"The Irishman" isn't "The Irishman"

by Cláudio Alves

Martin Scorsese's latest magnum opus is an epic in most senses of the word. It's one of the master's most dense exercises, using biography as a vehicle to explore the great social transformations of post-war American Society. The Irishman is a portrait of Death as an ever-encroaching certainty, a treatise on the painful passage of time and a theatre of memory where the spiritedness of youth is curdled by the self-image of the old men who revisit it. 

That's heavy stuff but here's something lighter: As the film's very credits show, this gargantuan feat of cinema isn't called The Irishman at all…

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BIFA crowns Renée and "For Sama" makes history!

by Cláudio Alves

Renée's coming for that Oscar.The nitty-gritty of awards season is upon us. The same names and films are bound to be repeated over and over again until the high holy night of the Oscars. Thankfully, not all awards organizations follow the party line when it comes to rewarding cinematic excellence. In other words, not everyone wants to predict the Oscars. Some still have originality, a sense of variety and the desire to shine a light on films far from the Academy’s radar. Such is the case of the British Independent Film Awards, which were given out today in London.

However, as you can see by this piece's title, it’s not all out of left-field choices. Renée Zellweger just won her first big award for Judy and many more are sure to come. Even so, the biggest winner of the night is the sort of film that (as much as it saddens us) will probably never come close to a Best Picture Oscar. We’re talking about a foreign-language documentary directed by a woman…

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Animated Feature Contenders: China's "White Snake"

by Tim

The original Chinese title for the new animated mythological epic White Snake is just a hair different from the one that distributor GKIDS is using to promote the film. The literal translation is White Snake: Origin, which tells us quite a lot, in fact. This isn't just any old fantasy adventure, you see: it is, in fact, an original prequel to one of the most important of all traditional Chinese folk tales, "Legend of the White Snake." This matters for a couple of reasons: first, because it explains something that a lot of American critics have been complaining about, which is the film's frequently inscrutable narrative progression. Which is, to be fair, a little bit inscrutable, but much less so if you keep in mind that, for the target audience, many of the things that seem most inexplicable have already been explained simply by the film announcing up front that it takes place in a certain kind of generic universe where certain rules apply. Which sucks if you're not part of that target audience, but we can at least try to meet the film where it lives.

Second, even if you (like me) don't know much or anything about "Legend of the White Snake," you probably at least know one or two folk tales from your own background culture, and wherever you come from in the world, folklore has a very distinct cadence...

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All Oscar Charts Updated

by Nathaniel R

Peggy (Anna Paquin) silently judging "The Irishman" as it moves up the charts

Every Oscar chart has been at least slightly revised with Joker, The Irishman, and The Two Popes on the rise while JoJo Rabbit and A Beautiful Day in the Neighborhood take a few hits. For now we're only predicting two nominations for Richard Jewell though we do fear that it could grow larger still since critics and the Academy regularly lose their minds when confronted with the uneven acting and flat visuals of Clint Eastwood dramas. We'll never understand this annual glitch in the matrix.

Some risks we're taking at the moment: trying snubs for Frozen 2, Saoirse Ronan, Willem Dafoe, and Tom Hanks on for size to see how those particular charts feel without them as predicted nominees. 

Will they or won't they? It feels like Little Women and The Farewell are both on the bubble of a Best Picture nod. It would be fun to predict both but could they really overcome audience hit Ford V Ferrari and Eastwood bait Richard Jewell, simultaneously since both fit more neatly into the kind of stories (aka true and about men... sigh) that Oscar prefers?

UPDATED CHARTS 
INDEX | PICTURE | DIRECTOR
ACTRESS | ACTOR | SUPP' ACTRESS | SUPP' ACTOR | 
SCREENPLAYS | VISUAL | SOUND | 
ANIMATED & DOCUMENTARY | INTERNATIONAL FEATURE 

Review: Todd Haynes returns with "Dark Waters"

by Murtada Elfadl

You know you are in good hands when the actor chosen to come in and jumpstart the plot, give dimensionality to the film, or just wreck the audience hearts is Bill Camp. This is exactly who Todd Haynes chooses to do all three of these things in Dark Waters. Camp is a Virginia farmer who calls on a corporate lawyer he knows from the old neighborhood (Mark Ruffalo) to help him sue the big corporation that is killing his animals, his family and himself with the toxic waste they spill out in the water system and into the bodies of the unsuspecting.

This is just the tip of a big iceberg that Robert Bilott (Ruffalo) uncovers...

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