Welcome to the Academy!

Every time I see a grumpy post on the internet about how the Oscars don't matter or the Oscars are irrelevant or passe or [insert gripe here] my face contorts into a 'oh, that's cute' type of look, the one you might give the very naive if possibly well meaning transfer in your high school comedy.

I love her, she's like a Martian.

The Oscars have always mattered. The very fact that people can't stop bitching about them, for 80 some years now, suggests that they still very much do and always will. The Oscars have been synonymous with movie greatness for so many generations that whether or not any greatness is actually happening in their selections is the point of discussion. It's also why one wishes the governing body of AMPAS wouldn't act like such nervous jittery freshmen themselves, forever worrying about what they're wearing ('does this rule-change make me look fat?') and if they're listening to the right music ('no, yeah, i totally love that ____. Didn't you see my expanded BP playlist?!'') .

The Oscars are the cool table that everyone wants to sit at and 276 new kids (after the jump) have been invited to do just that.

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Cast This: Magic Mike 2

One year ago tomorrow Magic Mike opened to leggy box office becoming Channing Tatum's third $100+ million grosser of 2012, and the most definitive piece of his A List breakthrough.

He's still routinely asked about the proposed sequel Magic Mike 2 and he's still happy to answer questions about it. He's now claiming:

It will be a road trip movie, and it will essentially be the movie that everyone thought the first one was going to be—crazy and fun and less slice-of-life and less drama. The first one, we had to make not so cheesy and campy; this one we are going to swing for the fences"

I can't quite figure out how this works since (one year old spoiler alert!) Mike was tearing off his stripping lifestyle rather than his clothes at the end of the first film. Will Mike's journey of self-rediscovery magically involve realizing that 'gotting & flaunting it' weren't such bad life choices after all!?! Or will we get a new set of strippers? I'm hoping for the latter because -- and I mean this both artistically and literally and lustfully for the success of the franchise and my pants -- FRESH MEAT!

CAST THIS!
Let's pretend they don't get lazy and think part two of two but instead think long-term prospects with continually rotating cast and semi-annual strip-a-thons. If you were on scripting and casting couch duty, which characters would you keep and which actors would you be approaching for new roles?

Think realistically. Last time they used rising or underexploited TV and film actors with hot bodies, rather than fully fledged "stars" (apart from McConaughey who was still in Career Rehabilitation Mode and completely deserved the Oscar though he wasn't even nominated. CURSE THEM). So they aren't going to be all "Hey Brad & Clooney & Matt, join our little strip-a-thon! Ewan, learn to love getting naked again!" however badly you might like them to. Think unexpected but just right. Ready, Set, (Cue Music / Lights / Fog Machine)... Go!

Linky Together

The Awl has a good piece on the metaphorical zombies and in blockbuster cinema
My New Plaid Pants a delightfully unexpected list: 5 tertiary characters from Paul Thomas Anderson movies deserve their own spin-off. I totally forgot about Brad the Bartender with Braces in Magnolia!
Atlantic prompted by all the "legacy" talk of TV after James Gandolfini (RIP) & The Sopranos... "where is the female Tony Soprano?"
HitFix David Chases' full eulogy for James Gandolfini

Coming Soon Sir Ian McKellen has wrapped filming The Hobbit trilogy, never to return to Gandalf the Grey (or White)
In Contention's wondering about Foxcatcher in Sony's Oscar Hopeful slate
Hollywood Vin Diesel meeting with Marvel Studios. Hmmm, I can't really see him as any of the characters mentioned beyond Thanos 
Exploding Actresses on Tumblr. You will cry. Or laugh. Possibly both depending on the movie.
Antagony & Ecstasy has a well thought through piece on Joss Whedon's tossed-off Much Ado About Nothing

Today's Watch
Filmmaker IQ's John Hess on Aspect Ratio in cinema. 18 minutes long but well produced and worth it, if your understanding of Aspect Ratio is, like mine, limited to Almost Squares vs Various Shaped Rectangles and trivia knowledge of gimmicks like "Cinerama." Watch it, it's Edumucational!

The Changing Shape of Cinema: The History of Aspect Ratio from FilmmakerIQ.com on Vimeo.

Belated Tony
Filmsploitation Check out this wonderful photo and quote from cinematographer Christopher Doyle about set photography and the making of Wong Kar Wai's Happy Together (1997) which I had just been thinking of for no apparent reason (since I used a different photo for The Film Experience on Facebook... a page you should obviously "like", duh)

And while we're on the subject... Happy (belated) birthday to Tony Leung Chiu Wai (Lust Caution, In the Mood for Love, Hero), our favorite Asian movie star who celebrated his 51st yesterday. His wife Carina Lau posted this picture of him eating cake. 

You missed the thumb Tony. Let me get that for you...

An interview with Nick Davis, on "The Desiring-Image"

Tim here. Just in time for Gay Pride Month, sometime Film Experience contributor and generally terrific film writer Nick Davis had his very first book published, The Desiring-Image: Gilles Deleuze and Contemporary Queer Cinema. After having torn through my copy a little bit faster than the densely academic arguments necessarily deserved, I sat down with Nick to chat about some aspects of the book.

(Disclosure: not only are Nick and I friends, I make an appearance in the acknowledgements, as does Nathaniel, our host. But that’s why this isn’t a “review”)

Tim Brayton: Just to clarify: for you and for the book, “queer theory” and “queer cinema” is complementary to, but not necessarily the same as, gay and lesbian cinema.

Nick Davis: Yes. “Queer” both as a scholarly term, and a term that filmmakers are using for their work, is sort of bringing a more political edge to gay or lesbian or bisexual storylines, and doing so in such a way that it’s hard to talk about sexuality without also talking about other forces and other aspects of your social situation that impact who you relate to, how, what you know about yourself, whether you think you have a sexuality, or whether it’s something that changes or goes by another name.

TB: The book is an investigation into queer theory and the writing of Gilles Deleuze, using them to comment on each other. I gather that Deleuze is not somebody who crops up often in queer discussion very much, so what started you on this line of thought?

ND: Probably two moments...

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Contest: "The Heat" Prize Pack

The Heat opens in theaters everywhere on June 28th and 20th Century Fox is gifting 5 lucky TFE readers The Heat Prize Packs (US residents only this time. sorry) which include, a fan, a t-shirt, and a movie poster.

Various version of this poster have already stirred up some controversy for the weird slimming of Melissa McCarthy (um, people know what she looks like... and they like her like that!) so consider it a hot button keepsake. I'm seeing this Tuesday and excited because it seems like ideal counterprogramming in our global all boy all superhero summer crisis each year. Is it too much to hope for that it's as funny as Outrageous Fortune (1986) the female odd couple comedy that keeps coming to mind for me when I think of this one? (Though perhaps Miss Congeniality 2 is a better comparison)

How to enter after the jump

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