In Case You Missed The Gothams...

vous m'aimeChris here. Did you catch the Gotham Awards last night? The ceremony is always streams online for easy access - this year on Facebook to glitchy results. It always serves a spunky start thanks to a lack of jadedness that the just beginning season will bring and the idiosyncratic results from separately juried categories.

However, this year those juries were almost unanimous in their love for Barry Jenkins's Moonlight...

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What did you see over the holidays?

How did you spend Thanksgiving weekend? I watched Moana again with the honorary nieces, saw a preview of Things to Come (yet another Isabelle Huppert triumph) with cinephile friends and caught up with a screener or two. 

What did you see over the holiday weekend? The actual box office results are after the jump...

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Interview: Director David Schurmann on How 'Little Secret' Became Brazil's Oscar Submission

Jose here. After a complicated, slightly controversial, submission process that saw several filmmakers remove their name from consideration, Brazil selected David Schurmann’s Little Secret as the film that would represent them at the 2016 Academy Awards. The real life drama is based on the life of Schurmann’s adoptive little sister, who went from anonymity to becoming one of the most notorious people in Brazil. Needless to say so this means that it takes an easy Google search to find out where the film goes and how some plot twists end (i.e. spoilers await). This is Schurmann’s first feature film, but not the first time he’s featured stories about his family in his work. The Schurmanns are famous in Brazil for their maritime adventures, as well as their books and documentaries. I spoke to David about working so close to his family, adding dramatic turns to reality and being part of the Oscar race.

So, here’s another less subtle spoiler warning before the full interview...

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Veronica Mars: Noir Hidden in Teen Angst

by Jorge Molina

The thing about noir is that, at its purest, most classic, most Maltese-Falcon-iest form, it’s a fairly recognizable genre. The character tropes are clear, the themes are evident, and the stylistic elements jump off the screen. For the most part, you know a film noir when you see one.

However, the more interesting members of the genre are those that won’t have a smoky detective office telling you that what you’re about to watch. They either subvert the learned expectations of the noir, or they hide them in original packaging...

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Beauty vs Beast: Love Bound

Jason from MNPP here back from turkey break and prepping a fresh "Beauty vs Beast" for y'all to feast upon. The Spanish provocateur Pedro Almodovar's latest film Julieta (which our pal Manuel reviewed right here via the New York Film Festival) opens in the U.S. in just a couple of weeks and so the Museum of Modern Art is celebrating all things Almodovar with a great big retrospective, starting tomorrow. The series runs through mid-December and they're showing pretty much everything he's made - don't miss out!

And so in turn for this week's "Beauty vs Beast" I'm asking you to look back to Almodovar's 1990 romantic comedy of kinky kidnapping, Tie Me Up! Tie Me Down! (aka ¡Átame!) and its rope-crossed lovers -- Ricky (Antonio Banderas), fresh off the psych ward, and Marina (Victoria Abril), the actress and recovered drug addict who finds herself on the receiving end of Ricky's deranged affections.

PREVIOUSLY Last week's contest between Gaston and The Beast from Disney's Beauty & the Beast went back and forth and back and forth between the two big strapping hairy-chested menfolk in belle's life for awhile, but in the end true romance won out - y'all softies - and The Beast took it home with 55% of your vote. Said Nick T:

"Kudos to Gaston for having such a great song, but The Beast is such a lovely character. Even if my memory of him is blurrier, it's still warm."