RIP Ken Russell

JA from MNPP here taking a moment to reflect upon the death of the never-a-dull-moment filmmaker Ken Russell (1927-2011). If you're unfamiliar with Russell's work, oh my god you have to fix that! I listed five of my favorite movies of his earlier today, you can't go wrong with any of them. Well... wrong isn't really the right word. Because they can be very wrong indeed. Sometimes so wrong they're right, but just as often, perhaps more often, so wrong they're just very very wrong.

Whore. Nun. Whore, Nun. Whorenun.

But that's alright! Because in Ken Russell's hands bad taste and good taste... well they got really stoned with each other, painted themselves gold, and headed to the bi-annual insane asylum orgy for nymphs and perverts, and it was hypnotic. In one corner there's Ann-Margret humping a phallic couch cushion while covered in baked beans, in another there's Alan Bates and Oliver Reed sweaty and naked and rolling around on top of each other, in another there's Vanessa Redgrave in a habit with a hump having an orgasmic god experience, and there's Kathleen Turner waving a silver dildo at Anthony Perkins, and on, and on. (It's a very loud room we're imagining, with these people.) There was nobody like him, and there won't ever be again, and movies are a lot less interesting now without him.

What's your favorite Ken Russell movie?

Link On Link Off

Old Hollywood loves Federico Fellini. Isn't that an amazing sketch (left)? It's Fellini's first rendering of Gelsomina from La Strada. 
The Sheila Variations a beautiful birthday piece about crushing on Ralph Macchio before The Karate Kid (!) and the transformational power of getting hooked on the storytelling arts and the actors who make us dream.
Thelma Adams corrals some friends to discuss the annual topic: does nudity equal bravery for actresses?
Your Movie Buddy (and ours) interviews Kirsten Dunst on Melancholia.
ioncinema Fox Searchlight signs the Borderline Film trio (Antonio Campos, Sean Durkin, and Josh Mond) to a first look deal. That filmmaking collective operates in such a cool way, alternating in the director's chair but sticking together and supporting each other. Their latest venture being the fab Martha Marcy May Marlene (my review if you missed it).
Little White Lies interviews our current favorite Norwegian director Joachim Trier on his new film Olso, August 31st

Coming Soon Gallery of on set images from Terrence Malick's Lawless starring The Driver and That Girl With the Tattoo. Now that Malick is making movies as fast as say, Martin Scorsese (Allen & Eastwood's clip will thankfully remain out of reach... that speed doesn't do many people favors), that 20 year gap between Days of Heaven and The Thin Red Line is looking ever more perplexing.
Tom Shone thoughts on Leonardo DiCaprio and a top ten. It's odd that I disagreed so much with the content of the article but apart from the weird preferencing of Blood Diamond, I totally get the top ten choices.
MNPP Jake Gyllenhaal on the subway. Stars... they're just like us!
Flickr awesome gallery of "the end" onscreen 
In Contention will be there for a Vanessa Redgrave AMPAS tribute in London next week 
Oh No They Didn't 13 Movie Poster trends from the legs spread stance, to floating heads in clouds threw sexy backs holding weaponry. 

Finally...

That's the Hunger Games cast doing one of those Vanity Fair shoots that make everyone look All American Rising Star Sun Dappled Models in the Great Outdoors. Doesn't it bother anyone that the movie is all about these people killing each other and yet it's like "yay, the cool kids. you could be their friend, too!"

Theater Decor, Movie Prices, "Anonymous" Costumes

On my way home from morning appointments I usually slip into movie theaters to see if anyone has a matinee showing that piques my interest. Though I get my share of press screenings and screeners, I love to see movies in regular release. There was a Margin Call showing at the perfect time at the gorgeous new Elinor Bunin Munroe theater at Lincoln Center but -- argh -- they don't offer matinee pricing and I just don't do full price in the morning. We can only control so many things about the egregious costs of living and one of them for me is that I do not pay full price if I see a movie in the morning. You gotta draw the line somewhere since movie theaters seem to raise their prices at least twice a year. (Do any of you get raises twice a year? Show of hands? Nobody?! Why do movie theaters keep raising their prices?!)

So I stopped at my the Loew's Lincoln Square which does offer matinee $ but nothing at the time I needed and last time I bought a ticket merely as time filler I suffered mightily for it. But I was amused to see this costume display for Anonymous when I entered the lobby since I had just been talking to the director (the aforementioned morning appointment) and was carrying an Anonymous book under my arml the movie was suddenly enveloping me. T'was inescapable! 

The film's costume design is by Lisy Christi, who is best known for doing Michael Haneke pictures. (Quite a leap to Roland Emmerich, aesthetic-wise, eh?)  Oscar loves this time period (the movie stretches from 1560 to 1603) so could the costume branch be interested? Maybe this will be the third Roland Emmerich movie to win nominations? His movies generally make a mint at the box office but only The Patriot (2000) and Independence Day (1996) have previously entered the Oscar conversation.

At the very least it won't hurt that Vanessa Redgrave is playing Oscar's all-time favorite royal. Didn't Andy Warhol once say 'In the future every actress will be famous for playing Queen Elizabeth for 15 minutes.' ???

Enough of my silly babbling. Your turn! Any interest in Shakespeare conspiracy theaters? Does your movie theater dress things up with displays? And do you love starting your day with a cheap matinee show? 

London: "Coriolanus", NYC, and an Oscar reject

David here with another report from the London Film Festival. First up, a Shakespeare adaptation with even more pedigree than usual.

"Anger is my meat. I sup upon myself." So proclaims Volumnia (Vanessa Redgrave) halfway through Ralph Fiennes' directorial debut Coriolanus. In person at the press conference, the raggedly bearded Fiennes' couldn't be more affable, but Caius Martius Coriolanus (Fiennes, following Olivier and Branagh by directing himself in a Shakespearian lead) lives, and perhaps fosters, a world of fearsome aggression. In both the narrative and the extra-filmic reality of the cast, the hierarchy makes itself apparent: as Redgrave powers her way through her titanic final monologue, her terribly veined neck strained upwards as she spits and crows at Fiennes, she burns through Fiennes' schizophrenic celluloid, a scorch mark on a scuffed rug. Redgrave outacts everyone in sight because Shakespearean dialogue is part of her bloodstream, but also because she is so precise in how much of herself she commits to each moment. Redgrave's vibrant poise and direct anger are graciously straightforward without compromising on character depth.

The remainder of Coriolanus cannot be gifted with such lavish praise.

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Beauty Break: Vanessa Redgrave, Bewitching in Any Season

♪ if i ever i would leave you
how could it be in springtime?
knowing how in Spring, I'm bewitched by you so?
oh, no, not in Springtime...

Summer...

Winter...

...or Fall 

No never would I leave you.... at all ♫.

Sigh.

So excited to see Vanessa again in Coriolanus, aren't you? And potentially at the Oscars?

Just recently I was suddenly remembering how perfect she's been in virtually all the seasons of her career. I love her in Camelot (1967) but mostly for her gorgeousity and because the Arthurian Legends have bewitched me since I was a kid. My favorite Vanessa performances are off the top of my head..

1. If These Walls Could Talk 2 (2000)
2. Julia (1977 -Oscar win)
3. The Devils (1971) 

Share yours, please! Is it from the spring, summer, winter or fall of her career?