Veronica Mars and the Case of 'What Is Cinematic'?
Monday, March 17, 2014 at 5:53PM
Glenn here to discuss Veronica Mars. Did you see it this weekend? Maybe you streamed it on demand or (like me) trekked to a cinema to see it on the big screen and watch the crowd collectively laugh at the exploits of Neptune, California’s best young private detective. Either way, I find it hard to believe that anybody who loved the series wouldn’t also find the film a whole bunch of fun. I know I did, and even if it does spend a lot of its time providing lip service to fans, given its Kickstarter origins there was never any hope for a Twin Peaks: Fire Walk with Me style reinvention, you know? Not at all.
Among those who admitted to not having seen the show prior to the film, many complained that it looked like a 100-minute extended 'very special episode' of a series. While it’s hard to argue that creator/director/writer Rob Thomas pushes the envelope for the new larger canvas, I almost feel like that's missing the point. But I find it interesting that many were calling into the question the notion of what makes something cinematic.
Veronica Mars 











