First Round Oscar Predix: Best Actress

The initial Oscar charts from this already rolling film year are nearing completion. Now it's time for our favorite category... BEST ACTRESS

from top left: jessisa chastain, juli, nicole, AMY ADAMS, Dame Mirren, The Swank, Anna Kendrick, Dame Maggie, Meryl, Jess again, Charlize, CATE, MICHELLE, REESE, ROSAMUND, Shailene, Marion, Mia, Melissa

If this doesn't get you talking, nothing will...

Coming out of Cannes, things don't look great for Marion Cotillard (who can't seem to win Cannes best actress or a second Oscar nomination despite numerous buzzy attempts at both) or Hilary Swank (The Homesman) but it's worth remembering that Oscar voters are a very different sort and voting in a very different climate than Cannes critics and jury members. Cannes is never the be all and end all for movies with big stars... or movies that fall closer to mainstream prestige than auteur prestige, if you know what I mean.

That said, the only thing Grace of Monaco might do for Nicole Kidman's Oscar chances is help her knock people's socks off unexpectedly if she's great in Queen of the Desert. Not that we know what kind of release that Werner Herzog biopic might get. And not that we should necessarily hope that Oscar keys in to Herzog since they've had trouble there before. 

As for our darling Julianne Moore, a Cannes win is a big deal for any actress but it is unfortunately free of Oscar boosts beyond bragging rights.

Julianne with her prize

What it does do -- which is not unimportant -- is open people's ideas to the fact that she's impressive in it and makes them more likely to engage and consider whatever it is she's doing in it. That can't hurt given that it's an outre role and the performance is considered excessively mannered by some. Even though the film and the role aren't exactly Oscar bait, anything is possible and after a 12 year absence from Oscar shortlists, it'd be wonderful to have her back and might require a shock to the system like this to accomplish.

Stay tuned.

my first wave predictions... 

The Darling Buds of May: Aunt May

May's end snuck up on us so quickly. We meant to do far more of these "May" characters. But here is abstew with one final tribute to a darling bud named May...

Full Name: May Parker aka "Aunt May" The complete name of the Aunt May from the comics is May Reilly Parker-Jameson (she later marries the father of The Daily Bugle's J. Jonah Jameson)

Film She Starred In: Although Aunt May has appeared in all of the recent Spider-Man big screen ventures of the past 12 years (5 and counting), let's focus on the first, Sam Raimi's 2002 film, simply named, Spider-Man.

Played By: Acclaimed British actress Rosemary Harris brings this Aunt May to life. Adding some gravitas to the film, Harris studied at the famed Royal Academy of Dramatic Art and is a nine-time Tony Award nominee (winning in 1966 for The Lion in Winter) and an Academy Award nominee for Best Supporting Actress in 1994's Tom & Viv. [More...]

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Two Quickies: How Green Was Maleficent's Valley?

How Green Was My Valley's Best Shot?
I did not forget and I'm grateful to the Best Shot participants who are so faithful and who turned theirs in on time. I fell too behind but here is my choice...

Since I can't choose "every shot of the main street" which John Ford and his cinematographer Arthur C Miller shoot in so many narratively compelling and beautiful ways with any and all the characters, I selected this one, which contains none of the main characters. Unless you stop to consider that the main character is actually the town and its people. This shot is so elegiac, like the coal miners are attending yet another funeral when it fact it's meant to be a celebratory moment. And they're actually outside the local bar... which is right next to the church...which is just down the hill from the coal mine. For all the film's sentiment -- something that threw me off the first time --  the emotional content isn't simplistic. It's generally both beautiful and barbed. The push and pull between nostalgic sentiment and brutal truth always works best in the film's silent-movie moments where no one is narrating and the dialogue is completely secondary to the images. The men look so defeated here, in prayer as they gather for a choral performance which also doubles as an impromptu depressing farewell for more fired miners, who are leaving the village behind.

Please join us next Tuesday night for Zorba the Greek (1964) -  Watch it and pick / post your best shot.

