Box Office: Crushed Cars, Ascendant Woody and Global Hits

We won't waste too much time on the American box office today as it's the usual stories: an animated film tops the charts (don't make me say the name), Bridesmaid barely dipped and Midnight in Paris is zooming up the "all time Woody Allen lists". On this last bit I wish we had "adjusted for inflation" charts at the ready. Those inevitable stories about it passing Hannah and Her Sisters at the box office are going to be annoying because $40 million in 1986 is a helluva lot more ticket-buying action than $41 million in 2011, you know? I'm guessing that Annie Hall, which really captured mainstream attention, would reign supreme if you adjusted for inflation. [updated: yep, ANNIE HALL is #1]

And yes I normally do a new drawing for the box office but I hate drawing cars and the only picture I'd like to conjure in that realm is Cars 2's "Mater" squished flat in a compactor.

U.S. Box-Office (Actuals)
figures via box office mojo

01 CARS 2 new $66.1 
02 BAD TEACHER new $31.6 
03 GREEN LANTERN $18 [review] (cum. $88.9)
04 SUPER 8 $12 [thoughts] (cum. $95.1)
05 MR POPPER'S PENGUINS  $10.1 (cum. $39.2)

the rest of the top twelve are now losing screens... 
X-MEN FIRST CLASS $6.6 [review, top ten X] THE HANGOVER PT II $5.5, BRIDESMAIDS $5.2, PIRATES OF THE CARIBBEAN: ON STRANGER TIDES $4.9 [review], KUNG FU PANDA 2 $4.1, MIDNIGHT IN PARIS $4.1 [podcast] and TREE OF LIFE $1.3 [overheard & thoughts]

Worldwide Action
It's all about the 4th Pirates film worldwide unfortunately, reminding us that the US hardly has the strangehold on lemming-like sequel culture. Johnny Depp on loop nears another 1 billion gross. Crazine$$.

But let's talk about movies that never get any attention on movie blogs!
I looked at the global charts at box office mojo and thought it was worth sharing. Here are the top grossers that aren't Hollywood for 2011 (Please note: Bollywood does not give figures to B.O.M. so who knows with those films)

2011's Top Grossers (Non-English Language)

01 Hankyu densha 
This Japanese film is based on a best-selling novel about intersecting lives (it uses a public transport line as connecting backdrop). Starring Miki Nakatani and Erika Toda. It's nearly as big a hit as, say, Rango across the ocean but it's Japan only thus far. [Trailer]
02 Rien à déclarer (Nothing to Declare)
Directed and written by and stars (whew) Dany Boon who you might remember as the lead actor from last year's chaotic farce Mic-Macs (which was from Amélie's director). It's a comedy about customs officers during the elimination of the French-Belgium border in the 1990s. This is a bigger hit than True Grit or No Strings Attached overseas and has distributors in various markets but nothing for the US as far as I can tell. 
03 Che bella giornata (What a Beautiful Day)
A very complicated sounding comedy starring Checco Zalone (who also co-wrote the movie) as a security officer in Italy who gets mixed up with an Arabic girl posing as a French woman. Italy only thus far. [Official Site]

04 Kokowääh
German star Til Schweiger (Inglourious Basterds) co-wrote this family comedy and co-stars with his daughter. Warner Bros handled the very very successful German release. Will we see it... or some English language remake here?
05 SP The Motion Picture
Japanese film about Security Police that's based on a TV series.
06 Gantz
A genre film about two teenagers played by Ken'ichi Matsuyama and Kazunari Ninomiya hunting and killing aliens. This one has distributors in some European countries in addition to Asia but the only US plans (at the moment) is a spot in the New York Asian Film Festival which is just about to start (July 1st). 

Here's the trailer for the festival as a whole (cute). If you're in NYC are you seeing anything?

After that in the global charts when its not Hollywood films it's mostly Asian films (they have their own strong markets) but there's one film in particular that our actress-loving heart is thumping for longingly. That's Les Femmes du 6ème étage (Service Entrance) which is a French film about Spanish maids from director Jean-Philippe LeGuay. The Spanish cast includes Carmen Maura and Lola Dueñas (Volver reunion alert!) as the help and Fabrice Luchini and Sandrine Kiberlain as conservative wealthy French employers.

Service Entrance

Strand Releasing has US distribution rights but given that the film is the 79th most popular overseas for 2011 with a $15 million gross (thus far), we hope it gets a hearty US push.

Do you like hearing about foreign hits or did your eyes just glaze over?

