Cannes at Home: Day 2 – Of Mothers and their Children

by Cláudio Alves

The second day of Cannes saw the start of the competition screenings, with Hirokazu Kore-eda and Catherine Corsini leading the pack. Though The Film Experience's writer at the festival, Elisa Giudici, wasn't convinced by the Japanese master's latest effort, Monster has been met with critical support. Nothing comparable to the reception of his Palme d'Or-winning Shoplifters, but still encouraging. As for Corsini, her Homecoming has caused controversy because of a sex scene featuring underage actors, which the director admits she'd approach differently in the future, citing the need for intimacy coaches. A masturbation scene was also eventually cut from the film after it cost production funding from France's National Cinema Centre.

Looking back at these auteur's past works, let's choose to remember less divisive fare. In both cases, familial bonds are at the forefront, tales of mothers and their children lost in dysfunction. They are Kore-eda's Nobody Knows, and Corsini's An Impossible Love…

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Review: Virginie Efira is miraculous in "Other People's Children"

by Cláudio Alves

Watching Rebecca Zlotowski's Other People's Children, I was reminded of a discussion I once had with a professor. Despite the class focusing on theater, we talked about cinema and what stories deserve to have the camera pointed at them. In short, we debated the merits of dramatizing ordinary people. For me, there's plenty of interest in exploring individuals whose lives are entirely un-dramatic, maybe even anti-dramatic. Great art can be created by investigating the complexities of the simplest-seeming experiences. Just because something appears anodyne or common doesn't mean there aren't beguiling specificities or that we should be above it. My professor disagreed.

At the time, a great deal of the conversation centered around the films of Chantal Akerman, but Zlotowski's latest effort feels like an up-to-date if more conventional, example. Indeed, I imagine my former pedagogue would hate the thing if he ever set eyes on Other People's Children…

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France chooses 5 finalists for the coveted Oscar submission

by Nathaniel R

France is the most-nominated country of all time in the Best International Feature Film Oscar race. What's more their tally is so impressive it will be probably be several decades before anyone catches up (IF that ever happens). Though they don't lead in winners (Italy holds that distinction) they haven't ever had a true slump of being passed over for nominations* so they're always crucial to watch. Consider the crazy impressive stats. They are the only country to submit to each and every Oscar race in this category. Their total honors include 38 nominations, 9 wins, and 3 additional finalists from 67 submissions. Before this became a competitive category in 1956, they won 3 Honorary Awards.

What will they select this year? The Centre national du cinéma et de l'image animée, the agency responsible for choosing France's submission has named five finalists, all but one of which are from female directors. Here's a little detail on each film (if the title is linked it goes to our festival coverage)...

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Venice Diary #5 - L'Immensità, Other People's Children, Padre Pio, Love Life

by Elisa Giudici

Today we have on our menù four movies so different one for the other there's no point in trying to find common ground or a theme. Let’s begin with the surprising and very good Penélope Cruz film... 

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Venice Gowns '22, Round 3

Belgian goddess Virginie Efira (at Venice for Other People's Children) and French icon Isabelle Huppert (presenting Le Syndicaliste) often exude sexual danger onscreen, but only Huppert opted for murder weapons as heels (look at those!). Efira went with a non-dangerous but gorgeous carmine velvet dress. Spain's movie queen Penelope Cruz hit Venice to promote her new Italian film L'Immensita and stunned as usual; truly one of the bonafide MOVIE STARS of our era. American actresses Hong Chau, Sadie Sink (both promoting The Whale), Patricia Clarkson (Monica), ad Britich actresses Jodie Turner-Smith (who is at every red carpet event in Venice this year), and Mia Goth (promoting Pearl) complete today's red carpet lineup. 

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Round 1 - Jodie Turner-Smith, Catherine Deneuve, Julianne Moore, etc...
Round 2 - Timothée Chalamet, Tessa Thompson, Cate Blanchett, etc...