Tiger Hidden Dragon back in 2000. It won three prizes, just shy of what Manchester by the Sea managed...

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Boston Loves "Manchester"

The Boston Film Critics Society formed in 1980 divvying up their first year of prizes largely between Martin Scorsese's Raging Bull and Jonathan Demme's undeappreciated Melvin & Howard. (Both auteurs would reign again with the BFCS via The Departed and Silence of the Lambs). While they don't often out on stylish limbs and aren't as invested in foreign films as they once did and were, when they return to either of those impulses it's often exciting. Our absolute favorite thing they occassional do is a weirdo but "why, yes, actually!" supporting performance pick like Toni Collette for The Hours, Juliette Lewis in Conviction or Ezra Miller in Perks of Being a Wallflower.

Here's what they chose as Best for 2016 along with several trivia notes...

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The 42nd Annual LAFCA Winners !

The Los Angeles Film Critics Association stretches back to 1975, a very great year in cinema history with one of Oscar's all time best Best Picture lineups (Dog Day Afternoon, One Flew Over the Cuckoo's Nest, Nashville, Barry Lyndon, and Jaws). They gave four of those pictures awards in their first year, ignoring only Jaws. Though we normally despair that all film critics awards seem to be viewed through the prism of Oscar influence or prediction (critics groups should have their own identity / agenda or else what good are they?) in the LAFCA's case it's difficult to avoid. Los Angeles is an industry town and these are their local critics. So go crazy when you're looking at this list and want to think of it in terms of Oscar; It's easy to argue that its the single critics list that Oscar voters take most seriously since the bulk of the membership lives there.  You can especially see this influence lately in LAFCA's choices for "career achievement" which are not so infrequently named as Honorary Oscar winners the following year or three thereafter as happened recently with Anne V Coates, Gena Rowlands, and Frederick Wiseman!

For a refresher last year's big LAFCA winners were Spotlight and Mad Max Fury Road which were of course very popular with Oscar, too. They sometimes get creative in the Best Actress category but their Best Picture winner tends to go to an obvious and highly competitive future Best Picture nominee or winner with rare exceptions like WALL•E (2008), American Splendor (2003), or Do The Right Thing (1989).

This year's prizes were bathed in Moonlight though La La Land put up a fight.

LAFCA WINNERS (AND TRIVIA) 

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What did you see over the holidays?

How did you spend Thanksgiving weekend? I watched Moana again with the honorary nieces, saw a preview of Things to Come (yet another Isabelle Huppert triumph) with cinephile friends and caught up with a screener or two. 

What did you see over the holiday weekend? The actual box office results are after the jump...

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Min-hee Kim's Secrets and Lies in "The Handmaiden"

by Chris Feil

Much of the praise for Park Chan-Wook's The Handmaiden has favored the director's twisted vision, the sumptuous design elements, or its grinning audacity. Sure the film is as immaculately crafted as all that talk has promised, but there one thrilling puzzle inside the film worthy of equal regard is the lead performance by Min-hee Kim.

For a film as plotty and opulent as The Handmaiden, you can understand how any performance might not be the first takeaway. But believability of the narrative's many twists falls largely on Kim's coolly dexterous shoulders...

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