Podcast: "Midnight in Paris" and Oscar's New Rules

Since I never officially reviewed Woody Allen's Midnight in Paris, I thought we'd have to at least cover it in discussion form. So for the newest podcast, Kurt from Your Movie Buddy and first-time guest Mark Blankenship from The Criticial Condition joined me to discuss Woody Allen's biggest hit in some time as well as Oscar's new "up to 10 nominees for Best Picture" ruling, which I recently discussed with Katey for her Kino Katey podcast.

But, you know, we can't ever shut up about Oscar, can we?

Other topics: Best Original Song and first and favorite Woody Allen pictures seen. Two articles that you might want to read that we mention are Fandor's list of movies about movies and Mark's investigation of the 1980s in the Best Original Song category.

As always please join the conversation in the comments.

PODCAST: Midnight in Paris

No hay banda. No hay linka.

Twitch What's this? What's this? David Lynch may be prepping a "Club Silencio" to open in Paris. Mullholland Dr. lives on and on.
My New Plaid Pants defaces the Larry Crowne poster. I'd see this imaginary movie and I'm not even a horror fan.
Cineuropa Apichatpong Weerathesakul will head the Horizons Jury at this year's Venice Film Festival. More details at the link
Hollywood Wire Tap wait... now it might be David O. Russell directing Angelina Jolie for Maleficent? I can't keep up. This is why I ignore the rumormill. Better to concentrate on actual films.
MTV Madonna finally returning to the recording studio.
The Wrap Avi Arad talks about producer Laura Ziskin (RIP)

Two Videos
Filmdrunk explores "Woody Allen Surrogates" with this video.

A Retrospective of Woody Allen Surrogates from FilmDrunkDotCom on Vimeo.

And this Green Lantern news bit from The Onion made me giggle. Especially the movie posters "[pictured above]", the franchise sequel plans and this Ryan Reynolds quote.

'Green Lantern' To Fulfill America's Wish To See Lantern-Based Characters On Big Screen

I've been a Green Lantern fan every since I was told I would be the person starring in the Green Lantern movie so this is a thing come true for me.

LOL.

Finally... if you can't gather enough opinions about the Oscar Best Picture Shift to sate your lust for all things shiny, naked and gold here are more reactions on the Latest Oscar Rule Shift (already discussed right here)  from Peter Knegt (super con and then mixed), Kris Tapley (very pro), Sasha Stone (con -- she liked the ten) and Stu Van Airsdale (pro with a dose of 'so what? there are larger problems')

Box Office: Mutant Powers Revealed!

It's "Mutant Week" -- I'm into weekly themes this summer (any requests?) so deal with it! --  so this post will be illustrated by the previously unrevealed superpowers of famous people.

Like...

The Box Office (Actuals)
Class was in session for select homosuperiors and their homosapien fans this weekend in Westchester New York as Charles Xavier finally opened his School For Gifted Youngsters. But what people were talking about as they left the theater was Michael Fassbender as Magneto. And/or his chemistry with James McAvoy which is quite something. We'll call them "Double Thespian" Their mutant power --wonder twins activate --  is to make you believe that the movie you're watching is twice as good as it actually is!

We're feeling a bit stingy about having to share Fassy with the world now but happy for his success. It will all be worth it if this means he can make as many Fish Tanks and Hungers and Jane Eyres as he wants to, and maybe a few more people will show up to them, now.

01 X-MEN FIRST CLASS new $55.1 [review]
02 THE HANGOVER PT. 2  $31.3 (cumulative $185.8)
03 KUNG FU PANDA 2 $23.8 (cumulative $100)
04 PIRATES OF THE CARIBBEAN: ON STRANGER TIDES $17.9 (cumulative $190.2) [review]
05 BRIDESMAIDS $12 (cumulative $107.1)
06 THOR $4.2 (cumulative $169.1) [review]
07 FAST FIVE  $3.1 (cumulative $201.9)
08 MIDNIGHT IN PARIS $2.7 (cumulative $6.7)

other new(ish) stuff
13 TREE OF LIFE $618,000 (on 20 screens cumulative $1.2 million)
27 BEGINNERS $135,000 (on 5 screens) [review]
-- SUBMARINE $41,800 (on 4 screens)
-- BEAUTIFUL BOY $16,100 (on 4 screens)

The Talking Points: Woody Allen and Terrence Malick continue to have high per screen averages courtesy of their devoted fanbases and the critically-driven curiousity factor; Bridesmaids, which just crossed the magic $100 million mark, continues to hold steady, while the movies around it plummet 50% or more in attendance each week; Fast Five will lose its #1 movie of '11 bragging rights this week when Pirates surpasses it; Thor recently surpassed the original X-Men (2000) in grosses but it's no longer mighty (losing theaters now) which might leave it stranded ignobly on the Marvel superhero charts as "less" popular than a movie almost everyone hates (X-Men Origins: Wolverine).

