Tweetweek: Cliff Top Screenings, 100 Acre Wood realizations

Have you ever rapelled down a cliff or climbed up one? I've only down the former (so fun) but I applaud anyone who went to this screening... "What a thrill" (said in Marcia Gay Harden Oscar winning voice). Lots more after the jump...

2,000 feet, 2,000 people, 4 hours of hiking. The most impossible screening of #MissionImpossible Fallout. Thank you all for coming! I wish I could have been there. pic.twitter.com/ufi1FkP6KI

— Tom Cruise (@TomCruise) August 2, 2018

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Interview: Desiree Akhavan on Queer Desire, Americana and One Scary Mustache

by Murtada Elfadl

The Miseducation of Cameron Post takes place in the 90s and is about a young queer woman who is sent to a gay conversion center after getting caught having sex with the prom queen at her high school. Once there she bonds with her fellow “inmates” (played by American Honey’s Sasha Lane and The Revenant’s Forrest Goodluck among others). She is forced to contend with the strict brother and sister team (Jennifer Ehle and John Gallagher Jr) who run the center and pretend they can "cure" her. The film is based on a novel by Emily M. Danforth and was adapted for the screen and directed by Desiree Akhavan (Appropriate Behavior). It won the Grand Jury Prize at this year’s Sundance and has been making the festival rounds since January. We recently spoke with Akhavan in New York as she geared up for the film's release. The interview has been edited and condensed for clarity.

Murtada Elfadl: The book is longer and has much more detail, how did you arrive at the story for your film?

Desiree Akhavan: I always knew that I only wanted to focus on the last 200 pages; Cameron's time at God’s Promise. I think that when adapting a book it’s about whittling down for yourself what the kernel of inspiration is. What you loved about it and wanted to translate to the screen. And what you think you tangibly can translate into a different medium. To me that was the tone. My co-writer and I were always working in service to maintaining that tone... 

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Happy Birthday to Shu Qi's Cat

Shu Qi just held a fifth birthday party for her cat, MayMay. Sang to him and everything. Your favs could never. 

Mission Accomplished: Ranking the Mission Impossible Series

By Spencer Coile 

Anytime the latest entry in an action movie franchise is released, it is celebrated as 'the best' in the series. No film series has better exemplified this than the Mission Impossible franchise. What makes this series particularly special is that it set the standard for filmed reboots of classic television shows. It may not have been the first, but it certainly is the most consistent. Perhaps most importantly, it knows when to take a break. 

The release of Mission: Impossible – Fallout is a clever reminder in the age of comic book adaptations arriving every month that Ethan Hunt (Tom Cruise) will always be there to save the day. But how exactly has the series evolved over time? And is Fallout actually the best in the series thus far?

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Cabaret Pt 3: 'From cradle to tomb...'

Occasionally Team Experience will take a classic movie and pass it around for a deep dive. This week Cabaret (1972) which is currently streaming on Filmstruck. But if you're in NYC don't miss your chance to see it in an actual movie theater at the newly renovated gorgeous Quad Cinema.

In Part One, Nathaniel investigated the way the musical's major players are introduced at the cliff end of the Weimar Era in Germany.

In Part Two, Dancin' Dan watched as two couples (Brian & Sally, Fritz & Natalia) fell in love and lust and into "money!". It makes the world go round. When we left off, Brian and Sally's new lover, a rich baron, has taken Brian out to lunch when a song interrupts their not-so-innocent idyll. - Editor

Part 3 by Chris Feil

1:18:16 - Out of nowhere, we hear a tenor breaking into the nationalist anthem “Tomorrow Belongs to Me”. We pan from his angelic face to see his Nazi uniform, realizing we've fallen into a musical number that is about to be a harsh reality in more ways than one.

It matters that “Tomorrow Belongs to Me” is a very different kind of song than what we have been given thus far, and the only number outside of the cabaret. Entirely without nuance, a straight-shooting melody that purposefully tries to pull you into its grip as we watch in horror while its grim subtext shows itself...

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