Willem Dafoe meets Julian Schnabel 'At Eternity's Gate'

by Murtada Elfadl

Willem Dafoe went 14 years between his first and second Oscar nominations, and 17 years between his second and third. But the star of Platoon (1986), Shadow of a Vampire (2000) and The Florida Project (2017) could immediately follow up that last nomination just a year later with his lead role as Vincent Van Gogh in Julian Schnabel’s At Eternity’s Gate...

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More Fall Festival Happenings!

Chris here with more news for the fall festivals! We're counting down the days until Nathaniel and I are in Toronto, and TIFF just announced all of their Canadian titles to be seen at the festival. Most notorious among them is the delayed Xavier Dolan film The Death and Life of John F. Donovan, which will be a world premiere. Producers had previously noted that the film would be likely for the fall fests, but it's post-production woes made those comments a bit in flux. Regardless, we are very curious to see Dolan's first English language effort and his bursting cast that includes Jacob Tremblay, Natalie Portman, and Kit Harrington (but not Jessica Chastain, left to the cutting room floor).

Another noteworthy announcement is that the New York Film Festival has chosen its closing film: Julian Schnabel's Venice-bound Van Gogh biopic starring Willem Dafoe At Eternity's Gate. The film joins that fest's opening night The Favourite and centerpiece Roma, which will each play other festivals. It had been unclear in the past few months if the film would be released in time for the 20189 Oscar season but CBS films looks to open the film in November. Can we bank on Dafoe as one of our Best Actor sure things this year? And could Schnabel return after The Diving Bell and the Butterfly got so close to Oscar?

Beauty Break: He is Risen

Did you love Jesus Christ Superstar Live!? John Legend was in spectacular voice as Jesus and kudos also to Tony nominee (and one of my favorite Broadway stars) Norm Lewis as Caiaphas. But the scene stealer of the night was Tony nominee Brandon Victor Dixon who stole the show as Judas Iscariot. He was a glittering reminder, particularly in disco chainmail in the closing fantasy sequence (since Judas had already committed suicide), that live performing is a unique skill set. Imagine your average movie star trying to keep up that much physical and emotional energy for two plus hours while leaping around a stage and singing at the top of their lungs. If anything Dixon's energy only grew as the night wore on. Just stunning. (I'm not talking about his body, but that too.)  

Though Jesus Christ Superstar! was in some ways an odd dated musical choice for a mainstream family event (it's not remotely 'funny' for one)  it was the best produced "Live" musical since that became an annual thing. The set design and direction were amazing, culminating in a major wow of a finale. Still don't love the Andrew Lloyd Webber score and can't fathom why people doing the orchestrations for Lloyd Webber revivals never think to subvert the oh-so-70s electric guitar sound (also a weird issue with the 1996 Evita movie) but you can't have everything.

Since this particular production had all kinds of gorgeous men in fine voice and equally fine body, let's end this Easter weekend sharing photos of the hottest men to have ever played Jesus in the movies or on television before John Legend's go at it. The gallery is after the jump...

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The Flesh is Weak: Body of Evidence at 25

 by Seán McGovern

Madonna is a lot of things: Singer. Mother. Grammy Winner. Cosmetics Magnate. She is also a “movie killer”. But Body of Evidence, which turns 25 this week, is not entirely her fault. Nor, sadly, is it camp enough, ludicrous enough or, really, bad enough for the opinion of it to have changed after all these years.

Body of Evidence arrived at a particular nexus of Madonna's career. Riding on the wave of Like A Prayer, pushing boundaries with the Blonde Ambition Tour and the exuberant Truth or Dare, Madonna's imperial phase began to dip with her boundary-pushing take on sex and erotica; namely, SEX and Erotica. While Madonna would remain unapologetic, Body of Evidence, and the accompanying explicit period in career concluded with one of the most consistent criticisms of Madonna: rigid-perfectionism and managed-spontaneity...

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Does Woody Harrelson spell trouble for Willem Dafoe?

by Nathaniel R

A police chief and a hotel manager, both overwhelmed and sympathetic and arguably the moral center of their movies.

It's been a long time since we had a double-nomination situation in Best Supporting Actor. The last time it happened was 26 years ago when Ben Kingsley and Harvey Keitel were nominated together for Bugsy (1991) - a curious event since Keitel was so much stronger in another Oscar nominated classic from that year. Given the rise of Woody Harrelson with that Screen Actor's Guild nomination and the overall assumed strength of Three Billboards outside Ebbing, Missouri in the Best Picture race, it could well happen again. His co-star Sam Rockwell, already felt locked and loaded for the same movie in a (somewhat) larger part. 

But does this spell trouble for Willem Dafoe in The Florida Project? Consensus was beginning to form that Dafoe, who became famous in the mid 80s and has worked ever since, would easily walk away with the Oscar this year...

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