What did YOU see over the weekend? Which mutant powers do you think the movie stars currently in theaters have?



Oscar June Predix Update. What We Know Now...

... can fit into a thimble or a wee baby's hand. Sometimes by May's end one or two fairly-sure things have become clear, but the closest we have to that, still, is Rango in the animated film department. Old news.

What did the Month of May teach us suggest to us?

1. The Weinsteins, who finally won their first post-Miramax "Best Picture"  with The King's Speech, will not likely be satiated by that triumph. It'll just make them hungry for another. They have been beefing up their competitive slate. They either have faith in both Phyllida Lloyd's Thatcher bio The Iron Lady (which sounds typically "prestige" enough for Oscar play, even if it turns out dull) and the crowdpleaser The Artist (which sounds accessible enough for Oscar play, despite being a silent film) or they didn't want anyone else to have one or both of them. You never know with them. And you won't know till the last minute; the Weinsteins are notoriously patient about waiting it out, either because they like to see what the awards air is like, or just because they believe more strongly in the "ONLY DECEMBER!" Oscar strategy than any other distributor. We'll find out more about their plan towards the end of the year. 

2. Cannes elevated the intriguing possibility of Kirsten Dunst Best Actress traction for Melancholia -- something we've long hoped for for one of our favorite actresses -- but what's yet more delicious than her Cannes win is the myriad ways this could play out with a complicated mix of voting factors (actual high quality performance, off-performance sympathy votes, career comeback of sorts, Lars von Trier's unpredictable track record in US distribution); Those moviegoers who love to follow the politics of Oscar, not just the movies, are bound to enjoy this particular story as it unfolds. 

3. The warm reception for Midnight in Paris raised the distinct possibility that Woody Allen could see his 15th Best Original Screenplay nomination. Pundits, including myself, have regularly sold the idea that Mr Allen is always a threat in the Original Screenplay category but in truth, that "always" is quite an overestimation given that he hasn't been a  "regular" since the 90s. (He only received one nomination in the Aughts making him less an always then a 10% kinda guy these days). He didn't even get much Oscar traction for Vicky Cristina Barcelona despite a Golden Globe  Picture win and an eventual Oscar for Penélope Cruz. But Midnight, might be a different story. Firstly, there's no individual performance that awards bodies can latch on to -- the showiest work is done by the people with the teeniest parts -- and if anyone reaps the benefits of the love for the film, it'll be Allen himself. Midnight is quite light on its feet despite a theme with melancholy resonance, and it's performing well at the box office. As The Film Experience has always maintained, Oscar voters tastes are basically a figurative amalgam of critics + moviegoers + media; if those three groups like something (even if they do so for entirely different reasons), Oscar will join them.

4. I'm not sure what we know about The Tree of Life. I feel lost here. At first one heard "mixed reviews" than it won the "Palme D'Or" and then it opened. It's been a whirlwind of activity. If the random stories of older audiences walking out are true -- can one ever trust "stories" about certain demographics loving or hating any film? Said stories always seem rife with possible agendas and/or horse's mouth biases -- than it might be dead in the water for Oscar. BUT. It just opened. Let's see how it plays as it expands. If Malick teaches us anything he teaches us patience, right? See you at his next film in 2019! (I'm kidding. Supposedly the next film has already completed shooting... but I'll believe back-to-back Malick releases when they happen and no sooner.)

5. My guess is that Pirates of the Caribbean bombed too badly with critics to win it much heat in the technical categories where it's previously done fairly well for itself. Thor wasn't a big enough deal financially and in the passion-meter of its fans to score any technicals (though it's worth noting that its production designer Bo Welch is an Academy favorite), so the next two superhero tests are X-Men First Class and Green Lantern. For some possibly silly reason, I've convinced myself that it's Captain America that might get the tech nods that you know at least one of the comic book films will win.

Eventually comic book films will invade Oscar. Though it seems improbable now it's a matter of percentages. As more and more of them get made, Oscar will have less and less ways to avoid them.

Here's something we don't know...

What the hell is going on with The Eye of the Storm? It's one of those titles, an adaptation of a novel, that I only discovered in researching potential Oscar players (and talking in the comments to you!) but I never hear a peep about it in terms of "official" anything. Nevertheless it looks promising and actressy, and maybe Geoffrey Rush's post-Speech heat and general hammy deliciousness (to AMPAS palettes at least) can help it out? I've tried everything I could think of to embed the teaser (everything I could think of = copy and paste) but nothing works so you'll have to go to Twitch to see it.

Fly away, pigeon. Just say your farewell and go.

Dying Charlotte Rampling theatrically dismissing bitchy Judy Davis is my new two second obsession. Enjoy it with me!

UPDATED OSCAR PREDICTIONS ALL CATEGORIES
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