The Film Experience™ was created by Nathaniel R. All material herein is written by our team. (This site is not for profit but for an expression of love for cinema & adjacent artforms.)
Willem Dafoe plays Vincent van Gogh in At Eternity’s Gate, director Julian Schnabel’s film about the last year in the life of the great Dutch painter. And Dafoe’s delivers a magnificent performance here: his face is the canvas of the film, in all its agony and ecstasy.
Schnabel, a painter himself who made the stunning films Before Night Falls and The Diving Bell and the Butterfly, gives us a deeply detailed movie of a painter by a painter. The mechanics of landscape and portrait painting, the walks to the viewpoints, the tools, and the intimacy with the subject all become the fabric of this movie. Schnabel’s attention to these subtleties establish his credibility and give the movie real texture...
If current predictions hold we're looking at quite an exciting Best Actor shortlist: Bradley Cooper, Willem Dafoe, Ryan Gosling, Ethan Hawke, and Viggo Mortensen. They've all been nominated multiple times for their acting but have yet to win. Since they're all hugely talented, it's basically a win-win scenario on Oscar night no matter who wins, really! At least that's how it feels at this current moment looking at the grid.
Of course it's only September and things could definitely change. Things could definitely change in the name of Christian Bale as Vice Dick Cheney. Check out the revised chart with new photos, new ranking, new text. Thoughts?
Willem Dafoe went 14 years between his first and second Oscar nominations, and 17 years between his second and third. But the star of Platoon (1986), Shadow of a Vampire (2000) and The Florida Project (2017) could immediately follow up that last nomination just a year later with his lead role as Vincent Van Gogh in Julian Schnabel’s At Eternity’s Gate...
Chris here with more news for the fall festivals! We're counting down the days until Nathaniel and I are in Toronto, and TIFF just announced all of their Canadian titles to be seen at the festival. Most notorious among them is the delayed Xavier Dolan film The Death and Life of John F. Donovan, which will be a world premiere. Producers had previously noted that the film would be likely for the fall fests, but it's post-production woes made those comments a bit in flux. Regardless, we are very curious to see Dolan's first English language effort and his bursting cast that includes Jacob Tremblay, Natalie Portman, and Kit Harrington (but not Jessica Chastain, left to the cutting room floor).
Another noteworthy announcement is that the New York Film Festival has chosen its closing film: Julian Schnabel's Venice-bound Van Gogh biopic starring Willem Dafoe At Eternity's Gate. The film joins that fest's opening night The Favourite and centerpiece Roma, which will each play other festivals. It had been unclear in the past few months if the film would be released in time for the 20189 Oscar season but CBS films looks to open the film in November. Can we bank on Dafoe as one of our Best Actor sure things this year? And could Schnabel return after The Diving Bell and the Butterfly got so close to Oscar?
Did you love Jesus Christ Superstar Live!? John Legend was in spectacular voice as Jesus and kudos also to Tony nominee (and one of my favorite Broadway stars) Norm Lewis as Caiaphas. But the scene stealer of the night was Tony nominee Brandon Victor Dixon who stole the show as Judas Iscariot. He was a glittering reminder, particularly in disco chainmail in the closing fantasy sequence (since Judas had already committed suicide), that live performing is a unique skill set. Imagine your average movie star trying to keep up that much physical and emotional energy for two plus hours while leaping around a stage and singing at the top of their lungs. If anything Dixon's energy only grew as the night wore on. Just stunning. (I'm not talking about his body, but that too.)
Though Jesus Christ Superstar! was in some ways an odd dated musical choice for a mainstream family event (it's not remotely 'funny' for one) it was the best produced "Live" musical since that became an annual thing. The set design and direction were amazing, culminating in a major wow of a finale. Still don't love the Andrew Lloyd Webber score and can't fathom why people doing the orchestrations for Lloyd Webber revivals never think to subvert the oh-so-70s electric guitar sound (also a weird issue with the 1996 Evita movie) but you can't have everything.
Since this particular production had all kinds of gorgeous men in fine voice and equally fine body, let's end this Easter weekend sharing photos of the hottest men to have ever played Jesus in the movies or on television before John Legend's go at it. The gallery is after the jump...