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Entries in The Handmaiden (20)

Friday
Jan202017

Oscar Predix & Personal Ballots: The Moulin Rouge! Categories...

If you've read The Film Experience for any length of time beyond let's say, a week, you'll know that we live for eye candy. Three of the cinematic arts that most regularly provide this are, outside of beautiful movie stars in the acting categories, Production Design and Costume Design i.e. the Moulin Rouge! categories. We love these categories so much we have two weekly series for them, Daniel Walber's "The Furniture" and my own forthcoming costume series "Three Fittings".

Anyway, it's time to make our final predictions for Oscar but it's also time to get those Film Bitch Awards (my own long running awards jamboree) going. So herewith my personal ballot and, putting the pundit hat on, my Oscar predictions. These two modes should not be confused... so apologies for discussing them simultaneously. This is what happens when you procrastinate!

Will Stuart Craig receive his 5th nomination directly from the Potterverse (he had 6 nominations and 3 wins before the Potterverse took over his life)

Production Design - Oscar Predictions
I figure this is a slot for the BAFTA surging Nocturnal Animals and I'm predicting that at the expensive of the haunting minimalistic sci-fi of Arrival (work I really really love. Sigh). That damn outdoor potty and the opening art world light slabs will do it. This is an interesting category, though, and I'm going to predict The Handmaiden both because it is hugely deserving and because of all the critics foreign film prizes and the LAFCA prize in this very category. If Park Chan Wook's brilliant film is going to score anywhere it will be here (with an outside shot at costumes, too). There's plentiful buzz around Doctor Strange and Fantastic Beasts (they do love the Harry Potter films in this category but come one, how many times do we need to dip in that well with so many richly art directed films of all genres happening each year ?!?). Question: is Doctor Strange really well liked enough to score multiple nods when so many other Marvel Studio films couldn't do it? 

NATHANIEL'S BEST PRODUCTION DESIGN BALLOT
• DANIEL, WHO WRITES "THE FURNITURE," ALSO NAMED HIS 5 FAVORITES 

 

Costume Design
If you really give in to the predictive mania of at home Oscar punditry costume design will surely drive you craziest. What an impossible category to predict this year!  Since the CDG has multiple categories they've covered a ton of possibilities  and the ones they didn't still have buzz for costumes anyway. Just thinking casually about the films won't help. On paper you might think: oh easy, period pieces + a little Colleen Atwood and you're done (Jackie, Florence Foster Jenkins, Hidden Figures, Love & Friendship, and Fantastic Beasts and Where to Find Them). But not so fast. Silence, Hail Caesar, and Allied also feature period costumes and they're both buzzing for this category which is easily understandable if you've seen them given the gorgeous work. Even stranger, at least in terms of Oscar history, is that people are talking up not one but two contemporary films: Captain Fantastic as a dark horse (yes please) and La La Land as a sure thing. And that's before you even consider outside possibilities like Kubo and the Two Strings (which wants to be the first animated film nominated here, with all those lovingly detailed miniature costumes), less showy period fare like Fences, Cafe Society or Loving, a costuming legend in Albert Wolsky (Rules Don't Apply). Finally there's a foreign possibility in this category, too, via the The Handmaiden. Here's my best guess though I'm prepared to go 1 or 2 for 5 because I've taken quite a chance on two of them that aren't anything like sure things (The Dressmaker and Hidden Figures) but who the hell knows!?!

 

Monday
Jan162017

The 5th Annual Team Experience Awards!

As teased in this week's podcast installment, it's time for The Team Experience Awards, our fifth yearly celebration! While Nathaniel begins his own Film Bitch Awards, here is our growing team's turn to bestow their year-end accolades without our host.

Last year we went all-in on Todd Haynes's Carol, and this year we have another favorite that receives quite a few prizes: Barry Jenkins's Moonlight. And this wasn't even close: the film was the only one to appear on every ballot in at least one category and was a landslide victory to the big prize. Consider Moonlight the consensus favorite here at The Film Experience. On to our awards:

BEST PICTURE
Moonlight

Runner-Up
: The Lobster

BEST UNRELEASED FILM
Personal Shopper
Runner-Up
: The Ornithologist

Click to read more ...

Saturday
Jan142017

GALECA Nominees

By Glenn Dunks.

The Film Experience would be remiss to not mention the nominations of the Gay and Lesbian Entertainment Critics Association (GALECA) given there are multiple members among the writing team here. Last year the organisation went all in on Carol for obvious reasons, winning five awards. This year another Oscar-favored film with LGBTQ themes leads the pack with seven nominations.

Click to read more ...

Friday
Jan132017

Best of Year: Nathaniel's Top Ten

We've reached the end of our Year in Review List Making if not the end of the year in review list making -- wait wha?!. Which is to say that we still have our own awards nominations (both Oscar and fun extras) in some 40 categories to come. That's right. It's time for the annual Film Bitch Award Nominations -- our 17th annual prizes (gulp) -- which begin with the age-old tradition of the top ten list.

But first...

HONORABLE MENTION

If The Salesman borrows too liberally from Asghar Farhadi's masterpiece A Separation so be it (let's face it -- all the great auteurs steal from themselves. This is how we recognize their films). It's a riveting drama exposed by destabilizing cracks in the foundations.

Sing Street was the year's most rewarding nostalgia piece causing flashbacks of teenage identity experiments and that usually short lived  'i could be a pop star!' phase. And what a fantastically fresh cast.

Viggo Mortensen's uniquely out of place and time persona (think about it: he could be from any country or era) is a huge boon to the thought-provoking Captain Fantastic. Writer/director Matt Ross harnesses Viggo's energy for a head-first sprint into the woods of non-conformity but those idealogical woods thin out and soon enough we're face-to-face with reality.

The Fits' unique character as something of a mystical movement film had us levitating. Its hard-to-pin-down allegory wasn't so much tentative and amorphous as thrillingly ambiguous...

Click to read more ...

Tuesday
Jan032017

Online Film Critics Choose "Moonlight"

by Glenn Dunks

Moonlight took 4 prizes from the OFCS

The Online Film Critics Society, of which I am a member, just announced their winners and... I'd love to say they're a great bunch, but I haven't been able to see at least two of the big winners yet. International release dates (I'm back in Australia) always make voting in these sort of awards a tricky prospect when the need to be early is ever-present, but I have no doubt that the OFCS's selection of Moonlight as the best picture of 2016 is worth cheering about.

The organisation with its some 260 members awarded the Barry Jenkins' drama with three additional wins for Best Director, and duel supporting acting prizes for Mahershala Ali and Naomie Harris. Casey Affleck and Natalie Portman took the lead actor awards, Arrival and Hell or High Water took screenplay honours, Kubo and the Two Strings was handed a much-deserved animation win, and the Oscar frontrunner La La Land settled for the two technical prizes that the organization gives out for cinematography and editing.

And proving yet again that South Korea made the wrong choice by not selecting Park Chan-wook's The Handmaiden for the foreign language Oscar, it was awarded Best Film Not in the English Language alongside its nomination for Best Picture.

What do we think that film's Oscar prospects are like? Hong Kong's The Grandmaster surprised with two nominations several years ago - there's certainly precedence. It just depends on whether Oscar's costume and production design voters are having one of those years where they think more outside of the box or fall in line with general Oscar buzz.

FULL NOMINEES AND WINNERS AFTER THE JUMP...

Click to read more ...