A Handful of Link

Tribeca Film Winona Ryder '15 Films ranked in order of how much we wanted to be her'
Gold Derby thinks Bette Midler should host the Tonys. Co-sign 
Cine Memories since we were just talking Double Indemnity, how about a little Body Heat 30+ years later

poll by twiigs.com

Finally...
two pieces by friend Drew on smart studio planning
Indiewire on Marvel Studios game plan and how it kinda sorta follows Steven Soderbergh's recent speech/advice (though that's, generally speaking, a stretch since Marvel movies are not about the auteurs point of view and Soderbergh was actually ranting against massive setpieces above human drama, wasn't he? -- I lost track,  solid points are definitely raised)
The Playlist on Disney's unbeatable multibillion dollar slate for 2015 from Pixar to Marvel Studios. Total world domination forthcoming!

And it's May 4th so... HAPPY STAR WARS DAY!  (how are you feeling about the upcoming Star Wars blitz?)

American Lone Wolf in Linking

YouTube Edgar Wright talks to the cast of American Werewolf in London, one of his favorite films.
Vulture the latest Mad Men episode in 5 gifs - yeah, I know I'm late writing this one up (and there was so much movie business, too)
Guardian great prickly interview with Judy Davis who, rather shockingly, does not like her work in Husbands and Wives (only one of the great supporting actress performances of all time!)

Moviefone interviews Anthony Mackie who will play Falcon in Captain America Winter Soldier. And bless them for asking him about rap battles with Eminem in 8 Mile.
The Ochre has an interactive movie-oriented video. You choose once choices come up. Short and quite random. 
IndieWire film critics and the 20 minute rule 
Slate the purge of Netflix Instant Watch features and queues. I'm so sad about this. Why does Netflix hate us? I don't want to go back to the world pre-Netflix when every movie cost me money and movies were so hard to find.
and
... on Twitter and Facebook we've been we're talking about Kirsten Dunst's best work today on her 31st birthday. You'd know that if you were "following" or "liking" so join us.

Three More Things About The Tony Award Nominations Today Starting With This Tweet That Made Me LOL

NO #TONY NOMINATIONS FOR BOMBSHELL? #snub

— Dave Itzkoff (@ditzkoff) April 30, 2013

That's for you "Smash" fans... those of you who remain
The Film Experience I filled out that messy post on the nominations (sorry about that) with a little more commentary and a few photos
The Onion sticks a fork in the Awards with this hilariously titled piece "Loud Desperate Need For Approval Leads Tony Nominations" 

Finally...
Over at Towleroad I've interviewed the director Yen Tan about his new gay drama Pit Stop which has already picked up a couple of prizes at film festivals even before the LGBT film festival season (which starts in May) kicks off.  One of those was from my own jury at Nashville (previously discussed). The film stars Bill Heck and Marcus DeAnda as two gay men who are struggling to extricate themselves from failed relationships in rural Texas. We talked about the trials of "gay panic" when you're casting for LGBT films, realistic sex in movies and authenticity in dialogue when English is your second language. You can see a list of upcoming screenings here (festivals in Boston, Maryland, Oklahoma City, Ann Arbor, and San Diego are next). 

Tony Award Nominations

Another year, another set of Tony nominations. I was surprised to note how many theatrical experiences we covered this year here at The Film Experience. As a proudly NYC based site, we have to get our theater on even if the focus is the movies. But hey, a little television and theater coverage mixed in with a whole lot of movies and Oscar gives us a fuller more rounded persona as a blog, don’t you think? I wasn’t able to watch the actual announcement this morning but my darling Sutton Foster – who is between seasons (hopefully) of the ever-more interesting Bunheads on ABC Family – announced them despite a couple of seasons off the boards now. You know I highly recommend a TV show when I’m okay with it usurping all of a beloved stage star’s time.

In some ways the Tonys are more equivalent to the Golden Globes than the Oscar in that they divvy things up between Plays and Musicals. That doesn’t quite equate to the Globes Drama vs Musical since the theatrical community often respects and embraces comedy in a way that the movie community won’t, but it’s close. So the marquee contests are BEST PLAY and BEST MUSICAL. And these are your nominees…

Best Play

• The Assembled Parties (Richard Greenberg)
• Lucky Guy (Nora Ephron)
• The Testament of Mary (Colm Tóibín)
• Vanya and Sonia and Masha and Spike (Christopher Durang)

Best Musical

• Bring It On: The Musical
• A Christmas Story, The Musical
• Kinky Boots
• Matilda The Musical

But before we list all of the nominees I want to demonstrate visually, after the jump, why I find the Tony nominating system so problematic in comparison to the other awards shows.

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Stage Door: "Trip to Bountiful"

Dancin’ Dan here. The Tony Nominations come out tomorrow and Nathaniel will be discussing them along with a couple new plays he's seen. He has yet to see this one, though.

I have been a lifelong lover of live theater. As much as I love movies, nothing beats the experience of seeing a play or musical live on stage. Even at its worst, there is still an intangible quality to watching a story unfold right in front of you at the same time you are watching. At its best, though, that turns into something transcendent – there is something about watching a person really live a moment while you watch that is indescribable. In the new Broadway revival of Horton Foote’s The Trip to Bountiful with Cicely Tyson and Vanessa Williams (and Cuba Gooding, Jr.), there were two moments when the power of live theater asserted itself so strongly that I wept.

The first moment is by far the broadest in Tyson’s wonderful, Tony-worthy performance. Having almost reached her childhood home of Bountiful, TX, Tyson’s Carrie Watts finds herself in a bus station with a young friend she made on the bus (a lovely Condola Rashad). First, she breaks out into the hymn “Blessed Assurance”, clapping and swaying like a revival preacher. Then, only a couple of minutes later, she drags Rashad through the dance she remembers doing at the first social dance she went to, which just so happened to be in the very town in which they find themselves. It isn’t merely the sight of the eighty-something Tyson singing and dancing up a storm that moved me, but the transfer of energy between audience and performer that can only take place during a live performance. As Tyson went on, the audience was right alongside her, clapping along and willing her into a bigger, more energetic display. Tyson was all too happy to oblige, alight with a glow from within, sending the audience’s energy right back out to them, earning every bit of the ovation she received. It was truly a sight to behold. [more...]

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Stage Door: Tom Sturridge Oscar's it Up in "Orphans"

Jose here. From its start, the new production of Lyle Kessler's famous Orphans, has been plagued with controversy and an aura of pure chaos. First, Shia LaBeouf infamously quit the play during the first week of rehearsals leading members of the press to wonder exactly what had gone wrong. While some blamed Alec Baldwin for his notorious bad temper, others wondered if there was indeed more than met the eye. LaBeouf was handily replaced by Ben Foster in the midst of a Broadway scandal that combined leaked emails, unexpected theater appearances and juicier drama than anyone in Smash could ever come up with.

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