3. While You Wait For an Official Maleficent Review...
I haven't yet fully figured out my take on Maleficent. Maybe I won't? It keeps shapeshifting in my head.  Bird. Man. Dragon. Wolf. I know that many web critics can churn out 1000 words on something they saw 2 minutes ago and do it seemingly all the time. I envy them but a truth: I need more time than that to let movies percolate.  But I did manage to sift through a few of my feelings in this conversation with two movie people I adore: Mister Patches and Katey Rich on their podcast "Fighting in the War Room."

Have a listen and try out their wonderfully frequent podcast if you haven't already.

Oscar Quandaries: Original OR Adapted?

The Screenplay categories were not always as fluid as they are now and once adhered to very strict rules about a script's prior existence. Now, they let you get away with a little fudging which started in force a dozen years ago when Gangs of New York and My Big Fat Greek Wedding, which had spent all of their pre-release hype talking about being adapted from [insert fabulous thing here] were suddenly "originals" through complicated explanations once awards season was in sway and it became clear that the original category was infinitely less competitive. Since then much has changed and now previously established characters is a thing everyone does to fight for adapted (when it suits them) and the lines are really blurry.

ADAPTED OR ORIGINAL. EITHER COULD HAPPEN...

So here are four plus movies that seem like they're balancing on a wire between original and adapted. Which way will they fall? 

Bruce Wagner's Maps to the Stars screenplay was a screenplay first, then it became a novel ("Dead Stars") when the movie plans fell through. It's now a screenplay again for a David Cronenberg movie. So if the movie picks up steam once it's released and not just as a curio given Julianne Moore's Cannes win, who knows? In ye olden times this would clearly be Adapted because the old hard line was once 'Previously Published or Produced Material'... but now I'm not sure.

Wes Anderson's Grand Budapest Hotel is "inspired by" the writings of Stefan Zweig ... which might mean adapted but "inspired by" is also the excuse Gangs of New York used to change its campaign from adapted to original. So I'm guessing this is up in the air until Fox Searchlight really starts campaigning (and they should).

Werner Herzog's Queen of the Desert is based on the life story of Gertrud Bell but so far there are no books credited on IMDb or in articles about the film. Several books have been written about her. Is this a Milk situation where it will claim "original" despite vast reams of information to draw from written by others? And if so, is there anything wrong with that? Perhaps we need a third screenplay category for true stories that are adapted from a wide variety of sources. Other True Story This Might Apply To: Pawn Sacrifice another film about chess prodigy Bobby Fischer)

Damien Chazelle's music drama Whiplash, which has been very well received in the festival circuit, seems like the type of indie that could make waves in Original Screenplay. Only problem is it's technically adapted. It's based on Chazelle's own short film of the same name. This same situation occurred last year with Short Term 12. To date I'm not aware of anyone who tried to argue that adapting yourself is not a thing -- even Nia Vardalos, when Greek Wedding changed course argued that she'd written her comedy hit as a screenplay first before adapting it into a play so therefore it was an original (Bruce Wagner could argue the same this year for Maps to the Stars if he wants).

Under the old clear rules of "previously published or produced" you couldn't get around this even if you absolutely wrote the thing as a screenplay first but for the past 12 years these categories are more fluid and I wouldn't put it past some savvy strategist to claim original and basically negate the hypothetical 'can you adapt your own movie into a new movie?' question when it comes to these categories. 

SCREENPLAY CHARTS

Posterized: Angelina Jolie

A huge movie star in search of movies big enough to hold her - that's Angelina Jolie (currently gliding through Maleficent in her cape) though she doesn't actually search. The actress shot to global fame in the late 90s when the one-two punch of a Gia and Girl, Interrupted won her plentiful nominations and trophies and admirers of all kinds both for her sizzling sexuality, oversized screen presence, and cartoon-like beauty. But the filmography isn't so hot. It's filled with hit movies but an inarguable lack of classics; she's always bigger than the movie. 

How many have you seen?

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